Writing about listening: alternative discourses in rock journalism

Atton, Chris

Abstract

‘Alternative’ publications challenge the conventional discourses of rock journalism. In particular, the dominant discourses of authenticity, masculinity and mythology might be countered by publications that emphasise historical and (sub)cultural framing, and that present radicalised ‘spaces of listening.’ Using Bourdieu’s field theory to identify autonomous and semi-autonomous sites for rock criticism, the paper compares how a fanzine (the Sound Projector) and what Frith has termed an ideological magazine (the Wire) construct their reviews. The findings suggest that, whilst there is no evidence for an absolute break with the dominant conventions of reviewing, there is a remarkable polyglottism in alternative music reviewing. The paper emphasises differing cultural and social practices in the multiple ways the publications write about music, and argues for the value of such polyglottism.

Citation

Atton, C. (2009). Writing about listening: alternative discourses in rock journalism. Popular Music, 28, 53-67. https://doi.org/10.1017/S026114300800158X

• Journal Article Type: Article
• Publication Date: 2009
• Deposit Date: Feb 12, 2009
• Publicly Available Date: Dec 31, 2009
• Print ISSN: 0261-1430
• Electronic ISSN: 1474-0095
• Publisher: Cambridge University Press
• Peer Reviewed: Peer Reviewed
• Volume: 28
• Pages: 53-67
• DOI: https://doi.org/10.1017/S026114300800158X
• Keywords: Rock music; Alternative publications; Historical review technque; Sub-cultural review technique; Cultural influences; Sociological influences; Linguistic styles
• Public URL: http://researchrepository.napier.ac.uk/id/eprint/2480
• Publisher URL: http://journals.cambridge.org/abstract_S026114300800158X