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All Outputs (52)

Contextualisation of an unpublished document as text collage: Tate Jukka and Pekka (2016) (2024)
Presentation / Conference Contribution
Turtola, N. (2023, November). Contextualisation of an unpublished document as text collage: Tate Jukka and Pekka (2016). Presented at AOR2023: The eighth Art of Research conference 2023 - “Re-Imagining, Aalto University, Espoo, Finland

The purpose of this article is to contextualise an unpublished document titled Tate Jukka and Pekka (2016) through the method of experimental writing: text collage. Contextualisation happens through a literature review, re-visioning and returning to... Read More about Contextualisation of an unpublished document as text collage: Tate Jukka and Pekka (2016).

Art Directing Blended Experiences (2024)
Presentation / Conference Contribution
Mastermaker, M., Okeefe, B. J., Flint, T., & Resmini, A. (2024, July). Art Directing Blended Experiences. Presented at Designing Interactive Systems Conference, Copenhagen, Denmark

Interactions between the physical and the digital have become increasingly ubiquitous. They are particularly challenging to visualize and illustrate, as they usually unfold over time and space and involve multiple devices, locations, services, and ac... Read More about Art Directing Blended Experiences.

Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz (2024)
Book Chapter
Jansen, I. (in press). Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz. In The Routledge Handbook of Indigenous Film. Routledge

This chapter discusses different films by Mixtec filmmakers Ángeles Cruz and Nicolas Rojas Sánchez. Both filmmakers have received several national and international awards for their work. The films by Ángeles Cruz as well as the films by Nicolas Roja... Read More about Communitarian Narratives in the Films of Nicolas Rojas Sánchez and Ángeles Cruz.

The First World War in the 1920s (2024)
Book Chapter
Frayn, A. The First World War in the 1920s. In The 1920s: A Decade of Modern British Fiction. Bloomsbury Publishing

A survey of First World War literature in the 1920s.

Designing Blended Experiences Workshop: Pedagogies across digital and physical spaces (2024)
Presentation / Conference Contribution
Okeefe, B. J., Resmini, A., Flint, T., Chirico, A., Carter, A. R. L., Mastermaker, M., Lindenfalk, B., & Sturdee, M. (2024, July). Designing Blended Experiences Workshop: Pedagogies across digital and physical spaces. Presented at Designing Interactive Systems Conference, Copenhagen, Denmark

Digital transformation is increasingly blurring the line between what software is and what the physical world can be. This requires designers to harmoniously blend digital and physical products, services, and spaces to orchestrate meaningful experien... Read More about Designing Blended Experiences Workshop: Pedagogies across digital and physical spaces.

Thought Experiments In The Ethics Of Designing For Future People (2024)
Presentation / Conference Contribution
Buwert, P., & Sinclair, M. (2024, June). Thought Experiments In The Ethics Of Designing For Future People. Presented at DRS 2024, Boston, USA

The Non-Identity Problem (NIP) is a philosophical puzzle which challenges our intuitive assumptions and reasoning around the question of our moral obligations towards ‘future people’. This paper explores the significance of the NIP for design, an act... Read More about Thought Experiments In The Ethics Of Designing For Future People.

A Divine Fury (2024)
Book
Bishop, D. (2024). A Divine Fury. (Hardback). Pan Macmillan

A religious serial killer is haunting Florence and only Cesare Aldo can stop them. A Divine Fury is an atmospheric historical thriller by D. V. Bishop, set in Renaissance Italy. 'Full of dash and atmosphere' - The Times 'Fast becoming a serious... Read More about A Divine Fury.

The Non-Identity Problem: thought experiments in the ethics of designing for future people (2024)
Presentation / Conference Contribution
Buwert, P., & Sinclair, M. (2024, June). The Non-Identity Problem: thought experiments in the ethics of designing for future people. Presented at DRS 2024 Boston: Resistance, Recovery, Reflection, Reimagination, Boston, MA, US

The Non-Identity Problem (NIP) is a philosophical puzzle which challenges our intuitive assumptions and reasoning around the question of our moral obligations towards 'future people'. This paper explores the significance of the NIP for design, an act... Read More about The Non-Identity Problem: thought experiments in the ethics of designing for future people.

Unwavering Decolonial Hauntings in Mati Diop’s Atlantics (2024)
Presentation / Conference Contribution
Bouet, E. (2024, August). Unwavering Decolonial Hauntings in Mati Diop’s Atlantics. Presented at The Flowing Image: The Ocean On-Screen, University of Southampton, Southampton, UK

Atlantics (Atlantique, 2019) is Mati Diop’s first directorial feature film. The story takes place in Dakar in which luxury hotels are being developed for wealthy foreign customers. The Senegalese construction workers are left unpaid for three months... Read More about Unwavering Decolonial Hauntings in Mati Diop’s Atlantics.

From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz (2024)
Book Chapter
Raine, S., & Medbøe, H. (2024). From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz. In R. Prokop, & R. Reitsamer (Eds.), Higher Music Education and Employability in a Neoliberal World. Bloomsbury Publishing

As evidenced from the festival stage and behind the scenes (Raine, 2020), the UK jazz scene continues to be male-dominated and middle-class (Umney and Kretsos, 2015; Umney, 2016). Drawing upon interviews and focus groups with jazz musicians, educator... Read More about From Music Higher Education to the Festival Stage: Questioning the Neoliberal Environments of Scottish Jazz.

Why I Love Doctor Who and the Genesis of the Daleks (2024)
Newspaper / Magazine
Bishop, D. (2024). Why I Love Doctor Who and the Genesis of the Daleks. London

David Bishop examines the formative impact on his writer made by Terrance Dicks' novelisation Doctor Who and the Genesis of the Daleks.

The First World War and Ford Madox Ford’s Short Stories, 1914–1920 (2024)
Journal Article
Frayn, A. (2024). The First World War and Ford Madox Ford’s Short Stories, 1914–1920. Humanities, 13(3), Article 86. https://doi.org/10.3390/h13030086

This article analyses together, for the first time, Ford Madox Ford’s short stories about the First World War. A surprisingly unfamiliar form for Ford, who valued allusion, subtlety, and omission as narrative devices, we see in these stories his firs... Read More about The First World War and Ford Madox Ford’s Short Stories, 1914–1920.

Chester Brown (2024)
Book
Køhlert, F. B. (in press). Chester Brown. University Press of Mississippi

Against Dystopias with Ecological Literacy (2024)
Journal Article
Boehnert, J., Alexander, A., & Sinclair, M. (2024). Against Dystopias with Ecological Literacy. Cuadernos del Centro de Estudios en Diseño y Comunicación, 222(27), 39-63. https://doi.org/10.18682/cdc.vi222.11202

The longstanding dismissal of the ecological in civilisations that have developed dramatic ecology-altering and planetary boundary crossing technologies is at the crux of contemporary planetary polycrisis. Desirable and even viable futures depend on... Read More about Against Dystopias with Ecological Literacy.

"Proved Dead . . . Proved Dead . . .”: Ellipsis, elision and expurgation in interwar First World War prose (2024)
Book Chapter
Frayn, A. "Proved Dead . . . Proved Dead . . .”: Ellipsis, elision and expurgation in interwar First World War prose. In A History of Punctuation in English Literature. Cambridge University Press

This chapter addresses the use of various forms of typographical ellipsis. In it I argue that ellipses represent failures of communication which are characteristic of early-twentieth-century writing, pointing to limit experiences which could be desc... Read More about "Proved Dead . . . Proved Dead . . .”: Ellipsis, elision and expurgation in interwar First World War prose.