CymaSense: a real-time 3D cymatics-based sound visualisation tool (2017)
Presentation / Conference Contribution
McGowan, J., Leplâtre, G., & McGregor, I. (2017, June). CymaSense: a real-time 3D cymatics-based sound visualisation tool. Presented at 2017 ACM Conference Companion Publication on Designing Interactive Systems - DIS '17 Companion, Edinburgh

What does music look like? Representation of music has taken many forms over time, from musical notation [16], through to random algorithm-based visualisations based on the amplitude of an audio signal [19]. One aspect of music visualisation that has... Read More about CymaSense: a real-time 3D cymatics-based sound visualisation tool.

Using participatory visualisation of soundscapes to compare designers’ and listeners’ experiences of sound designs (2014)
Journal Article
McGregor, I., Turner, P., & Benyon, D. (2014). Using participatory visualisation of soundscapes to compare designers’ and listeners’ experiences of sound designs. Journal of Sonic Studies, 6(1),

There are numerous rules and well-established guidelines to help designers with the visual appearance of interactive technologies. In contrast, when it comes to the use of sound, there is a paucity of practical information regarding design for euphon... Read More about Using participatory visualisation of soundscapes to compare designers’ and listeners’ experiences of sound designs.

Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method (2008)
Presentation / Conference Contribution
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2008, June). Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method. Presented at ICAD 2008: The 14th annual International Conference on Auditory Display, Paris, France

The introduction of effective auditory warnings into a shared environment requires a prior understanding of the existing soundfield and soundscape. Reifying the physical and perceptual auditory environment enables a form of pre-auditioning, as well a... Read More about Visualising the soundfield and soundscape: extending Macaulay and Crerar’s 1998 method.

Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals. (2007)
Presentation / Conference Contribution
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2007, June). Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals. Presented at ICAD 2007: The 13th International Conference on Auditory Display, Montreal, Canada

This paper presents a unique insight into the way acousticians, computing specialists and sound designers describe the dimensions of sound they use. Seventy-five audio professionals completed a detailed questionnaire created to elicit common definiti... Read More about Establishing key dimensions for reifying soundfields and soundscapes from auditory professionals..

Mapping workplace soundscapes: Reifying Office Auditory Environments (2006)
Presentation / Conference Contribution
McGregor, I., Crerar, A., Benyon, D., & LePlâtre, G. (2006, November). Mapping workplace soundscapes: Reifying Office Auditory Environments. Presented at World Forum on Acoustic Ecology Conference, Hirosaki, Aomori, Japan

This paper reports an empirical study to investigate how individuals perceive and classify elements of their workplace auditory environments. The participants were 18 university employees chosen for their varying degrees of room occupancy, from singl... Read More about Mapping workplace soundscapes: Reifying Office Auditory Environments.

How to tackle auditory interface aesthetics? Discussion and case study (2004)
Presentation / Conference Contribution
LePlâtre, G., & McGregor, I. (2004, July). How to tackle auditory interface aesthetics? Discussion and case study. Presented at International Conference on Auditory Displays, ICAD'2004, Sydney, Australia

This paper discusses the importance of auditory interface
aesthetics and presents an empirical investigation of sound
aesthetics in context. The theoretical discussion examines the relationship between sound aesthetics and user satisfaction and con... Read More about How to tackle auditory interface aesthetics? Discussion and case study.

Telling people about virtual places: A qualitative perspective (2004)
Presentation / Conference Contribution
Turner, P., & McGregor, I. (2004, October). Telling people about virtual places: A qualitative perspective. Presented at Presence 2004, Valencia, Spain

This paper presents an investigation into how sound can be used to create a sense of place (that is, the sense of being in that particular place). In the study, people were asked to speak aloud and tell us what they could hear. The analysis of these... Read More about Telling people about virtual places: A qualitative perspective.

Evaluating soundscapes as a means of creating a sense of place (2003)
Presentation / Conference Contribution
Turner, P., McGregor, I., Turner, S., & Carroll, F. (2003, July). Evaluating soundscapes as a means of creating a sense of place. Presented at International Conference on Auditory Display, ICAD 2003

We report an empirical study into the creation of, and
response to, a soundscape of a computer centre. We contrast
the use of presence questionnaires, as means of assessing the sense of being-there, against a more phenomenological
approach. We con... Read More about Evaluating soundscapes as a means of creating a sense of place.

Soundfields and soundscapes: reifying auditory communities (2002)
Presentation / Conference Contribution
McGregor, I., Crerar, A., Benyon, D., & Macaulay, C. (2002, July). Soundfields and soundscapes: reifying auditory communities. Presented at International Conference on Auditory Displays (ICAD 2002) Advanced Telecommunications Research Institute (ATR), Kyoto, Japan

This paper reports progress towards mapping workplace soundscapes. In order to design auditory interfaces that integrate effectively with workplace environments, we need a detailed understanding of the way in which end users inhabit these environment... Read More about Soundfields and soundscapes: reifying auditory communities.