Popular Music Education: Perspectives and Practices (2019)
Book Chapter
Moir, Z., Powell, B., & Smith, G. D. (2019). Popular Music Education: Perspectives and Practices. In Z. Moir, B. Powell, & G. Dylan Smith (Eds.), The Bloomsbury Handbook of Popular Music Education: Perspectives and Practices. London and New York: Bloomsbury Publishing

No abstract available.

Popular Music Education (R)evolution (2017)
Book Chapter
Smith, G. D., Moir, Z., Brennan, M., Rambarran, S., & Kirkman, P. (2017). Popular Music Education (R)evolution. In G. Dylan Smith, Z. Moir, M. Brennan, S. Rambarran, & P. Kirkman (Eds.), The Routledge Research Companion to Popular Music Education. Oxon: Taylor & Francis

No abstract available.

Real-time long-distance music collaboration using the Internet (2016)
Book Chapter
Ferguson, P. (2016). Real-time long-distance music collaboration using the Internet. In R. Hepworth-Sawyer, J. Hodgson, J. L. Paterson, & R. Toulson (Eds.), Innovation in Music II (174-178). Future Technology Press

The recent but rapid adoption of networked audio systems such as RedNet within the commercial and education domains is, as yet, limited to Local Area Networks (LANs) or Campus Area Networks (CANs). However, the increased connection bandwidth offered... Read More about Real-time long-distance music collaboration using the Internet.

Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices (2016)
Book Chapter
Atton, C. (2016). Between the avant-garde and the popular: the discursive economy of Brian Eno’s musical practices. In S. Albiez, & D. Pattie (Eds.), Brian Eno: Oblique Music, (69-83). Bloomsbury Publishing

No abstract available.

enlightenment (2016)
Other
Hails, J. (2016). enlightenment. [Musical score]. London, UK

Musical work for solo or duo microtonal trumpet(s) and fixed media.

Following the Instruments, Designers, and Users: The Case of the Fairlight CMI (2015)
Journal Article
Harkins, P. (2015). Following the Instruments, Designers, and Users: The Case of the Fairlight CMI. Journal on the Art of Record Production,

The focus of this article is the Fairlight Computer Musical Instrument (CMI), which is generally regarded as the first commercially available digital sampler. However, its designers, Peter Vogel and Kim Ryrie, were primarily interested in the use of... Read More about Following the Instruments, Designers, and Users: The Case of the Fairlight CMI.