Gaelic Television: Building Bricks without Straw (2018)
Journal Article
Maclean, D. (2018). Gaelic Television: Building Bricks without Straw. International Journal of Scottish Theatre and Screen, 11(1), 6-28

This article considers the role and place of Gaelic television output looking at how Gaelic content was delivered prior to the creation of BBC Alba in 2008 and up to the present day. It compares the contradictory way in which it is has been viewed ex... Read More about Gaelic Television: Building Bricks without Straw.

STV At 60 (2018)
Journal Article
Scott, A. (2018). STV At 60. International Journal of Scottish Theatre and Screen, 11(1), 29-50

This article traces the history of Scottish Television (STV) since it was first established as the independent television channel serving central Scotland in 1957 by charting the company’s landmark productions across a range of genres made for both S... Read More about STV At 60.

Event: Women Working in Film & Television (2017)
Other
Macleod, K. (2017). Event: Women Working in Film & Television. Edinburgh Napier University, Edinburgh

Annual Networking and panel events to enhance gender diversity and promote women’s careers in film & Television. Held on International Women’s Day in School of Arts & Creative Industries, Edinburgh Napier.

Television and the Second Screen (2016)
Book
Blake, J. (2016). Television and the Second Screen. Routledge

This book examines an emerging and fast evolving phenomena: that a growing number of people engage with two screens whilst watching television. It seems a simple concept – until we discover the important implications. In doing this, this book will mo... Read More about Television and the Second Screen.

Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. (2016)
Journal Article
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6

Introduction to the special edition of Television & New Media.

Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black (2016)
Journal Article
Schwan, A. (2016). Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black. Television and New Media, 17(6), 473-490. https://doi.org/10.1177/1527476416647497

This article argues that Netflix’s original series Orange is the New Black (2013-), based on Piper Kerman’s memoir (2010), uses postfeminist strategies to covertly promote prison reform and exercise a subtle critique of (female) mass incarceration wh... Read More about Postfeminism Meets the Women in Prison Genre: Privilege and Spectatorship in Orange Is the New Black.

Personalised TV ads are the future – but is it time to panic? (2015)
Newspaper / Magazine
Blake, J. (2015). Personalised TV ads are the future – but is it time to panic?

TV Advertising is evolving quickly. This article examines how the popularity of viewing content on mobile platforms is changing the way we advertise. VOD and OTT media services have meant that advertisers can now automate and personalise their TV a... Read More about Personalised TV ads are the future – but is it time to panic?.

Is Local TV in Scotland different? (2015)
Presentation / Conference Contribution
Scott, A. J. (2015, November). Is Local TV in Scotland different?. Paper presented at Nations and Regions Conference: Challenging Media Landscapes, Salford, UK

Mobile Platforms and monetising the Second Screen. (2015)
Preprint / Working Paper
Blake, J. Mobile Platforms and monetising the Second Screen

Discussion paper commissioned by the RSE for its official working group on BBC Charter Renewal. The paper sought to investigate evolving mobile digital platforms and audience habits. Beyond this the research was intended to highlight areas where th... Read More about Mobile Platforms and monetising the Second Screen..

Film, “With a Song in your Heart". (2015)
Digital Artefact
Macleod, K. (2015). Film, “With a Song in your Heart"

Community Media Short Film: With a Song in your Heart – Participatory community based video production, 2015. (Director). A film that combines performance and memories of childhood. Filmed with the Govan Allsorts Choir.

In association with Planta... Read More about Film, “With a Song in your Heart"..

Film Bang – tracking the community of practice of personnel and production companies in Scotland’s film and television sector 1976-2016. (2015)
Presentation / Conference Contribution
Scott, A. J. (2015, January). Film Bang – tracking the community of practice of personnel and production companies in Scotland’s film and television sector 1976-2016. Paper presented at MeCCSA (Media, Communication and Cultural Studies Association) Annual Conference

Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. (2014)
Book Chapter
Artt, S. (2014). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). Palgrave

No abstract available.

“The Caledonian Turn – People’s Protest and Alternative Media in the Run up to the Scottish Referendum, 2014” (2014)
Presentation / Conference Contribution
Macleod, K. (2014, October). “The Caledonian Turn – People’s Protest and Alternative Media in the Run up to the Scottish Referendum, 2014”. Paper presented at ‘Sites of Protest’ MeCCSA Protest Network Conference, Canterbury Christchurch University

The Caledonian Turn – people’s protest, alternative media and campaigning in the run up to the Scottish Referendum, 2014.

The Scottish Referendum has provided the opportunity for a groundswell of people’s protest and involvement in political camp... Read More about “The Caledonian Turn – People’s Protest and Alternative Media in the Run up to the Scottish Referendum, 2014”.

“We had never heard of feminism: Older women and the production of knowledge in participatory production.” (2014)
Presentation / Conference Contribution
Macleod, K. (2014, April). “We had never heard of feminism: Older women and the production of knowledge in participatory production.”. Paper presented at Doing Women’s Film & Television History, University of East Anglia, UK

This paper explores women’s participation in the filmmaking process in participatory community based media production in the Govan area of Glasgow. In this paper I will discuss my ongoing work with older women and in particular discuss the production... Read More about “We had never heard of feminism: Older women and the production of knowledge in participatory production.”.

Foreword: Local Journalism, Radical Reporting and the Everyday. (2013)
Book Chapter
Atton, C. (2013). Foreword: Local Journalism, Radical Reporting and the Everyday. In T. Harcup (Ed.), Alternative journalism, alternative voices (xi-xvi). Routledge

BBC Radio Scotland Comedy Café. (2011)
Digital Artefact
Ridley-Ellis, D. (2011). BBC Radio Scotland Comedy Café

Contributor to pre-recorded BBC Radio Scotland programme.
Also broadcast as part of the Comedy Zone programme (13 Aug 2011)

Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. (2008)
Presentation / Conference Contribution
Artt, S. (2008, July). Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds

The woman behind the screen: adapting Edith Wharton's The House of Mirth. (2007)
Presentation / Conference Contribution
Artt, S. (2007, October). The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling

Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". (2006)
Presentation / Conference Contribution
Artt, S. (2006, July). Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe