Sex Sounds: On Aural Explicitness in Call Me by Your Name
(2024)
Book Chapter
Artt, S. (in press). Sex Sounds: On Aural Explicitness in Call Me by Your Name. In E. Lamberti, & M. Williams (Eds.), Call Me By Your Name: Perspectives on the Film. Bristol: Intellect
Outputs (39)
Quiet Pictures: Women and Silence in Contemporary British and French Cinema (2024)
Book
Artt, S. (in press). Quiet Pictures: Women and Silence in Contemporary British and French Cinema. London: Bloomsbury PublishingQuiet Pictures approaches the films of Joanna Hogg, Lynne Ramsay, Céline Sciamma, and Lucile Hadžhalilovicthrough the lens of silence as a motif and texture. This book takes up the question of different uses of silence in the work of these directo... Read More about Quiet Pictures: Women and Silence in Contemporary British and French Cinema.
Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm (2022)
Presentation / Conference
Artt, S. (2022, June). Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, PortugalIn Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the Bene Gesserit. Veiled in an elaborate costume, it is Rampling’s voice that... Read More about Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm.
Tentacles Everywhere: William Eubank’s Underwater (2022)
Journal Article
Alder, E., & Artt, S. (2022). Tentacles Everywhere: William Eubank’s Underwater. Gothic Nature, 3, 405-411
Why we do not adapt Jean Rhys (2020)
Book Chapter
Artt, S. (2020). Why we do not adapt Jean Rhys. In M. Stewart, & R. Munro (Eds.), Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh: Edinburgh University PressAbstract not available.
Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema (2018)
Journal Article
Artt, S. (2018). Jennifer L. Feeley and Sarah Ann Wells (eds), Simultaneous Worlds: Global Science Fiction Cinema. Screen, 59(4), 556-558. https://doi.org/10.1093/screen/hjy050
‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror (2018)
Journal Article
Artt, S. (2018). ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein themes to explore the relationship between gender and technology. Drawing o... Read More about ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror.
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. (2018)
Book Chapter
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Heidelberg, Germany: Universitätsverlag WinterThe figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city remains prevalent across literature, film, television and fine art. The pro... Read More about 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close..
The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street (2017)
Book Chapter
Artt, S. (2017). The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street. In B. Poore (Ed.), Neo-Victorian Villains: adaptations and transformations in popular culture. Leiden; Boston;: Brill Academic PublishersThis chapter examines the trajectory of Rose, the recurring victim-heroine of Ripper Street and the villains that define her. Ripper Street appears initially as an example of 'watching for defilement' but gradually reveals its willingness to offer up... Read More about The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street.
Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. (2016)
Journal Article
Artt, S., & Schwan, A. (2016). Introduction - Screening Women’s Imprisonment: Agency and Exploitation in Orange is the New Black. Television and New Media, 16(5), 1-6Introduction to the special edition of Television & New Media.
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. (2015)
Presentation / Conference
Artt, S. (2015, July). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. Paper presented at Tranforming CitiesMaison Close offers us the sex worker as anti-flâneuse, a woman whose movement is thoroughly circumscribed by the walls of the brothel and yet is defined by her license as a 'public woman' whose movements and dress are highly codified by 19th century... Read More about 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close..
Introducing video essays. (2015)
Presentation / Conference
Schwan, A., Artt, S., & Joyce, L. (2015, June). Introducing video essays. Paper presented at Assessment and Feedback: where are we now and where are we going?, Edinburgh Napier University, EdinburghNo abstract available.
'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. (2015)
Journal Article
Artt, S. (2015). 'Not Enough of Him' Technology and Melancholia in 'Be Right Back'. In media res: a media commons project,
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. (2014)
Book Chapter
Artt, S. (2014). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). PalgraveNo abstract available.
New William Gibson novel revives his 1980s cyberpunk vision (2014)
Other
Artt, S. (2014). New William Gibson novel revives his 1980s cyberpunk vision
What We Do in the Shadows in unmissable - whether you like vampires or not (2014)
Other
Artt, S. (2014). What We Do in the Shadows in unmissable - whether you like vampires or not
Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. (2014)
Presentation / Conference
Artt, S. (2014, August). Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin. Paper presented at Becoming ScotlandIn 'On the Melancholic Imaginary' Julia Kristeva notes that epochs of crisis are especially prone to black humour and melancholy: "In times of crisis... melancholy imposes itself, lays down its archaeology, produces its representations and its knowle... Read More about Silence, Melancholia and Science Fiction: Jonathan Glazer's Under the Skin..
BBC's Modern Sherlock owes his success to pure Victoriana (2014)
Other
Artt, S. (2014). BBC's Modern Sherlock owes his success to pure Victoriana. https://theconversation.com/bbcs-modern-sherlock-owes-his-success-to-pure-victoriana-21895
Entries on 'Lord Ruthven', 'The Vampire Lestat' and 'Dark Shadows'. (2013)
Book Chapter
Artt, S. (2013). Entries on 'Lord Ruthven', 'The Vampire Lestat' and 'Dark Shadows'. In J. Weinstock (Ed.), The Ashgate Encyclopaedia of Literary and Cinematic Monsters. Ashgate PublishingFrom vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters thr... Read More about Entries on 'Lord Ruthven', 'The Vampire Lestat' and 'Dark Shadows'..
The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. (2013)
Book Chapter
Artt, S., & Wasson, S. (2013). The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In S. George, & B. Hughes (Eds.), Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present. Manchester University Press
Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. (2013)
Journal Article
Artt, S. (2013). Being Inside Her Silence: silence and performance in Lynne Ramsay's Morvern Callar. Scope an on-line journal of film studies,
Review of 'The Many Lovers of Miss Jane Austen': (2013)
Book Chapter
Artt, S., Longden, K., McCabe, J., Formica, S., Tucker, P., & Wyver, J. (2013). Review of 'The Many Lovers of Miss Jane Austen':. In L. Raw, & R. G. Dryden (Eds.), Global Jane Austen; Pleasure, Passion, and Possessiveness in the Jane Austen CommunityPalgrave Macmillan
Ambulant Fetish: the exotic woman in "Black Venus" and "Master". (2012)
Book Chapter
Artt, S. (2012). Ambulant Fetish: the exotic woman in "Black Venus" and "Master". In S. Andermahr, & L. Phillips (Eds.), Angela Carter: New Critical Readings (176-186). Continuum
The Steampunk Detective: Sherlock Holmes and Sherlock. (2012)
Presentation / Conference
Artt, S. (2012, June). The Steampunk Detective: Sherlock Holmes and Sherlock. Paper presented at Neo-Victorian Networks: Epistemologies, Aesthetics and Ethics, University of AmsterdamThis paper will examine the recent refashioning of Arthur Conan Doyle's most famous creation as steampunk action hero in Guy Ritchie's Sherlock Holmes(2009) and Sherlock Holmes: A Game of Shadows (2011), and alternatively as obssessive compulsive odd... Read More about The Steampunk Detective: Sherlock Holmes and Sherlock..
Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. (2012)
Book Chapter
Artt, S. (2012). Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. In L. Raw (Ed.), Translation, Adaptation and Transformation (162-170). Continuum
The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. (2011)
Presentation / Conference
Artt, S. (2011, June). The future sound of retro: Daft Punk, Tron: Legacy and the sound of science fiction. Paper presented at Sonic Futures: soundscapes and the languages of screen media
Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. (2010)
Presentation / Conference
Artt, S. (2010, October). Les Liaison Dangereuses a l'Anglais: Valmont, Dangerous Liaisons and Cruel intentions. Paper presented at 5th annual Association of adaptation Studies Conference, Centre for British Studies, Berlin
Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. (2010)
Presentation / Conference
Artt, S. (2010, October). Vienna to Beijing: letter from an unknown woman, melodrama and the symbolic simulation of Europe. Paper presented at Symposium on melodrama in contemporary film and television
Silence and performance: appreciating Lynne Ramsay's "Morven Callar". (2010)
Presentation / Conference
Artt, S. (2010, July). Silence and performance: appreciating Lynne Ramsay's "Morven Callar". Paper presented at 20th International Screen Studies Conference, University of Glasgow
The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. (2010)
Presentation / Conference
Wasson, S., & Artt, S. (2010, April). The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. Paper presented at Open Graves, Open Minds: Vampires and the Undead in Modern Culture
Irony: adapting Jane Austen's Northaner Abbey. (2009)
Presentation / Conference
Artt, S. (2009, September). Irony: adapting Jane Austen's Northaner Abbey. Paper presented at 4th Annual Association of Adaptation Studies Conference, BFI, Southbank
Ambulant fetish: the exotic woman in Black Venus and Master. (2009)
Presentation / Conference
Artt, S. (2009, June). Ambulant fetish: the exotic woman in Black Venus and Master. Paper presented at Angela Carter: a critical exploration, University of Northampton & the Network for Modern Fiction Studies
Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. (2009)
Journal Article
Artt, S. (2009). Book Review - The Romance of Transgression in Canada: queering sexualities, nations, cinemas by Thomas Waugh. Scope an on-line journal of film studies,
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical (2008)
Book Chapter
Artt, S. (2008). Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular Culture. Palgrave MacmillanNo abstract available.
Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. (2008)
Presentation / Conference
Artt, S. (2008, July). Gossip girl and the Luxe as Edith Wharton-lite for 21st century teens. Paper presented at 21st Century Teenager: medai representation, theory and policy, Trinity & All Saints College, Leeds
Art of the past: adapting Henry James's The Golden Bowl. (2007)
Journal Article
Artt, S. (2007). Art of the past: adapting Henry James's The Golden Bowl. Journal of Adaptation in Film and Performance, 1, 5-16. https://doi.org/10.1386/japf1.1.5/1This article deals with James Ivory's screen adaptation of Henry James's novel The Golden Bowl. The analysis draws on the use of fine art motifs in the mise-en-scne and the use of symbolic art objects as a way of adapting and condensing James's textu... Read More about Art of the past: adapting Henry James's The Golden Bowl..
The woman behind the screen: adapting Edith Wharton's The House of Mirth. (2007)
Presentation / Conference
Artt, S. (2007, October). The woman behind the screen: adapting Edith Wharton's The House of Mirth. Paper presented at Women's History Scotland Annual Conference, Smith Art Gallery, Stirling
Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". (2006)
Presentation / Conference
Artt, S. (2006, July). Artists or prostitutes: the image of the dancer in Raja Amari's "Satin Rouge" Fatih Akin's "Head on " and Mira Nair's "Vanity Fair". Paper presented at Migrant and Diasporic Cinema in Contemporary Europe, Oxford Brookes University
The age of sex: the narrative function of accessories in Edith Wharton's The Age of Innocence and the television series Sex and the City. (2003)
Journal Article
Artt, S. (2002). The age of sex: the narrative function of accessories in Edith Wharton's The Age of Innocence and the television series Sex and the City. Flash Magazine,