Outputs (10)

Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm (2022)
Presentation / Conference Contribution
Artt, S. (2022, June). Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, Portugal

In Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the Bene Gesserit. Veiled in an elaborate costume, it is Rampling’s voice that... Read More about Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm.

Introducing video essays. (2015)
Presentation / Conference Contribution
Schwan, A., Artt, S., & Joyce, L. (2015, June). Introducing video essays. Paper presented at Assessment and Feedback: where are we now and where are we going?, Edinburgh Napier University, Edinburgh

No abstract available.

The Steampunk Detective: Sherlock Holmes and Sherlock. (2012)
Presentation / Conference Contribution
Artt, S. (2012, June). The Steampunk Detective: Sherlock Holmes and Sherlock. Paper presented at Neo-Victorian Networks: Epistemologies, Aesthetics and Ethics, University of Amsterdam

This paper will examine the recent refashioning of Arthur Conan Doyle's most famous creation as steampunk action hero in Guy Ritchie's Sherlock Holmes(2009) and Sherlock Holmes: A Game of Shadows (2011), and alternatively as obssessive compulsive odd... Read More about The Steampunk Detective: Sherlock Holmes and Sherlock..

Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. (2010)
Presentation / Conference Contribution
Artt, S. (2010, October). Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin

Silence and performance: appreciating Lynne Ramsay's "Morven Callar". (2010)
Presentation / Conference Contribution
Artt, S. (2010, July). Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow

Irony: adapting Jane Austen's Northaner Abbey. (2009)
Presentation / Conference Contribution
Artt, S. (2009, September). Irony: adapting Jane Austen's Northaner Abbey. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank

Ambulant fetish: the exotic woman in Black Venus and Master. (2009)
Presentation / Conference Contribution
Artt, S. (2009, June). Ambulant fetish: the exotic woman in Black Venus and Master. Paper presented at Angela Carter: a critical exploration, University of Northampton & the Network for Modern Fiction Studies

Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. (2008)
Presentation / Conference Contribution
Artt, S. (2008, July). Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds

The woman behind the screen: adapting Edith Wharton's The House of Mirth. (2007)
Presentation / Conference Contribution
Artt, S. (2007, October). The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling

Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". (2006)
Presentation / Conference Contribution
Artt, S. (2006, July). Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University