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Outputs (214)

Sound Dramaturgy for Poetic Documentaries (2023)
Journal Article
Stutterheim, K. (2023). Sound Dramaturgy for Poetic Documentaries. International Journal of Film and Media Arts, 8(3), 59-73. https://doi.org/10.24140/ijfma.v8.n3.04

Sound dramaturgy as part of the aesthetic design of documentary films is invisible but most relevant, although often overlooked. The chapter gives a short introduction to dramaturgy and the importance of sound dramaturgy as most impactful for documen... Read More about Sound Dramaturgy for Poetic Documentaries.

Activating and Developing Free Improvisational Creativities in Higher Education: Contesting Authority, Exploring Creativities, Stimulating Dialogue (2022)
Book Chapter
Atton, C., Cowan, M., Docherty, H., Farnish, K., Moir, Z., & Pattie, E. (2022). Activating and Developing Free Improvisational Creativities in Higher Education: Contesting Authority, Exploring Creativities, Stimulating Dialogue. In C. Randles, & P. Burnard (Eds.), The Routledge Companion to Creativities in Music Education. Routledge. https://doi.org/10.4324/9781003248194-35

This chapter explores the concept of improvisational creativities in higher education and the ways in which such an approach to music education is beneficial. We report on a collaborative autoethnography, conducted by the authors, in which we explore... Read More about Activating and Developing Free Improvisational Creativities in Higher Education: Contesting Authority, Exploring Creativities, Stimulating Dialogue.

Haftor Medbøe|Konrad Wiszniewski: Poiesis (2023)
Digital Artefact
Medboe, H., & Wiszniewski, K. (2023). Haftor Medbøe|Konrad Wiszniewski: Poiesis. [Compact Cassette and digital distribution]

An album of freely improvised music recorded in July 2022 and released on compact cassette and digital platforms by Subcontinental Records, Bangalore.

T/ensor/~ 0.3 (2023)
Presentation / Conference Contribution
Papageorgiou, D. (2023, May). T/ensor/~ 0.3. Presented at The International Conference on New Interfaces for Musical Expression (NIME), Mexico City

T/ensor/~ (version 0.3) is a prototype of a dynamic performance system developed in MAX that involves adaptive digital signal processing modules and generative processes towards exploring the field and performance-practice of human-machine improvisat... Read More about T/ensor/~ 0.3.

From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy (2021)
Presentation / Conference Contribution
Frayn, A. (2021, July). From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy. Paper presented at Beyond the Avant-Garde? Rethinking the Vanguard in British Music since 1970, Goldsmiths and the University of Manchester (online)

David Bowie’s Blackstar (2016) has been written about extensively as a final album, and conceptualised in terms of Theodor W. Adorno and Edward W. Said’s work on late style (e.g. Frayn and Durkin, 2017; McMullan, 2018; Schott, 2020; Graham, 2021). Th... Read More about From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy.

Crisis? What Crisis? Carbonism, Solutionism, and the (Un)sustainability of Music (2023)
Presentation / Conference Contribution
Harkins, P. (2023, June). Crisis? What Crisis? Carbonism, Solutionism, and the (Un)sustainability of Music. Paper presented at XXII Biennial IASPM International Conference, Minneapolis, Minnesota, US

In June 2021, the Tyndall Centre for Climate Change Research published ‘Super-Low Carbon Live Music: a roadmap for the UK live music sector to play its part in tackling the climate crisis’. Commissioned by the Bristol trip-hop group, Massive Attack,... Read More about Crisis? What Crisis? Carbonism, Solutionism, and the (Un)sustainability of Music.

‘Keeping the Machines Alive’: Repairing and Maintaining the Fairlight CMI. (2023)
Presentation / Conference Contribution
Harkins, P. (2023, June). ‘Keeping the Machines Alive’: Repairing and Maintaining the Fairlight CMI. Paper presented at Innovation In Music Conference 2023, Edinburgh, UK

The story of the Fairlight CMI is a story of misuse. Designed primarily as a digital synthesizer for the imitation of acoustic instruments, it was used in the worlds of popular music to sample the sounds of everyday life and pre-existing recordings.... Read More about ‘Keeping the Machines Alive’: Repairing and Maintaining the Fairlight CMI..

Proceedings of the 18th International Audio Mostly Conference (2023)
Presentation / Conference Contribution
(2023). Proceedings of the 18th International Audio Mostly Conference. . https://doi.org/10.1145/3616195

Audio Mostly is an interdisciplinary conference on design and experience of interaction with sound that prides itself on embracing applied theory and reflective practice. Its annual gatherings bring together thinkers and doers from academia and indus... Read More about Proceedings of the 18th International Audio Mostly Conference.

The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy (2024)
Journal Article
Donn, R., Stillie, B., & Moir, Z. (2024). The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy. Music Education Research, 26(1), 58-70. https://doi.org/10.1080/14613808.2024.2309204

This article, which is intended as a contribution to wider conversations around music literacy, explores current conceptions of music literacy within the UK, using the area of aural skills training as a focus. Specifically, it considers the nature of... Read More about The shifting sands of UK secondary music curricula: problematising relationships between aural training and music literacy.

Green in Blue: The environmental impacts of jazz production and consumption (2023)
Journal Article
Medboe, H. (2023). Green in Blue: The environmental impacts of jazz production and consumption. Jazz Research Journal, 16(2), 129-146

This article examines environmental consequences in the manufacture and dissemination of recorded jazz alongside the ecological impacts of jazz festivals as sites of fandom and convergence. By tracing the roots and development in the models for produ... Read More about Green in Blue: The environmental impacts of jazz production and consumption.

An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound (2024)
Journal Article
Tanaka, A., Visi, F., Di Donato, B., Klang, M., & Zbyszyński, M. (2024). An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound. Computer Music Journal, 47(1), 64-84. https://doi.org/10.1162/comj_a_00672

This article presents a custom system combining hardware and sortware that sense physiological signals of the performer's body resulting from muscle contraction and translates them to computer-synthesized sound. Our goal was to build upon the history... Read More about An End-to-End Musical Instrument System That Translates Electromyogram Biosignals to Synthesized Sound.

For Notre-Dame du Haut (2023)
Other
Burton, K. (2023). For Notre-Dame du Haut

Le Corbusier's Chapel of Notre-Dame du Haut, a UNESCO World Heritage Site, is one of the most significant buildings of the 20th century. Invited to present my work in the space, a privilege granted few, this research focused on a new composition, tit... Read More about For Notre-Dame du Haut.

From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz (2024)
Book Chapter
Raine, S., & Medbøe, H. (2024). From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz. In R. Prokop, & R. Reitsamer (Eds.), Higher Music Education and Employability in a Neoliberal World. Bloomsbury Publishing

As evidenced from the festival stage and behind the scenes (Raine, 2020), the UK jazz scene continues to be male-dominated and middle-class (Umney and Kretsos, 2015; Umney, 2016). Drawing upon interviews and focus groups with jazz musicians, educator... Read More about From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz.