Skip to main content

Research Repository

Advanced Search

British War Writing, 1900–1920: Empire, Mass Warfare and Mass Culture

Frayn, Andrew

Authors



Contributors

James Purdon
Editor

Abstract

Representations of conflict in the early twentieth century respond both to the impact of mass industrial warfare, particularly in the First World War, and the development of mass culture following the Education Acts of the late nineteenth century. Concomitant with the development of literary modernism, the need to represent radically new forms of physical and mental experience reshaped war writing; a hundred years later, that influence persists. This chapter argues that war writing must be understood not simply as a response to individual conflicts; rather, the memory, expectation, and fear of war was a pervasive presence that continually shaped much of the period’s writing even in times of apparent peace, and supported a lucrative literary market in jingoistic literature, popular invasion fiction, and memoirs of wartime trauma. This chapter traces the lasting influence of the period’s major conflicts on its literary writing – particularly its prose – and concludes with a discussion of several post-war texts, published in the immediate aftermath of the First World War, which point towards the disenchanted and often angry tone of the 1928–30 War Books Boom.

Acceptance Date Aug 26, 2020
Publication Date 2021
Deposit Date Oct 16, 2020
Publisher Cambridge University Press
Pages 106-121
Series Title British Literature in Transition
Book Title British Literature in Transition, 1900–1920: A New Age?
Chapter Number 5
DOI https://doi.org/10.1017/9781108648714.007
Keywords War, Literature, Mass Culture, Boer War, First World War
Public URL http://researchrepository.napier.ac.uk/Output/2685838
Publisher URL https://www.cambridge.org/core/books/british-literature-in-transition-19001920-a-new-age/8F84F8A66935A0856E22BC0852904402