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Outputs (68)

Dot, dot, dot: Anon., WAAC: The Woman’s Story of the War (1930) (2023)
Digital Artefact
Frayn, A. (2023). Dot, dot, dot: Anon., WAAC: The Woman’s Story of the War (1930). [Podcast]

One of many books about the First World War on the censor’s blacklist, this one claims to offer a new, fresh perspective about the British army. But how much truth can a memoir written by ‘anonymous’ tell? With Dr Andrew Frayn.

Rural modernity, rural modernism and deindustrialisation in Norman Nicholson’s poetry (2023)
Journal Article
Frayn, A. (2023). Rural modernity, rural modernism and deindustrialisation in Norman Nicholson’s poetry. English Studies, 104(3), 478-499. https://doi.org/10.1080/0013838X.2023.2180593

This article argues that the Cumbrian poet Norman Nicholson (1914–1987) is an exemplary writer about rural modernity, whose work also enables us to conceptualise a rural modernism. Nicholson lived all his life in his home town of Millom, an industria... Read More about Rural modernity, rural modernism and deindustrialisation in Norman Nicholson’s poetry.

The War Books Boom in Britain, 1928–1930 (2022)
Journal Article
Frayn, A., & Houston, F. (2022). The War Books Boom in Britain, 1928–1930. First World War Studies, 13(1), 25-45. https://doi.org/10.1080/19475020.2022.2129718

Based on a dataset of unparalleled extent containing nearly 1500 books, this article for the first time offers an analysis of the War Books Boom that combines the qualitative and quantitative. The Boom did not simply rise and fall; an early peak in p... Read More about The War Books Boom in Britain, 1928–1930.

'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime (2022)
Presentation / Conference
Frayn, A. (2022, October). 'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime. Paper presented at Gardens in the Gorse: Rural Britain’s Modernist Cultures (Northern Modernism Seminar), Newcastle

The author Norman Nicholson is an exemplary writer of rural modernity, acutely conscious of the need for remote areas to remain ‘living and organic communit[ies]’ (Greater Lakeland) because of his proximity, in his lifetime home of Millom, in the ind... Read More about 'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime.

Raymond Williams, Norman Nicholson, and rural modernity (2022)
Presentation / Conference
Frayn, A. (2022, April). Raymond Williams, Norman Nicholson, and rural modernity. Paper presented at Raymond Williams @ 100: A Centenary Conference, Manchester

This paper reads the Cumbrian poet Norman Nicholson’s writings about the impact of deindustrialisation on rural communities through the lens of Raymond Williams’s theorisation of the rural in modernity – notably The Country and the City, but also tak... Read More about Raymond Williams, Norman Nicholson, and rural modernity.

British War Writing, 1900–1920: Empire, Mass Warfare and Mass Culture (2021)
Book Chapter
Frayn, A. (2021). British War Writing, 1900–1920: Empire, Mass Warfare and Mass Culture. In J. Purdon (Ed.), British Literature in Transition, 1900–1920: A New Age? (106-121). Cambridge: Cambridge University Press. https://doi.org/10.1017/9781108648714.007

Representations of conflict in the early twentieth century respond both to the impact of mass industrial warfare, particularly in the First World War, and the development of mass culture following the Education Acts of the late nineteenth century. Co... Read More about British War Writing, 1900–1920: Empire, Mass Warfare and Mass Culture.

Rethinking First World War literature: The War Books Boom, 1928-30 (2021)
Presentation / Conference
Frayn, A. (2021, November). Rethinking First World War literature: The War Books Boom, 1928-30. Presented at Northumbria University Institute of Humanities Seminar Series, Northumbria University

Research talk (50 min) at Northumbria University Institute of Humanities Seminar Series (online).

The UK War Books Boom, 1926-33 (2021)
Dataset
Frayn, A., & Houston, F. (2021). The UK War Books Boom, 1926-33. [Dataset]. https://doi.org/10.17869/enu.2021.2810868

Data for article 'The War Books Boom in Britain, 1928–1930'. For submission to First World War Studies, Oct 2021. Data collected Jan 2020-Aug 2021 from various sources articulated in article.

Richard Aldington, Images of War (1919) and Death of a Hero (1929) (2021)
Book Chapter
Frayn, A. (2021). Richard Aldington, Images of War (1919) and Death of a Hero (1929). In R. Schneider, & J. Potter (Eds.), Handbook of British Literature and Culture of the First World War (183-195). Berlin: De Gruyter. https://doi.org/10.1515/9783110422467-009

Richard Aldington is a distinctive and underrated writer. His Imagist poetry and his coruscating First World War novel Death of a Hero (1929) have continued to receive scholarly attention, but from the first assessments he has tended to be diminished... Read More about Richard Aldington, Images of War (1919) and Death of a Hero (1929).

Ford Madox Ford, Parade’s End (tetralogy, 1924–1928) (2021)
Book Chapter
Frayn, A. (2021). Ford Madox Ford, Parade’s End (tetralogy, 1924–1928). In R. Schneider, & J. Potter (Eds.), Handbook of British Literature and Culture of the First World War (253-266). Berlin: De Gruyter. https://doi.org/10.1515/9783110422467-015

A key figure in the modernist network, Ford published new writers as the editor of two important journals, The English Review (1908–1910) and the transatlantic review (1924) (Wulfman 2009; Gasiorek 2012). Older than the modernist “jeunes,” who both a... Read More about Ford Madox Ford, Parade’s End (tetralogy, 1924–1928).

From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy (2021)
Presentation / Conference
Frayn, A. (2021, July). From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy. Paper presented at Beyond the Avant-Garde? Rethinking the Vanguard in British Music since 1970, Goldsmiths and the University of Manchester (online)

David Bowie’s Blackstar (2016) has been written about extensively as a final album, and conceptualised in terms of Theodor W. Adorno and Edward W. Said’s work on late style (e.g. Frayn and Durkin, 2017; McMullan, 2018; Schott, 2020; Graham, 2021). Th... Read More about From Blackstar to Berlin: David Bowie and the manifestation of late style in the Berlin Trilogy.

'Odd how the War changes us': May Sinclair, domesticity and war (2021)
Presentation / Conference
Frayn, A. (2021, June). 'Odd how the War changes us': May Sinclair, domesticity and war. Paper presented at Networking May Sinclair, University of Nantes (online)

This paper sees the post-war novels of the novelist, philosopher and poet May Sinclair (1863-1946) as negotiating between Victorian and modern values and literary forms: the First World War gives existing issues a focus during and after it. A suffra... Read More about 'Odd how the War changes us': May Sinclair, domesticity and war.

Post-war Fiction and the Literary Marketplace: Gilbert Frankau and Ford Madox Ford (2019)
Presentation / Conference
Frayn, A. (2019, October). Post-war Fiction and the Literary Marketplace: Gilbert Frankau and Ford Madox Ford. Paper presented at Upheaval and Reconstruction: Modernist Studies Association Conference, University of Toronto, Canada

Presentation at the Modernist Studies Association conference, on a panel organised by the British Association for Modernist Studies.

“Without sexual intercourse, frequent and pleasant”: Expurgating Richard Aldington’s Death of a Hero (2019)
Presentation / Conference
Frayn, A. (2019, June). “Without sexual intercourse, frequent and pleasant”: Expurgating Richard Aldington’s Death of a Hero. Paper presented at Troublesome Modernisms: the British Association for Modernist Studies conference, London

Richard Aldington treads a delicate line in his Death of a Hero, between ‘writing in all the buggers and bitches’ and his need to be published and to live by the pen; he borrows from Djuna Barnes the method of asterisking expurgated sections, the vis... Read More about “Without sexual intercourse, frequent and pleasant”: Expurgating Richard Aldington’s Death of a Hero.

Ford and the First World War (2018)
Book Chapter
Frayn, A. (2018). Ford and the First World War. In The Routledge Research Companion to Ford Madox Ford. Routledge

This chapter surveys Ford Madox Ford's writings about war. He was conscious of war writing by the beginning of the twentieth century via his friendship with Stephen Crane; the First World War, however, was the major conflict for Ford. He wrote abou... Read More about Ford and the First World War.

Edgelands without a centre: Norman Nicholson and post-industry (2018)
Presentation / Conference
Frayn, A. (2018, November). Edgelands without a centre: Norman Nicholson and post-industry. Presented at English research seminar, University of Edinburgh

A poet whose first editor at Faber & Faber was T.S. Eliot, Norman Nicholson (1914-87) lived his whole life in Millom, an ironworks town in the south-west of Cumbria, away from but within sight of the major fells of the Lake District. Nicholson’s fam... Read More about Edgelands without a centre: Norman Nicholson and post-industry.

“The war had only finished what Queenie had begun”: May Sinclair, gender, and war (2018)
Presentation / Conference
Frayn, A. (2018, September). “The war had only finished what Queenie had begun”: May Sinclair, gender, and war. Paper presented at 1918-2018: The End of the War & the Reshaping of a Century, University of Wolverhampton

Andrew Frayn’s paper focuses on the post-war moment, examining the novelist, poet and philosopher May Sinclair’s post-war work. Sinclair volunteered for the Munro Ambulance Corps in 1914, and her experience of the war stimulated a sustained burst of... Read More about “The war had only finished what Queenie had begun”: May Sinclair, gender, and war.

“They fell to pieces at a touch”: Richard Aldington, the First World War and the male body (2018)
Presentation / Conference
Frayn, A. (2018, July). “They fell to pieces at a touch”: Richard Aldington, the First World War and the male body. Paper presented at International Richard Aldington Society Conference, Les Saintes-Maries-de-la-Mer, France

Richard Aldington’s poems in Images of War (1919) return insistently to the impact of the First World War on the male body. Drawing on theoretical work about bodies in war such as Joanna Bourke’s Dismembering the Male (1996), I argue that Aldington’s... Read More about “They fell to pieces at a touch”: Richard Aldington, the First World War and the male body.

Rewriting and remembering: R.H. Mottram and the First World War, 1914-1971 (2018)
Presentation / Conference
Frayn, A. (2018, July). Rewriting and remembering: R.H. Mottram and the First World War, 1914-1971. Paper presented at Recording, Narrating and Archiving the First World War: International Society for First World War Studies Conference, Deakin University, Melbourne, Australia

In this paper I examine the ways in which R.H. Mottram continued to rewrite the First World War throughout his literary career. The Spanish Farm Trilogy is deservedly a canonical text of that conflict, and the success of those first three novels enab... Read More about Rewriting and remembering: R.H. Mottram and the First World War, 1914-1971.

Social Remembering, Disenchantment and First World War Literature, 1918–1930 (2018)
Journal Article
Frayn, A. (2018). Social Remembering, Disenchantment and First World War Literature, 1918–1930. Journal of War and Culture Studies, 11(3), 192-208. https://doi.org/10.1080/17526272.2018.1490072

The way that the First World War would be remembered was yet to be solidified in the years immediately after the Armistice and peace treaties. Using key case studies from the years 1918 to 1930 by combatant authors Gilbert Frankau, Ernest Raymond, C... Read More about Social Remembering, Disenchantment and First World War Literature, 1918–1930.

Introduction: War and Memory (2018)
Journal Article
Frayn, A., & Phillips, T. (2018). Introduction: War and Memory. Journal of War and Culture Studies, 11(3), 181-191. https://doi.org/10.1080/17526272.2018.1490075

This introduction situates the articles in this journal issue within recent scholarship about war and memory. The plethora of available terminology is addressed, tracing memory studies back to the rediscovery of Maurice Halbwachs’s theories of colle... Read More about Introduction: War and Memory.

Lustspielabend: A Night at Stobs [Programme Brochure accompanying public performances] (2018)
Other
Schwan, A., Davie, I., Frayn, A., Durkin, R., & Manz, S. (2018). Lustspielabend: A Night at Stobs [Programme Brochure accompanying public performances]

This programme brochure was developed for audiences attending the 'A Night at Stobs' evening of theatre and music in Edinburgh, Glasgow and Hawick in June 2018. It contains information on the background to the performance, and the wider context of cr... Read More about Lustspielabend: A Night at Stobs [Programme Brochure accompanying public performances].

A Night at Stobs (2018)
Exhibition / Performance
Schwan, A., Davie, I., Frayn, A., Martin, S., Dempster, K., Durkin, R., …Trimm, C. A Night at Stobs. [Music and Theatre Performance]. 18 June 2018 - 22 June 2018. (Unpublished)

An evening of music and comedy, based on material found at Stobs Camp, a First World War internment camp in the Scottish Borders. Performances at Chalmers Church, Edinburgh (18 June 2018), Cottiers Theatre, Glasgow (19 June 2018), and Tower Mill The... Read More about A Night at Stobs.

German prisoners held comedy nights in British war camps – we recreated one (2018)
Other
Frayn, A. (2018). German prisoners held comedy nights in British war camps – we recreated one. [The Conversation]

This article engages with the history of First World War internment, both civilian and prisoner of war. The focus is the Stobs Camp, near Hawick, and the theatre show A Night at Stobs, part of a public engagement project.

Northernness, rurality and modernity in the works of Norman Nicholson (2018)
Presentation / Conference
Frayn, A. (2018, May). Northernness, rurality and modernity in the works of Norman Nicholson. Paper presented at Orientations: A Conference of Narrative and Place, University of Nottingham

In the introduction to the Collected Poems of Norman Nicholson (1914-87), Neil Curry highlights the systematic denigration of writers from the north of England by metropolitan literary networks. The Times obituary described Nicholson as ‘the most gif... Read More about Northernness, rurality and modernity in the works of Norman Nicholson.

Introduction to H.G Wells "The War of the Worlds" and "The War in the Air" (2017)
Book Chapter
Frayn, A. (2017). Introduction to H.G Wells "The War of the Worlds" and "The War in the Air". In A. Frayn (Ed.), The War of the Worlds and The War in the Air. Wordsworth Editions

Published a decade apart and spanning the turn of the twentieth century, The War of the Worlds (1898) and The War in the Air (1908) are brought together in one volume for the first time in this Wordsworth edition...

Modernism and Imagist Poetry (2017)
Presentation / Conference
Frayn, A. (2017, July). Modernism and Imagist Poetry. Presented at Scottish Universities International Summer School, University of Edinburgh

Lecture to the Scottish Universities' International Summer School, University of Edinburgh.

Popular Modernisms? Resituating R. H. Mottram’s post-war fiction (2017)
Presentation / Conference
Frayn, A. (2017, April). Popular Modernisms? Resituating R. H. Mottram’s post-war fiction. Paper presented at The Fictional First World War: Imagination and Memory Since 1914, University of Aberdeen

R.H. Mottram’s critically-acclaimed novels of The Spanish Farm Trilogy (1924-27) used to great effect his experience of the defining historical event of the age. These were his first novels, although he had previously been on the periphery of London’... Read More about Popular Modernisms? Resituating R. H. Mottram’s post-war fiction.

Introduction: Modernism and the First World War (2017)
Journal Article
Frayn, A. (2017). Introduction: Modernism and the First World War. Modernist Cultures, 12(1), 1-15. https://doi.org/10.3366/mod.2017.0153

Introduction to special issue of Modernist Cultures on Modernism and the First World War. Surveys recent critical issues at the intersection of First World War and Modernist Studies, and introduces essays in the issue.

“Now – Well, Look at the Chart”: Mapping, Maps and Literature (2017)
Book Chapter
Frayn, A. (2017). “Now – Well, Look at the Chart”: Mapping, Maps and Literature. In S. D. Brunn, & M. Dodge (Eds.), Mapping Across Academia (259-285). Dordrecht: Springer. https://doi.org/10.1007/978-94-024-1011-2_13

This chapter examines the resistance in literary criticism to making maps. Literary analysis is deeply invested in the construction of space and associated theories, but these have rarely been cartographical. Recent work that discusses the developmen... Read More about “Now – Well, Look at the Chart”: Mapping, Maps and Literature.

David Bowie’s late revival belongs to a grand tradition dating back to Beethoven (2017)
Other
Frayn, A., & Durkin, R. (2017). David Bowie’s late revival belongs to a grand tradition dating back to Beethoven. https://theconversation.com/david-bowies-late-revival-belongs-to-a-grand-tradition-dating-back-to-beethoven-71031

On David Bowie's Blackstar as embodying aspects of late style, as discussed by Theodor Adorno and Edward Said. https://theconversation.com/david-bowies-late-revival-belongs-to-a-grand-tradition-dating-back-to-beethoven-71031

“The Right to Live”: D.H. Lawrence, Max Plowman, and the First World War (2016)
Presentation / Conference
Frayn, A. (2016, December). “The Right to Live”: D.H. Lawrence, Max Plowman, and the First World War. Paper presented at Historical Modernisms, Institute for English Studies, University of London

A writer profoundly engaged with relationships between people, and between humankind and the world, D. H. Lawrence’s writing must be read in its historical context. Lawrence was affected deleteriously and profoundly by the First World War: the banni... Read More about “The Right to Live”: D.H. Lawrence, Max Plowman, and the First World War.

Modernism and Imagist Poetry (2016)
Presentation / Conference
Frayn, A. (2016, July). Modernism and Imagist Poetry. Presented at Scottish Universities International Summer School, University of Edinburgh

Lecture delivered to the Scottish Universities International Summer School, University of Edinburgh.

Enchantments and Attachments: Surviving and Coping in the First World War (2016)
Digital Artefact
Frayn, A. (2016). Enchantments and Attachments: Surviving and Coping in the First World War. [Podcast]

A talk to the department of English at University College Dublin, in the Wartime Attachments series, organised by Dr Barry Shiels. The series was funded by the Irish Research Council. D. H. Lawrence described his poetry collection 'Bay', publishe... Read More about Enchantments and Attachments: Surviving and Coping in the First World War.

What a victory it might have been”: C. E. Montague and the First World War. (2016)
Book Chapter
Frayn, A. (2015). What a victory it might have been”: C. E. Montague and the First World War. In T. Tate, & K. Kennedy (Eds.), The Silent Morning: Culture and Memory After the Armistice, 131-148. Manchester, UK: Manchester University Press

Discusses Montague's post-war prose work in terms of peace and silence.

Ford and the First World War (2015)
Book Chapter
Frayn, A. (2015). Ford and the First World War. In A. Chantler, & R. Hawkes (Eds.), An Introduction to Ford Madox Ford (121-133). Ashgate Publishing

No abstract available.

Mapping European War: Revolutionary Cartographies (2015)
Presentation / Conference
Frayn, A. (2015, November). Mapping European War: Revolutionary Cartographies. Paper presented at Modernism and Revolution: Modernist Studies Association Conference, Boston, US

Andrew Frayn opens our panel with “Mapping European War: Revolutionary Cartographies,” engaging with the possibilities and problems of recent theories of literary-critical cartography through the lens of British literature of World War I. The often-u... Read More about Mapping European War: Revolutionary Cartographies.

Writing disenchantment: British First World War prose, 1914-30 (2014)
Book
Frayn, A. (2014). Writing disenchantment: British First World War prose, 1914-30. Manchester University Press. https://doi.org/10.7228/manchester/9780719089220.001.0001

This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World War literature. The objects of disenchantment are often the very same as the... Read More about Writing disenchantment: British First World War prose, 1914-30.

Richard Aldington's Images, the Metropolis, and the Masses (2014)
Journal Article
Frayn, A. (2014). Richard Aldington's Images, the Metropolis, and the Masses. Modernist Cultures, 9(2), 260-281. https://doi.org/10.3366/mod.2014.0086

Richard Aldington’s city poems in the latter part of his 1915 collection Images are concerned with the masses who inhabit the modern city. Aldington is at pains to stress his distinction from those he perceives as an increasingly homogenized crowd... Read More about Richard Aldington's Images, the Metropolis, and the Masses.

‘Music horrible and unreal’: music, its language, and First World War fiction (2014)
Presentation / Conference
Frayn, A. (2014, August). ‘Music horrible and unreal’: music, its language, and First World War fiction. Paper presented at The Music of War: 1914–1918, British Library, London

Narratives about the First World War often claimed that the physical experience of warfare was incommunicable to those who had not fought. Indeed, in the decade after the war much paper and ink was devoted to this aporia. In this paper I argue that... Read More about ‘Music horrible and unreal’: music, its language, and First World War fiction.

Aldington, a disillusioned poet (2014)
Other
Frayn, A. (2014). Aldington, a disillusioned poet. [Programme]

Programme article for 'The War', Chekhov International Theatre Festival / SounDrama Studio, Edinburgh International Festival, 2014.

Cartographies of the Great War: Mapping Post-War Fiction (2014)
Presentation / Conference
Frayn, A. (2014, July). Cartographies of the Great War: Mapping Post-War Fiction. Paper presented at Alternate Spaces of the Great War, Plymouth University

Invited talk to the AHRC-funded network Alternate Spaces of the Great War. This paper engages with the spaces of the Great War, particularly the Western Front, as spaces of modernity. The starting point is a quotation from Richard Aldington’s Dea... Read More about Cartographies of the Great War: Mapping Post-War Fiction.

Enchantment and Disenchantment in Erskine Childers’ The Riddle of the Sands (2013)
Presentation / Conference
Frayn, A. (2013, March). Enchantment and Disenchantment in Erskine Childers’ The Riddle of the Sands. Paper presented at Approaching War: Europe, Newcastle University

Erskine Childers’ The Riddle of the Sands (1903) negotiates early twentieth century fears of war in fiction. The danger derives from the potential to traverse and shift national boundaries, particularly by naval warfare. The novel was written as a... Read More about Enchantment and Disenchantment in Erskine Childers’ The Riddle of the Sands.

Motherfuckers: Gender, Sexuality and Otherness in First World War Fiction (2012)
Presentation / Conference
Frayn, A. (2012, October). Motherfuckers: Gender, Sexuality and Otherness in First World War Fiction. Paper presented at Modernism and Spectacle: Modernist Studies Association Conference, Las Vegas, NV

This paper argues that the visceral reactions, particularly of non-combatants, to the deaths of immediate relations and lovers, and the profound emotions evinced, can be understood through the lens of necrophilia. Necrophilia, building on the work o... Read More about Motherfuckers: Gender, Sexuality and Otherness in First World War Fiction.

Pacifism as Disenchantment? Rose Macaulay’s Non-Combatants and Others (2012)
Presentation / Conference
Frayn, A. (2012, May). Pacifism as Disenchantment? Rose Macaulay’s Non-Combatants and Others. Paper presented at Narratives of Peace, 1854–1914, University of Sheffield

This paper argues that it is pertinent to see narratives of pacifism during the First World War in the context of later disenchanted writings, and that these often share linguistic and thematic concerns. Works which dared to express discontent with... Read More about Pacifism as Disenchantment? Rose Macaulay’s Non-Combatants and Others.

“The Ladybird,” Disenchantment and the First World War (2012)
Presentation / Conference
Frayn, A. (2012, April). “The Ladybird,” Disenchantment and the First World War. Paper presented at D.H. Lawrence, his Contemporaries, and the Great War, Arras, France

This paper sees D.H. Lawrence’s The Ladybird (1923) as part of a developing discourse of disenchantment which followed the First World War. Literary critics and historians tend to see disenchantment, or disillusionment, as a response to unspecified... Read More about “The Ladybird,” Disenchantment and the First World War.

This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature. (2008)
Book Chapter
Frayn, A. (2008). This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature. In A. Gąsiorek, & D. Moore (Eds.), Ford Madox Ford: Literary Networks and Cultural Transformations, 201-216. Rodopi

This chapter argues that the novels of Ford's Parade's End tetralogy occupy a significant place in the development of "disenchanted" fiction about the First World War. The values of Ernest Raymond's patriotic Tell England are contrasted with those of... Read More about This battle was not over: Parade’s End as a transitional text in the development of ‘disenchanted’ First World War literature..