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Outputs (171)

Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm (2022)
Presentation / Conference Contribution
Artt, S. (2022, June). Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, Portugal

In Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the Bene Gesserit. Veiled in an elaborate costume, it is Rampling’s voice that... Read More about Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm.

Deepa Mehta’s Frauenfiguren in FIRE -EARTH –WATER (2023)
Book Chapter
Stutterheim, K. Deepa Mehta’s Frauenfiguren in FIRE -EARTH –WATER. In K. Nuehlen, & C. Lang (Eds.), Frauen in der Drehbucharbeit. De Gruyter. Manuscript submitted for publication

This is a Chapter for Frauen in der Drehbucharbeit, edited by Kathrin Nuehlen and Christine Lang, for DeGruyter. In my chapter, I will give an impression of the significance of the trilogy in relation to a female author's particular perspective on... Read More about Deepa Mehta’s Frauenfiguren in FIRE -EARTH –WATER.

The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic (2021)
Presentation / Conference Contribution
MacLeod, K. (2021, March). The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic. Paper presented at MPE/MeCCSA Practice Network Symposium 2021, Bournemouth University

The presentation will discuss initial reflections on a UKRI funded impact and engagement project in the Pacific, aimed at addressing community based and participatory media production as a development methodology to tackle gender inequality and speci... Read More about The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic.

Bleeding Free – advocacy and activism in the production of a student led documentary on period poverty and menstrual health education (2021)
Presentation / Conference Contribution
MacLeod, K. (2021, October). Bleeding Free – advocacy and activism in the production of a student led documentary on period poverty and menstrual health education. Paper presented at Menstruation in the Media (in collaboration with Menstruation Research Network), Sheffield Halam University

This paper will discuss the a university produced social impact documentary, Bleeding Free, produced by an advocacy and impact collective, Bleedin Saor . The collective (meaning Bleeding Free in Scots & Gaelic) aimed to increase access to period prod... Read More about Bleeding Free – advocacy and activism in the production of a student led documentary on period poverty and menstrual health education.

Documentary Practice as Research Methodology (2018)
Presentation / Conference Contribution
MacLeod, K. (2018, June). Documentary Practice as Research Methodology. Paper presented at Meccsa Practice as Research Network Symposium, University of Lincoln

This paper proposes documentary filmmaking as creative practice and as a methodological approach to research. This is relevant to the specific research contexts in which documentary production is situated, as well as to a broader critique of the vali... Read More about Documentary Practice as Research Methodology.

The past in the present: constructions of community through participatory and collaborative documentary production (2019)
Presentation / Conference Contribution
MacLeod, K., & Scott, A. (2019, January). The past in the present: constructions of community through participatory and collaborative documentary production. Paper presented at Meccsa Practice Research Network Annual Conference 2019, University of Stirling

This paper will examine ways in which processes of documenting the past in community-based media are informed by the present. Through collaborative and participatory approaches to production which validate local knowledge and experience, individuals... Read More about The past in the present: constructions of community through participatory and collaborative documentary production.

Film4Gender (2019)
Digital Artefact
MacLeod, K., Crook, T., Sar, L., Ryan, J., & Boodoosingh, R. (2019). Film4Gender. [Digital video]

Films made by Pacific Filmmakers, members of Pacific Community Filmmaking consortium. Executive produced by Dr. Kirsten MacLeod. These films, made with the communities they represent, tackle gender based violence and the impact of the covid pandemic... Read More about Film4Gender.

Bleeding Free (2021)
Exhibition / Performance
MacLeod, K. Bleeding Free. [Digital video]. Exhibited at Hobnobben Film Festival, Hobnobben, USA. 15 October 2021 - 17 April 2022. (Unpublished)

Screening of documentary film, Bleeding Free at Hobnobben Film Festival, 2021. https://cinemacenter.org/hobnobben-2021-films/bleeding-free

I Am Still Here (2022)
Exhibition / Performance
MacLeod, K., Guma, T., MacLean, G., & Sharapov, K. I Am Still Here. [Digital Video]. Exhibited at Glasgow Media Access Centre. 23 February 2022 - 23 February 2022. (Unpublished)

Premiere screening of "I Am Still Here" documentary film at Glasgow Media Access Centre as part of hybrid launch of project "Investigating the use of temporary accommodation to house asylum seekers and refugees during the Covid 19 outbreak." Napier... Read More about I Am Still Here.

Production of Bureaucracy/Bureaucracies of Production: Understanding formal organisation on and off screen (2022)
Presentation / Conference Contribution
Maclean, G. (2022, June). Production of Bureaucracy/Bureaucracies of Production: Understanding formal organisation on and off screen. Paper presented at Critical Studies in Television Slow Conference, Edge Hill University [online]

The post-2016 conjuncture can be viewed in terms of an anti-bureaucratic romanticism in parts of the Global North (Lopdrup-Hjorth and Du Gay, 2020). The votes for Brexit in the UK and the rise of right-wing populists, such as Donald Trump, can be clo... Read More about Production of Bureaucracy/Bureaucracies of Production: Understanding formal organisation on and off screen.

Channel 4 - then and now - the view from Scotland: the evolution of the Channel’s relationship with the Scottish production sector (2022)
Presentation / Conference Contribution
Scott, A., & Correia, N. (2022, September). Channel 4 - then and now - the view from Scotland: the evolution of the Channel’s relationship with the Scottish production sector. Paper presented at Channel 4: Then and Now, BFI Southbank, London

This paper examines the historic relationship between Channel 4 and the Scottish independent production sector over four decades and investigate how the opportunities and support for Scotland’s producers and freelance workforce today compares with th... Read More about Channel 4 - then and now - the view from Scotland: the evolution of the Channel’s relationship with the Scottish production sector.

Sound Dramaturgy for Poetic Documentaries (2023)
Journal Article
Stutterheim, K. (2023). Sound Dramaturgy for Poetic Documentaries. International Journal of Film and Media Arts, 8(3), 59-73. https://doi.org/10.24140/ijfma.v8.n3.04

Sound dramaturgy as part of the aesthetic design of documentary films is invisible but most relevant, although often overlooked. The chapter gives a short introduction to dramaturgy and the importance of sound dramaturgy as most impactful for documen... Read More about Sound Dramaturgy for Poetic Documentaries.

Film Dramaturgy: A Practice and a Tool for Researchers (2023)
Book Chapter
Stutterheim, K. (2023). Film Dramaturgy: A Practice and a Tool for Researchers. In R. Davies, P. Russo, & C. Tieber (Eds.), The Palgrave Handbook of Screenwriting Studies (689-708). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-20769-3_36

This chapter gives an overview of dramaturgy as practice and discipline. Dramaturgy has its origins in Antiquity and established itself as a theoretical and analytical approach to understand and support narrative-performative arts in the eighteenth c... Read More about Film Dramaturgy: A Practice and a Tool for Researchers.

The role of early Channel 4 commissions in the development of the freelance film and television workforce in Scotland (2022)
Newspaper / Magazine
Correia, N. (2022). The role of early Channel 4 commissions in the development of the freelance film and television workforce in Scotland. [Online magazine]. London

The launch of Channel 4 in 1982 coincided with a period of fundamental change in the Scottish film and television sector. Prior to that, local production activity in Scotland had been limited. The institutional landscape to foster indigenous filmmaki... Read More about The role of early Channel 4 commissions in the development of the freelance film and television workforce in Scotland.

Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second (2016)
Presentation / Conference Contribution
Selfridge, R., Noland, K. C., & Hansard, M. E. (2016, December). Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second. Presented at 13th European Conference on Visual Media Production, London, UK

High frame rates are currently under discussion in the broadcasting industry as part of ultra-high definition standards. Previous subjective tests showed that a substantial improvement in video quality is possible with high frame rates, and there is... Read More about Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second.

Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second (2017)
Report
Selfridge, R., & Noland, K. C. (2017). Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second. BBC Research and Development

High frame rate are currently under discussion in the broadcasting industry as part of ultra-high definition standards. Previous subjective tests showed that a substantial improvement in video quality is possible with high frame rates, and there is w... Read More about Visibility of Motion Blur and Strobing Artefacts in Video at 100 Frames per Second.

The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption (2023)
Book
Li, Q., Wilson, D., & Guan, Y. (Eds.). (2023). The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption. London: Routledge. https://doi.org/10.4324/9781003345251

This book reviews the development and performance of the global film industry during the COVID-19 pandemic and examines new trends in film production, distribution and consumption through a global lens. The COVID-19 pandemic has had a substantial im... Read More about The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption.

The Myth of Diegesis (2022)
Presentation / Conference Contribution
Sellors, C. P. (2022, July). The Myth of Diegesis. Paper presented at International Screen Studies Conference 2022, Glasgow [Online]

Diegesis is central to film criticism, yet, at least in film studies, it is a conceptual mess. Its definition in the discipline contradicts its original meaning and relies upon poorly theorised models of story worlds, producing an ambiguous boundary... Read More about The Myth of Diegesis.

The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020 (2023)
Book Chapter
Li, Q. (2023). The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020. In Q. Li, D. Wilson, & Y. Guan (Eds.), The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption (114-122). Routledge. https://doi.org/10.4324/9781003345251

In the wake of the pandemic, the traditional mode of theatrical release has been disrupted, and Hollywood has had to shift its focus to alternative methods of distribution, such as releasing films on streaming platforms. This shift has been necessita... Read More about The distribution model for Hollywood blockbusters during the COVID-19 pandemic in 2020.