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Outputs (211)

Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes (2019)
Book Chapter
Moschovi, A., & Supartono, A. (2019). Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). Routledge

The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream culture and subcultures, identity politics, history and power structures.... Read More about Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes.

Design in Motion, V&A Dundee Touring Exhibition (2015)
Exhibition / Performance
Taylor, S., & Robertson, S. Design in Motion, V&A Dundee Touring Exhibition. Exhibited at Dundee & Scottish tour incl. V&A London. 13 February 2015 - 21 June 2015. (Unpublished)

Award-winning Digital Lace design work (Taylor & Robertson: ISWC 2014) was one of six, digital exhibits selected for the first V&A Museum of Design Dundee’s Touring Exhibition, Design in Motion. The exhibit comprised: a new textile sampler iteratio... Read More about Design in Motion, V&A Dundee Touring Exhibition.

'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition (2014)
Exhibition / Performance
Taylor, S., & Robertson, S. 'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition. Exhibited at EMP Museum, Seattle. 13 September 2014 - 17 September 2016. (Unpublished)

Digital Lace was selected for the International Symposium of Wearable Computers (ISWC), 2014 Design Exhibition, Seattle and won the ISWC 2014 Jury Award: Fibre Art. The work was showcased at EMP Museum and Microsoft Research, Seattle USA. The work wa... Read More about 'Digital Lace', at International Symposium of Wearable Computers 2014 Exhibition.

Fusion: Sino-British Intermedia Art and Design (2019)
Exhibition / Performance
Holmes, P., & et al. (curators). Fusion: Sino-British Intermedia Art and Design. [Mixed]. Exhibited at Songjiang Art Museum, Shanghai, China. 23 October 2019 - 3 November 2019

Exemplary: 150 Years of the MAK from Arts and Crafts to Design, Museum of Applied Arts / Contemporary Art Vienna (2014)
Exhibition / Performance
Taylor, S., Scholz, B., Hertenberger, A., Contrechoc, B., Stewart, B., Kurbak, E., Perner-Wilson, H., Posch, I., Cabral, I., Qi, J., Childs, K., Kuusk, K., Calder, L., Marina Toeters, M., Kisand, M., Donneaud, M., ten Bhömer, M., Grant, M., Coleman, M., Satomi, M., …Nachtigall, T. R. Exemplary: 150 Years of the MAK from Arts and Crafts to Design, Museum of Applied Arts / Contemporary Art Vienna. Exhibited at Vienna, Austria. 11 June 2014 - 5 October 2014

New research work (2012), Light-emitting Paper Strips was represented as part of a collaborative publication, E-Textile Swatch Exchange Swatchbook 2013 for the international exhibition, Exemplary: 150 Years of the MAK from Arts and Crafts to Design,... Read More about Exemplary: 150 Years of the MAK from Arts and Crafts to Design, Museum of Applied Arts / Contemporary Art Vienna.

Hidden Stories (2012)
Exhibition / Performance
Taylor, S. Hidden Stories. Exhibited at Dovecot Studios Edinburgh, Edinburgh, Scotland. 2 June 2012 - 8 June 2012. (Unpublished)

Selected for Hidden Stories exhibition at the Dovecot Studios, Edinburgh showcasing the work of Creative Scotland con-TEXT residencies at Heriot-Watt University injunction with a curated Heriot-Watt University textile graduate exhibition by Mark Eley... Read More about Hidden Stories.

Made in Future: A vision of things to come (2009)
Exhibition / Performance
Taylor, S. Made in Future: A vision of things to come. Exhibited at New Academy of Arts Milan, Milan, Italy. 1 December 2009 - 9 December 2009. (Unpublished)

Invitation by the Materials KTN, Technology Strategy Board (now Innovate UK Network) to exhibit Inner Light: Programmable Stripes, digitally-activated colour-change textiles as part of the UK showcase of designers within smart fashion and textiles.... Read More about Made in Future: A vision of things to come.

The Cutting Edge Scotland’s Contemporary Crafts Exhibition, National Museum of Scotland & Tour (2007)
Exhibition / Performance
Taylor, S. (2007). The Cutting Edge Scotland’s Contemporary Crafts Exhibition, National Museum of Scotland & Tour. 26 January 2007 - 12 April 2008. (Unpublished)

Inner Light exhibit was one of nine commissioned artworks by The Cutting Edge, Scotland’s Contemporary Exhibition Partnership (National Museums of Scotland, Aberdeen City Council, Glasgow City Council and East Ayrshire Council) and awarded £4K. Th... Read More about The Cutting Edge Scotland’s Contemporary Crafts Exhibition, National Museum of Scotland & Tour.

Bob & Sink: Part of group exhibition "Confluence: Tradition in Contemporary Art" at George Segal Gallery, Montclair State University, USA (2019)
Exhibition / Performance
Irvine, Z., & Spence, P. Bob & Sink: Part of group exhibition "Confluence: Tradition in Contemporary Art" at George Segal Gallery, Montclair State University, USA. [digital film]. Exhibited at Montclair State University, New Jersey, USA. 10 October 2019 -

George Segal Gallery and Kasser Theatre, Montclair State University, New Jersey, USA Exhibition dates: Thursday, October 10 – Saturday, December 7 Featuring work by Pernille Spence: Bob + Sink Curated by Mr. Xu Sheng, this exhibition is a three-... Read More about Bob & Sink: Part of group exhibition "Confluence: Tradition in Contemporary Art" at George Segal Gallery, Montclair State University, USA.

Making Tourist Experiences Through Personalisable 3D Printed Souvenirs (2016)
Journal Article
Vettese Forster, S., Anastasiadou, C., & Calder, L. (2016). Making Tourist Experiences Through Personalisable 3D Printed Souvenirs. Making Futures, IV,

Gift shops are common in most museums and galleries that provide visitors with shopping experiences as well as the opportunity to transform their intangible experience of the visit to a tangible memory through the purchase of a souvenir. It can also... Read More about Making Tourist Experiences Through Personalisable 3D Printed Souvenirs.

Colonial Machine: the Image of the Industry (2014)
Book Chapter
Supartono, A. (2014). Colonial Machine: the Image of the Industry. In G. Newton (Ed.), Garden of the East: Photography in Indonesia 1860s-1940s (56-59). National Gallery of Australia

No abstract available.

Is There Such A Thing as Southeast Asian Photography? (2015)
Presentation / Conference Contribution
Supartono, A. (2015, April). Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA

The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to the success of colonial enterprises that provided sufficient clientele) witn... Read More about Is There Such A Thing as Southeast Asian Photography?.

Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia (2016)
Presentation / Conference Contribution
Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK (ASEASUK) Conference 2016

This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of the findings of an international, multid... Read More about Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia.

Collaborative Innovation: Reflections on Research for Smart Textiles in a Theatre and Performance Context (2019)
Presentation / Conference Contribution
Robertson, S., Taylor, S., & Bletcher, J. (2019, September). Collaborative Innovation: Reflections on Research for Smart Textiles in a Theatre and Performance Context. Presented at Textiles Intersections, Loughborough

This paper presents interdisciplinary research initiated through collaboration in the area of smart textiles, prompted by the Scottish Textile Industry’s 10-year Strategy (accessed March 2019), which promotes diversification and innovation as one of... Read More about Collaborative Innovation: Reflections on Research for Smart Textiles in a Theatre and Performance Context.

Foreign Bodies – The Creation of Symbiotic Jewellery through the Development and Application of Stimulus-Responsive Smart Materials and Microelectromechanical Systems (2012)
Presentation / Conference Contribution
Vones, K. (2012, June). Foreign Bodies – The Creation of Symbiotic Jewellery through the Development and Application of Stimulus-Responsive Smart Materials and Microelectromechanical Systems. Presented at 4th International Conference on Smart Materials, Structures and Systems, Terme, Italy

With the increased prevalence of digital technologies in our everyday lives, the questions posed to the contemporary craft practitioner regarding creation of an emotionally resonant interaction between the digitally enhanced object and its wearer hav... Read More about Foreign Bodies – The Creation of Symbiotic Jewellery through the Development and Application of Stimulus-Responsive Smart Materials and Microelectromechanical Systems.

The Scottish National Portrait Gallery Document Scotland The Ties That Bind (2015)
Exhibition / Performance
Gerrard, S. The Scottish National Portrait Gallery Document Scotland The Ties That Bind. Exhibited at Scottish National Portrait Gallery, Edinburgh, UK. 25 September 2015 - 25 April 2016. (Unpublished)

Document Scotland is a photographic collective comprising of Colin McPherson, Jeremy Sutton-Hibbert, Sophie Gerrard and Stephen McLaren — four Scots-born photographers, each exponents of documentary photography. This exhibition takes place one year a... Read More about The Scottish National Portrait Gallery Document Scotland The Ties That Bind.

Defamiliarisation, Brecht and Criticality in Graphic Design (2016)
Book Chapter
Buwert, P. (2016). Defamiliarisation, Brecht and Criticality in Graphic Design. In Modes of Criticism 2: Critique of Method, 25-38

Our lives are habitual. We habitualise what is familiar in order to be able to function day to day, and through this a vast chunk of our living becomes automatic. The process makes life easier by decreasing the confusion and tension of having to cons... Read More about Defamiliarisation, Brecht and Criticality in Graphic Design.