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Outputs (283)

Outside the Box, an exhibition of new video works by Paul Holmes (solo show) (2015)
Exhibition / Performance
Holmes, P. Outside the Box, an exhibition of new video works by Paul Holmes (solo show). Exhibited at Studio 21, Kolkata, India. 19 June 2015 - 3 July 2015. (Unpublished)

A solo show of video art, and the first of its kind in Kolkata, India's cultural hub. Curated by Manas Acharya.

Outside the Box. In Jazzfest 2015. (2015)
Exhibition / Performance
Holmes, P. Outside the Box. In Jazzfest 2015. Exhibited at Dalhousie Institute, Kolkata, India. 27 November 2015 - 29 November 2015. (Unpublished)

This annual festival of jazz artists from around the world featured jazz-themes video work "Outside the Box". Curated by Varun Desai.

Outside the Box. In Royal Scottish Academy open exhibition (2015)
Exhibition / Performance
Holmes, P. Outside the Box. In Royal Scottish Academy open exhibition. Exhibited at Royal Scottish Academy, the Mound, Edinburgh, Scotland. 27 November 2015 - 14 February 2016. (Unpublished)

This annual exhibition, featuring the best work from artists in all media from around Scotland, included video work "Outside the Box". Curated by the RSA.

Outside the Box. In Azimuth Sound/Image (2016)
Exhibition / Performance
Holmes, P. Outside the Box. In Azimuth Sound/Image. Exhibited at TMU and Miraikan National Museum of Emerging Science and Innovation, Tokyo, Japan. 21 April 2016 - 28 August 2016. (Unpublished)

A group exhibition of Japanese and Scottish artists, featuring video work "Outside the Box". Curated by Katarzyna Kosmala and Kumiko Kushiyama.

The Persistence of Vision. In Azimuth Sound/Image (2016)
Exhibition / Performance
Holmes, P. The Persistence of Vision. In Azimuth Sound/Image. Exhibited at Centre for Contemporary Arts, Glasgow, Scotland. 7 December 2016 - 11 December 2016. (Unpublished)

A showing of works by Scottish and Japanese artists, including video work "The Persistence of Vision" Curated by Katarzyna Kosmala and Kumiko Kushiyama.

Ballygunge Phari. In Shifting Narratives - a multidisciplinary art project (2017)
Exhibition / Performance
Holmes, P. Ballygunge Phari. In Shifting Narratives - a multidisciplinary art project. Exhibited at Gem Cinema, Entally, Kolkata, India. 4 February 2017 - 12 February 2017. (Unpublished)

An exhibition forming part of the Kolkata Art Festival, this group show of multimedia artists included video work "Ballygunge Phari". Curated by Manas Acharya

Ballygunge Phari and Storm Piece. In Life and Time: The Changing Landscape (2017)
Exhibition / Performance
Holmes, P. Ballygunge Phari and Storm Piece. In Life and Time: The Changing Landscape. Exhibited at Academy of Fine Arts, Kolkata, India. 22 March 2017 - 29 March 2017. (Unpublished)

The annual show from the Chander Haat artists collective included a number of invited artists from around the world. The group exhibition featured the video "Ballygunge Phari" and sound work "Storm Piece". Curated by Probir Gupta.

Storm Piece by Paul Holmes (solo show) (2017)
Exhibition / Performance
Holmes, P. Storm Piece by Paul Holmes (solo show). Exhibited at Galleria Wagner, Ericeira, Portugal. 24 July 2017 - 6 August 2017. (Unpublished)

A solo exhibition in Ericeira, Portuguese surf capital of Europe, featuring the wave and weather-themed sound installation, "Storm Piece"

Various works. In Films by Paul Holmes (solo programme) (2017)
Exhibition / Performance
Holmes, P. Various works. In Films by Paul Holmes (solo programme). Exhibited at Theatre for Experiments in New Technologies, Kolkata, India. 10 December 2017. (Unpublished)

A retrospective programme of film works: "These Measures are for Your Protection", "The Persistence of Vision" and "Time Machine", screening as part of the Little Cinema International Film Festival. Curator: Maduja Mukherjee

Gastric Tones. In Response Installations and New Media (2018)
Exhibition / Performance
Holmes, P. Gastric Tones. In Response Installations and New Media. Exhibited at Gem Cinema, Entally, Kolkata, India. 28 January 2018 - 28 February 2018. (Unpublished)

A group show as part of CIMA Gallery's 25 year celebrations, featured sound installation "Gastric Tones". Curated by Manas Acharya.

Time Machine. In Simply Beaming (2018)
Exhibition / Performance
Holmes, P. Time Machine. In Simply Beaming. Exhibited at HOPE, Engaru, Hokkaido, Japan. 14 June 2018 - 15 June 2018. (Unpublished)

This group exhibition of moving image works from members of the artist-run Edinburgh gallery, Embassy, toured venues across Japan and included video work "Time Machine". Curated by Ed Compson and Oisín Gallagher.

A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication (2018)
Journal Article
Vettese, S., Allan, D., & Thompson, P. (2018). A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication. Design and Technology Education: An International Journal, 23(3), 10-25

In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ environments, enabled by online communities of ‘citizen practitioners' and maker... Read More about A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication.

AHRC Design Research for Change Showcase (2018)
Exhibition / Performance
Vettese, S., Anastasiadou, C., Calder, L., Vones, K., Burton, K., & Allan, D. AHRC Design Research for Change Showcase. 20 September 2018 - 23 September 2018

No abstract available.

An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration (2017)
Presentation / Conference Contribution
Burn, K., Vettese, S., & Shackleton, J. (2017). An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration. In Circular Transitions Proceedings (141-154)

Embellishment, in a fashion and textile context, can be considered an extraneous decorative process that has a significant detrimental impact on the environment. However, aesthetic and cultural theories, in addition to consumer appeal, show that it i... Read More about An exploration of the sustainable and aesthetic possibilities of 3D printing onto textiles as an alternative to traditional surface decoration.

Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia (2020)
Journal Article
Supartono, A., & Moschovi, A. (2020). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Journal of Southeast Asian Studies, 51(3), 343-371. https://doi.org/10.1017/S0022463420000508

This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of creative work produced during an inter... Read More about Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia.

From Singapore with Nature (2018)
Book Chapter
Supartono, A. (2018). From Singapore with Nature

In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was sealed.  Highly influenced by then the admirable Adam Smith and David Ricardo... Read More about From Singapore with Nature.

“From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs (2018)
Journal Article
Anastasiadou, C., & Vettese, S. (2019). “From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs. Tourism Management, 71, 428-442. https://doi.org/10.1016/j.tourman.2018.10.032

Souvenirs, whether mass-produced commodities made elsewhere or local artisanal handicrafts, are static objects that lack the capacity to mediate or generate the co-creative, active or immersive experiences that tourists desire. The expansion of addit... Read More about “From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs.

Psychogeography With Technology (2018)
Presentation / Conference Contribution
Flint, T., Grandison, T., & Barrett, H. (2018, November). Psychogeography With Technology. Poster presented at Engage 2018, Edinburgh, Scotland

No abstract available.