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All Outputs (43)

A study of the relationship between personalised 3D printed 'Souvenirs of Place' and public perception of modern architectural heritage (2017)
Presentation / Conference Contribution
Vettese, S., Anastasiadou, C., & Vones, K. (2017, April). A study of the relationship between personalised 3D printed 'Souvenirs of Place' and public perception of modern architectural heritage. Presented at EAD12/2017 Design for Next, Rome, Italy

At present, there is a disconnection between academic and public perception of Modern heritage, particularly Brutalist architecture. This research utilises the processes and experiences of making 3D printed ‘souvenirs of place’ to investigate their p... Read More about A study of the relationship between personalised 3D printed 'Souvenirs of Place' and public perception of modern architectural heritage.

3D Printable Recycled Textiles: Material Innovation and a Resurrection of the Forgotten “shoddy” Industry (2017)
Journal Article
Vettese Forster, S. (2017). 3D Printable Recycled Textiles: Material Innovation and a Resurrection of the Forgotten “shoddy” Industry. Journal of Textile Design Research and Practice, 5(2), 138-156. https://doi.org/10.1080/20511787.2018.1449073

This paper will disseminate an interdisciplinary project, undertaken at Edinburgh Napier University between the Design and Advanced Materials. Several 3D printable materials are commercially available that use recycled material, including post consum... Read More about 3D Printable Recycled Textiles: Material Innovation and a Resurrection of the Forgotten “shoddy” Industry.

A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication (2017)
Presentation / Conference Contribution
Vettese, S., Thompson, P., & Allan, D. (2016, November). A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication. Presented at Open Design for E-very-thing

In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ environments, enabled by online communities of ‘citizen practitioners' and maker... Read More about A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication.

An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration (2017)
Presentation / Conference Contribution
Burn, K., Vettese, S., & Shackleton, J. (2017). An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration. In Circular Transitions Proceedings (141-154)

Embellishment, in a fashion and textile context, can be considered an extraneous decorative process that has a significant detrimental impact on the environment. However, aesthetic and cultural theories, in addition to consumer appeal, show that it i... Read More about An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration.

In Situ 3D Printed Souvenirs and their Affect on Visitors Engagement with Built Heritage (2016)
Presentation / Conference Contribution
Vettese, S., & Anastasiadou, C. (2016, April). In Situ 3D Printed Souvenirs and their Affect on Visitors Engagement with Built Heritage. Presented at In this place : cumulus association biannual international conference, Nottingham, UK

In this study, visitors’ perception and engagement with built heritage surroundings was investigated in relation to their interaction with 3d printed souvenirs which reflected architectural features of the site. A 3D printer was set up in Stirling Ca... Read More about In Situ 3D Printed Souvenirs and their Affect on Visitors Engagement with Built Heritage.

Making Tourist Experiences Through Personalisable 3D Printed Souvenirs (2016)
Journal Article
Vettese Forster, S., Anastasiadou, C., & Calder, L. (2016). Making Tourist Experiences Through Personalisable 3D Printed Souvenirs. Making Futures, IV,

Gift shops are common in most museums and galleries that provide visitors with shopping experiences as well as the opportunity to transform their intangible experience of the visit to a tangible memory through the purchase of a souvenir. It can also... Read More about Making Tourist Experiences Through Personalisable 3D Printed Souvenirs.

3D printable fillament utilising waste Scottish textiles and leather f (2016)
Physical Artefact
Vettese, S., & hindle, C. 3D printable fillament utilising waste Scottish textiles and leather f. [Materials]

The project team (including Colin Hindle from Advanced Materials and Research Assistant Ari Loughlin) created a prototype 3D printable filament utilising waste textiles (selvedge cut from looms provided by the companies Bute, Calzeat and Begg and Co... Read More about 3D printable fillament utilising waste Scottish textiles and leather f.

Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs (2015)
Presentation / Conference Contribution
Forster, S., & Anastasiadou, C. (2015). Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs. In Proceedings Heritage Tourism & Hospitality International Conference 2015

This research set out to investigate whether technological innovations in design and the personalisation of tourist souvenirs through 3D printing, could offer opportunities to break away from stereotypically throwaway, low quality, mass manufactured... Read More about Enhancing the Tourist Heritage Experience through In-Situ, Customisable, 3D printed Souvenirs.

Digimakit: 3D printed, co-created, experiential souvenirs (2015)
Presentation / Conference Contribution
Anastasiadou, C., & Vettese, S. (2015, April). Digimakit: 3D printed, co-created, experiential souvenirs. Presented at ETAG Technology Conference 2015: Shine the Light Technology, Edinburgh

Etched in the Memory. (2015)
Journal Article
Forster, A. M., Vettese-Forster, S., & Borland, J. (2015). Etched in the Memory. RICS Building Conservation Journal, 28-29

Alan Forster, Samantha Vettese-Forster and John Borland explore the cultural value of preserving historic graffiti.

Journal of Design Practice and Research, Volume 3, 2014 (2014)
Book
Lambert, I., Firth, R., MacLeod, M., Forster, S., Innes, M., Winton, E., …Titley, W. (2014). Journal of Design Practice and Research, Volume 3, 2014. Edinburgh Napier University

Editorial -Welcome to the third issue of the Journal for Design Practice & Research.
The last 18 months has been an extremely busy time for us. We have continued to grow as a team, with new members joining, and our work grows ever more diverse. We h... Read More about Journal of Design Practice and Research, Volume 3, 2014.

An examination of the role of sound in defining the city in the context of Edinburgh (2014)
Journal Article
Vettese-Forster, S., Gowans, S., Case, J., & Maciej, K. (2014). An examination of the role of sound in defining the city in the context of Edinburgh. European Academic Research, 1, 3218-3247

The surfeit of generic and place-specific sounds that exist in the urban environment contribute to what has been referred to as the soundscape. Within the built environment sound has the potential to create thresholds and acoustic territories that de... Read More about An examination of the role of sound in defining the city in the context of Edinburgh.

The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion. (2013)
Journal Article
Vettese-Forster, S., & Christie, R. M. (2013). The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion. Journal of the International Colour Association, 11, 1-17

From the middle of the 19th century, fashionable garments for women, which had previously been restricted largely to the wealthy social classes, began to become much more widely accessible in society. Many factors contributed towards this change, inc... Read More about The significance of the introduction of synthetic dyes in the mid 19th century on the democratisation of western fashion..

Thermochromic dyes and sunlight activating systems - An alternative means to induce colour change. (2013)
Presentation / Conference Contribution
Ledendal, M., Christie, R. M., & Vettese-Forster, S. (2013). Thermochromic dyes and sunlight activating systems - An alternative means to induce colour change

The general purpose of this work is to investigate the potential of a mobile phone to capture soil colour images and process them, returning the corresponding Munsell colour coordi- nates from the digital RGB captured images, and also estimate the tr... Read More about Thermochromic dyes and sunlight activating systems - An alternative means to induce colour change..

A visual and contextual comparative study of the work of Picasso and Chanel towards an understanding of the overlaps between Modern Art and Fashion (2012)
Journal Article
Vettese-Forster, S. (2012). A visual and contextual comparative study of the work of Picasso and Chanel towards an understanding of the overlaps between Modern Art and Fashion. The International Journal of Costume and Fashion, 12, 15-32

From the beginning of the twentieth century, ``Modernism`` impacted and transformed art and clothing. Pablo Picasso and Gabrielle ``Coco`` Chanel were two of the most central characters in Modernism working simultaneously in their disciplines. Picass... Read More about A visual and contextual comparative study of the work of Picasso and Chanel towards an understanding of the overlaps between Modern Art and Fashion.

Journal of Design Practice and Research Volume 2, 2012. (2012)
Book
Lambert, I., Firth, R., Forster, S., Innes, M., Macdonald, I., MacLeod, M., …Winton, E. (2012). Journal of Design Practice and Research Volume 2, 2012. Edinburgh Napier University

Since the publication of the first issue of our journal twelve months ago our team of creative practitioners and academics has expanded (see pages 32-39), as has our work with industry and the public sector. We have worked on several more SFC Innovat... Read More about Journal of Design Practice and Research Volume 2, 2012..

Evaluating historic graffiti based on cultural significance and definitions of art (2012)
Journal Article
Vettese-Forster, S., & Forster, A. M. (2012). Evaluating historic graffiti based on cultural significance and definitions of art. Journal of European Popular Culture, 2, 113-128. https://doi.org/10.1386/jepc.2.2.113_1

Many examples of historic graffiti have been shown to be worthy of attention and conservation. The examples discussed in this article have been selected for their previous academic study, enabling rational assessment. This work does not suggest that... Read More about Evaluating historic graffiti based on cultural significance and definitions of art.

Evaluating the cultural significance of historic graffiti (2012)
Journal Article
Forster, A. M., Vettese‐Forster, S., & Borland, J. (2012). Evaluating the cultural significance of historic graffiti. Structural survey, 30(1), 43-64. https://doi.org/10.1108/02630801211226637

Purpose
Graffiti, both ancient and contemporary, could be argued to be significant and therefore worthy of protection. Attaching value is, however, subjective with no specific method being solely utilised for evaluating these items. The purpose of t... Read More about Evaluating the cultural significance of historic graffiti.

Relating Innovative 2D Ideas into 3D Garments in Terms of Structure, Using ‘Sculptural Form Giving’ as an Intermediate Step in Creation. (2011)
Presentation / Conference Contribution
Kalkreuter, B., Vettese-Forster, S., & Huang, Y. C. (2011). Relating Innovative 2D Ideas into 3D Garments in Terms of Structure, Using ‘Sculptural Form Giving’ as an Intermediate Step in Creation.

This research focuses on finding a fashion design methodology to reliably translate innovative
two-dimensional ideas on paper, via a structural design sculpture, into an intermediate model.
The author, both as a fashion designer and a researcher, h... Read More about Relating Innovative 2D Ideas into 3D Garments in Terms of Structure, Using ‘Sculptural Form Giving’ as an Intermediate Step in Creation..