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Outputs (30)

Deepa Mehta’s Frauenfiguren in FIRE - EARTH - WATER (2025)
Book Chapter
Stutterheim, K. (in press). Deepa Mehta’s Frauenfiguren in FIRE - EARTH - WATER. In C. Lang, & K. Nühlen (Eds.), Frauen in der Drehbucharbeit: Geschichte, Produktion, Ästhetik. De Gruyter

In my chapter, I will give an impression of the significance of the trilogy in relation to a female author's particular perspective on India's independence from Britain and the division of society and also religious radicalisation that accompanied it... Read More about Deepa Mehta’s Frauenfiguren in FIRE - EARTH - WATER.

Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz (2024)
Book Chapter
Jansen, I. (2024). Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz. In E. Blackmore, K. Knopf, W. G. Pearson, & C. Wieser-Cox (Eds.), The Routledge Handbook of Indigenous Film. Routledge. https://doi.org/10.4324/9781003303022-18

This chapter discusses different films by Mixtec filmmakers Ángeles Cruz and Nicolas Rojas Sánchez. Both filmmakers have received several national and international awards for their work. The films by Ángeles Cruz as well as the films by Nicolas Roja... Read More about Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz.

Authentizität und Dokumentarfilm: Was bedeutet das? (2024)
Book Chapter
Stutterheim, K. (in press). Authentizität und Dokumentarfilm: Was bedeutet das?. In Kurt Schwitter Symposium - Authentizität. Transcript Verlag

Authentizität im Dokumentarfilm wird seit längerem im Diskurs um das Genre Dokumentarfilm viel diskutiert. Der Begriff Authentizität, wie bereits in den anderen Beiträgen diskutiert, wird je nach akademischer Disziplin, in der die Autor*innen spezial... Read More about Authentizität und Dokumentarfilm: Was bedeutet das?.

Report on the International Communication and Market Performance of Chinese Films in 2023 (2024)
Book Chapter
Li, Q. (2024). Report on the International Communication and Market Performance of Chinese Films in 2023. In J. Mengyu, N. Xingzhen, & Z. Zenghan (Eds.), 全球电影产业发展报告 (2024) / Annual Report on Development of Global Film Industry (2024) (63-89). Social Sciences Academic Press (China)

This report analyses the challenges and opportunities faced by Chinese cinema in overseas markets during 2023, presenting the current development and future prospects of China’s film industry on the international stage, and offering recommendations f... Read More about Report on the International Communication and Market Performance of Chinese Films in 2023.

On the Cinematic Representation of South Asian Women in Scotland (2024)
Book Chapter
Bilgrami, S. (2024). On the Cinematic Representation of South Asian Women in Scotland. In J. Morrison, & S. Pedersen (Eds.), Silenced Voices and the Media (83-100). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-65403-9_6

Despite growing awareness about a lack of diversity across the Scottish screen industries, there is little representation of ethnically diverse characters in Scottish films. South Asian communities appear in the periphery of Scottish cinema where fil... Read More about On the Cinematic Representation of South Asian Women in Scotland.

Authentizität und Poetischer Dokumentarfilm (2024)
Book Chapter
Stutterheim, K. (in press). Authentizität und Poetischer Dokumentarfilm. In Authentizität in den Medien (25). transcript Verlag

Authentizität im Dokumentarfilm wird seit längerem im Diskurs um das Genre Dokumentarfilm viel diskutiert. Der Begriff Authentizität, wie bereits in den anderen Beiträgen diskutiert, wird je nach akademischer Disziplin, in der die Autor*innen spezial... Read More about Authentizität und Poetischer Dokumentarfilm.

Narrative Structure in the Iranian Screenplay: An Analysis of Asghar Farhadi’s The Salesman’ (2024)
Book Chapter
Neilan, C. (in press). Narrative Structure in the Iranian Screenplay: An Analysis of Asghar Farhadi’s The Salesman’. In The Bloomsbury Handbook of Global Screenplay Theory. Bloomsbury Publishing

Since the emergence of Syd Field’s Screenplay in 1979 and the modern screenwriting gurus that followed, Western cinema has undergone a profound conventionalisation process, deifying the single protagonist quest narrative, with its roots in Aristoteli... Read More about Narrative Structure in the Iranian Screenplay: An Analysis of Asghar Farhadi’s The Salesman’.

Content Curation: Best Practices and Techniques (2023)
Book Chapter
Cameron, J. (2023). Content Curation: Best Practices and Techniques. In Digital Content Marketing: Creating Value in Practice (140-158). Routledge. https://doi.org/10.4324/9781003346500-9

In this chapter you will learn how carefully considered content curation can play a highly effective role in stimulating brand-related engagement, in particular on social media channels. Marketing concepts and theories that shed light on brand-relate... Read More about Content Curation: Best Practices and Techniques.

Visual Dramaturgy – from Caligari to Shutter Island (2023)
Book Chapter
Stutterheim, K. (in press). Visual Dramaturgy – from Caligari to Shutter Island. In Bloomsbury Handbook of Global Screenplay Theory. Bloomsbury Publishing

Visual dramaturgy has been an important aspect of storytelling since the beginning of cinema. David Bordwell, describing cinema as ‘providing successive pictorial displays’ (Bordwell 2006: 11) directs our focus onto the relevance of the visual level... Read More about Visual Dramaturgy – from Caligari to Shutter Island.

Film Dramaturgy: A Practice and a Tool for Researchers (2023)
Book Chapter
Stutterheim, K. (2023). Film Dramaturgy: A Practice and a Tool for Researchers. In R. Davies, P. Russo, & C. Tieber (Eds.), The Palgrave Handbook of Screenwriting Studies (689-708). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-20769-3_36

This chapter gives an overview of dramaturgy as practice and discipline. Dramaturgy has its origins in Antiquity and established itself as a theoretical and analytical approach to understand and support narrative-performative arts in the eighteenth c... Read More about Film Dramaturgy: A Practice and a Tool for Researchers.

Sound Dramaturgy (2023)
Book Chapter
Stutterheim, K. (in press). Sound Dramaturgy. In Teaching Sound for the 21st Century. CILECT

Sound dramaturgy as part of the aesthetic design of either a film or a Virtual Reality (VR) experience is invisible, but most relevant, although often overlooked. As a sound person and academic, I have long been interested in the dramaturgical releva... Read More about Sound Dramaturgy.

SPARTACUS’ Aftermath / Influences (2023)
Book Chapter
Stutterheim, K. SPARTACUS’ Aftermath / Influences. In Kubrick encounters Spartacus. (Kubrick Studies). Liverpool University Press

A short reflection on the impact of the movie onto Kubricks carreer but moreover how it got referred to by later productions - movies, TV productions, and games alike.

The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020 (2023)
Book Chapter
Li, Q. (2023). The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020. In Q. Li, D. Wilson, & Y. Guan (Eds.), The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption (114-122). Routledge. https://doi.org/10.4324/9781003345251

In the wake of the pandemic, the traditional mode of theatrical release has been disrupted, and Hollywood has had to shift its focus to alternative methods of distribution, such as releasing films on streaming platforms. This shift has been necessita... Read More about The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020.

The Epic Spartacus (2023)
Book Chapter
Stutterheim, K. The Epic Spartacus. In Kubrick Encounters Spartacus. Liverpool University Press

Epic stories portray influential characters acting under extraordinary circumstances. As we can see it happens to Spartacus in this movie, the main character is forced to act in a way they never would have imagined a moment before the incident starts... Read More about The Epic Spartacus.

Time is not relative – a modern and postmodern approach to time in The Shining (2022)
Book Chapter
Stutterheim, K. (in press). Time is not relative – a modern and postmodern approach to time in The Shining. In Bloomsbury Handbook of Global Screenplay Theory. Bloomsbury Publishing

Time spans and temporal relationships in film narratives are relevant to the dramaturgical or dramatic form of the screenplay. As humans, we experience time as linear and causal, in rhythm with our breath and heartbeat. The significance of time and o... Read More about Time is not relative – a modern and postmodern approach to time in The Shining.

‘World’s long on academics, Morse, but woeful short of good detectives’: Lewis, Hathaway and Endeavour: The changing roles of Colin Dexter’s sidekick (2021)
Book Chapter
Bishop, D. (2021). ‘World’s long on academics, Morse, but woeful short of good detectives’: Lewis, Hathaway and Endeavour: The changing roles of Colin Dexter’s sidekick. In L. Andrew, & S. Saunders (Eds.), The Detective's Companion in Crime Fiction: A Study in Sidekicks (237-259). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-74989-7

Bishop offers the first comprehensive analysis of the many variations of sidekick found in Colin Dexter’s Inspector Morse novels, and in the three television drama series based on his characters. Focusing on the range of approaches taken to represent... Read More about ‘World’s long on academics, Morse, but woeful short of good detectives’: Lewis, Hathaway and Endeavour: The changing roles of Colin Dexter’s sidekick.

Challenges to the Traditional Distribution Model of Hollywood Blockbusters in 2020 During the COVID-19 Pandemic (2020年好莱坞大片的传统发行模式在新冠肺炎疫情中面临的挑战) (2021)
Book Chapter
Li, Q. (2021). Challenges to the Traditional Distribution Model of Hollywood Blockbusters in 2020 During the COVID-19 Pandemic (2020年好莱坞大片的传统发行模式在新冠肺炎疫情中面临的挑战). In Global Film Industry Development Report (2021) (249-256). (2021 edn.). Social Sciences Academic Press (China)

Beginning in early 2020, the global outbreak of COVID-19 dealt a severe blow to the worldwide film industry. Hollywood, as the centre of the global film industry, experienced unprecedented disruption: film productions were halted, and widespread cine... Read More about Challenges to the Traditional Distribution Model of Hollywood Blockbusters in 2020 During the COVID-19 Pandemic (2020年好莱坞大片的传统发行模式在新冠肺炎疫情中面临的挑战).

Commission, Position and Production: Intent and Intervention in Minority Language Programmes (2019)
Book Chapter
Maclean, D. (2019). Commission, Position and Production: Intent and Intervention in Minority Language Programmes. In C. Batty, M. Berry, K. Dooley, B. Frankham, & S. Kerrigan (Eds.), The Palgrave Handbook of Screen Production (19-31). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-21744-0_2

This chapter uses documentaries to examine the processes, thinking and practices that a filmmaker undergoes, from the initial idea through to production. It will consider how the documentary filmmaker’s ideas and ‘intent’ is mediated and changed by c... Read More about Commission, Position and Production: Intent and Intervention in Minority Language Programmes.

One, Two, Three, Many: Dream-Culture, Charms and Nightmares (2019)
Book Chapter
Milne, L. S. (2019). One, Two, Three, Many: Dream-Culture, Charms and Nightmares. In E. Pocs, J. Kapaló, L. S. Milne, & C. Somerville (Eds.), Charms and Charming: Studies on Magic in Everyday Life (129-167). Scientific Research Centre of the Slovenian Academy of Sciences and Arts

Researchers may focus on charms as evidence about belief-systems in particular regions, periods or demographics; for insights into wider theoretical issues in the anthropology of religion, magic and ritual; or for their intrinsic qualities as poetic... Read More about One, Two, Three, Many: Dream-Culture, Charms and Nightmares.