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Outputs (211)

Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking (2011)
Digital Artefact
Thompson, P. (2011). Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking. [Digital Portfolio]

The ‘Born Digital – New Materialities’ print portfolio is the result of a digitally mediated open call “exchange” survey, examining the notion of “printmaking 2.0”. It is part of research examining the physical and temporal parameters of post-physica... Read More about Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking.

Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space (2014)
Presentation / Conference Contribution
Thompson, P., & Pengelly, J. (2013, August). Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space. Presented at Impact 8: Borders & Crossings: the artist as explorer, Dundee, Scotland

This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality. Founded on questions raised through professional activities in fine art printmaking... Read More about Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space.

Lighting and Museum Exhibits (2017)
Book Chapter
Innes, M. (2017). Lighting and Museum Exhibits. In C. Papadopoulos, & H. Moyes (Eds.), The Oxford Handbook of Light in Archaeology. Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198788218.013.31

Museums exist to display and preserve valuable artefacts. Display lighting helps fulfil one of the main tenets of a museum, but excessive light causes irreparable damage to sensitive exhibits. Getting the balance between good display lighting and goo... Read More about Lighting and Museum Exhibits.

The Return (2017)
Exhibition / Performance
Andrews, C. (2017). The Return. Exhibited at Seattle True Independent Film Festival, Seattle, USA. July 2017 - July 2017

The Return is a single screen work intended for continuous projection in a gallery context. In, The Return, a camera tracks in a circle around a wooden house as the house burns. The house then reforms from the ashes as the camera continues to track a... Read More about The Return.

Shepard Fairey’s inauguration posters may define political art in Trump era (2017)
Digital Artefact
Buwert, P. (2017). Shepard Fairey’s inauguration posters may define political art in Trump era. [https://theconversation.com/shepard-faireys-inauguration-posters-may-define-political-art-in-trump-era-71583]

The American street artist Shepard Fairey created a poster for Barack Obama’s presidential election campaign. It was 2008 and the simple red, beige and blue stencilled image of Obama’s face over the word “HOPE” quickly became the iconic image of the... Read More about Shepard Fairey’s inauguration posters may define political art in Trump era.

The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia (2017)
Exhibition / Performance
Supartono, A. The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia. Exhibited at Singapore. 17 March 2017 - 23 April 2017

This inaugural show of “Crossing SEA”, a series of research-based Southeast Asia photographic exhibitions, DECK presented one of the most successful and enduring photography collective in the region: the MES 56 of Yogyakarta, curated by Dr. Alexander... Read More about The History of Boys, the MES 56 and Beyond: A survey of Contemporary Photography in Indonesia.

Made In Future - A Vision Of Things To Come, House of Lords London (2010)
Exhibition / Performance
Taylor, S. Made In Future - A Vision Of Things To Come, House of Lords London. Exhibited at London. 11 June 2010 - 11 June 2010. (Unpublished)

A Follow on showcase and reception at the House of Lords for the Made In Future UK event in Milan by the Materials KTN as part of a structural materials and the creative industries launch by Materials UK in 2010. Invitation by the Materials KTN, T... Read More about Made In Future - A Vision Of Things To Come, House of Lords London.

The Return (2016)
Exhibition / Performance
Andrews, C. The Return. Exhibited at BAFTA, London. 10 November 2016 - 10 November 2016

The Return is a single screen work intended for continuous projection in a gallery context. In, The Return, a camera tracks in a circle around a wooden house as the house burns. The house then reforms from the ashes as the camera continues to track a... Read More about The Return.

3D printable recycled textiles : material innovation and a resurrection of the forgotten ‘shoddy’ industry (2017)
Presentation / Conference Contribution
Vettese, S. (2017). 3D printable recycled textiles : material innovation and a resurrection of the forgotten ‘shoddy’ industry. In Loughborough University Textile Design Research Group INTERSECTIONS Conference 2017

This paper will disseminate an interdisciplinary project, undertaken at Edinburgh Napier University between the Design and Advanced Materials. Several 3D printable materials are commercially available that use recycled material, but none that incorpo... Read More about 3D printable recycled textiles : material innovation and a resurrection of the forgotten ‘shoddy’ industry.

'Chain Reaction' Torness Nuclear Power Station (2016)
Exhibition / Performance
Innes, M. 'Chain Reaction' Torness Nuclear Power Station. Performed at Torness, East Lothian. 4 March 2016 - 13 March 2016

Temporary projection art installation onto the facade of the nuclear power station. Commissioned as part of the Dunbar Science Festival.

International Year of Light: IllumiNations. (2015)
Exhibition / Performance
Innes, M. International Year of Light: IllumiNations. Performed at Edinburgh. 2 December 2015 - 2 December 2015

This one night light art installation was commissioned by Heriot Watt University to mark the Scottish Closing Ceremony of the International Year of Light. The commission was inspired by the ‘Magic Lantern’ event carried out earlier the same year.... Read More about International Year of Light: IllumiNations..

Crafted Evolution - The creation of the HyperHive Series (2017)
Presentation / Conference Contribution
Vones, K. (2017). Crafted Evolution - The creation of the HyperHive Series. In Conference Proceedings. https://doi.org/10.6084/m9.figshare.4746934

The following paper describes the conception and creation of the HyperHive Series of interactive pendants. This practice-led research analyses how the recent emergence of terms such as 'craft technologist' and 'alchemical craft' suggests a paradigm s... Read More about Crafted Evolution - The creation of the HyperHive Series.

Making as Growth: Narratives in Materials and Process (2017)
Journal Article
Lambert, I., & Speed, C. (2017). Making as Growth: Narratives in Materials and Process. Design Issues, 33(3), 104-109. https://doi.org/10.1162/desi_a_00455

As an activity, research through design gives rise to new knowledge from both creative processes and, if there are any, resultant artifacts. Arguably, all creative practitioners are researchers of one kind or another, whether through materials, aesth... Read More about Making as Growth: Narratives in Materials and Process.

Botanic Lights: Night in the Garden (2014)
Exhibition / Performance
Innes, M., & Winton, E. Botanic Lights: Night in the Garden. Performed at Royal Botanic Gardens Edinburgh. 29 October 2014 - 23 November 2014

In 2012, The Royal Botanic Gardens Edinburgh (RBGE) approached Malcom Innes to explore options to use light art installations and events to generate a new income stream for RBGE. The project began with a small feasibility study (funded by an Inter... Read More about Botanic Lights: Night in the Garden.

Less Light for More Effect (2014)
Presentation / Conference Contribution
Innes, M. (2014, January). Less Light for More Effect. Presented at Lights in Goa 2014, Panaji, Goa, India

Paper presented at the Lights in Goa 2014 conference.

Drawn To The Land (2014)
Exhibition / Performance
Gerrard, S. Drawn To The Land. [Photography]. Exhibited at Edinburgh. 5 January 2014 - 1 September 2020

This long-term documentary photographic project is a unique visual exploration of the lives and landscapes of women hill farmers in the contemporary Scottish landscape. The photographic representation of landscape, agriculture and ownership in and... Read More about Drawn To The Land.

In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture (2018)
Journal Article
Vettese, S., & Anastasiadou, C. (2018). In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture. The Journal of Peer Production, 12, 27-39

This paper outlines an Arts and Humanities Research Council (AHRC) funded Design Innovation Development Award project titled ' Enhancing the Authenticity and Sustainability of the Visitor Heritage Experience through 3D Printing Technology', undertake... Read More about In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture.

The edges of lighting design: Research and practice on the fringes (2017)
Presentation / Conference Contribution
Innes, M. (2017). The edges of lighting design: Research and practice on the fringes. In New Perspectives on the Future of Healthy Light and Lighting in Daily Life (16-21)

If architectural lighting design is contained within a defined circle, then the edges are, at the very least, quite blurred. All kinds of other lighting practice has straddled the boundaries: theatre, live event, film, light art... All these areas ha... Read More about The edges of lighting design: Research and practice on the fringes.