Our Progeny’s Monsters: Frankenstein Retold for Children in Twenty-First Century Picture Books
(2017)
Presentation / Conference Contribution
Alder, E. (2017, July). Our Progeny’s Monsters: Frankenstein Retold for Children in Twenty-First Century Picture Books. Paper presented at 13th Conference of the IGA 'Traditions and Departures', Universidad de las Américas Puebla, Mexico
Outputs (344)
While Not Having the Last Word … (2023)
Book Chapter
Neill, C. (2024). While Not Having the Last Word …. In C. Owens (Ed.), Studying Lacan’s Seminar VII: The Ethics of Psychoanalysis (166-179). Abingdon, Oxon: Routledge. https://doi.org/10.4324/9781003450795-8This chapter traces the final session of Lacan’s Seminar VII where he draws many of the key strands of the seminar together as close as he can to a conclusion. The insights of the seminar are, however, such that the very thinking through of ethics th... Read More about While Not Having the Last Word ….
Jacques Lacan: The Basics (2023)
Book
Neill, C. (2023). Jacques Lacan: The Basics. London: Routledge. https://doi.org/10.4324/9781315622002Jacques Lacan: The Basics provides a clear and succinct introduction to the work of Jacques Lacan, one of the key thinkers of the twentieth century. Lacan’s ideas are applied in the study of the humanities, politics, and psychology as well as cont... Read More about Jacques Lacan: The Basics.
Introduction to ‘Reading the Écrits’: La trahison de l’écriture (2019)
Book Chapter
Hook, D., Neill, C., & Vanheule, S. (2019). Introduction to ‘Reading the Écrits’: La trahison de l’écriture. In D. Hook, C. Neill, & S. Vanheule (Eds.), Reading Lacan's Écrits: From ‘The Freudian Thing’ to 'Remarks on Daniel Lagache' (1-5). Routledge. https://doi.org/10.4324/9780429294310-1In comparison to Sigmund Freud’s oeuvre that of course exists in the collected form of the Standard Edition, Jacques Lacan’s written work exists in a far more scattered and diffuse state. Prior to the eventual 15 November 1966 publication date of the... Read More about Introduction to ‘Reading the Écrits’: La trahison de l’écriture.
Ghosts and Sustainability: Charlotte Riddell's 'Walnut-Tree House' and Intergenerational Justice (2022)
Presentation / Conference Contribution
Alder, E. (2022, November). Ghosts and Sustainability: Charlotte Riddell's 'Walnut-Tree House' and Intergenerational Justice. Presented at North-West Long Nineteenth-Century Seminar, Manchester
H. G. Wells and the Natural World (2017)
Digital Artefact
Alder, E. H. G. Wells and the Natural World. [Blog]
Dot, dot, dot: Anon., WAAC: The Woman’s Story of the War (1930) (2023)
Digital Artefact
Frayn, A. (2023). Dot, dot, dot: Anon., WAAC: The Woman’s Story of the War (1930). [Podcast]One of many books about the First World War on the censor’s blacklist, this one claims to offer a new, fresh perspective about the British army. But how much truth can a memoir written by ‘anonymous’ tell? With Dr Andrew Frayn.
International Poetry of the First World War: An Anthology of Lost Voices, edited by Constance M. Ruzich, London, Bloomsbury, 2020 (2022)
Journal Article
Frayn, A. (2023). International Poetry of the First World War: An Anthology of Lost Voices, edited by Constance M. Ruzich, London, Bloomsbury, 2020. English Studies, 104(2), 391-394. https://doi.org/10.1080/0013838x.2023.2148422
Oliver Tearle. The Great War, The Waste Land and the Modernist Long Poem. London: Bloomsbury, 2019. (2019)
Journal Article
Frayn, A. (2020). Oliver Tearle. The Great War, The Waste Land and the Modernist Long Poem. London: Bloomsbury, 2019. Review of English Studies, 71(298), 193-195. https://doi.org/10.1093/res/hgz103
Toby Martinez de las Rivas, Black Sun (Faber & Faber) £9.90 (2018)
Journal Article
Frayn, A. (2018). Toby Martinez de las Rivas, Black Sun (Faber & Faber) £9.90. PN Review, 45(1),
Nanette Norris, ed., Great War Modernism: Artistic Response in the Context of War, 1914–1918 (2017)
Journal Article
Frayn, A. (2017). Nanette Norris, ed., Great War Modernism: Artistic Response in the Context of War, 1914–1918. Journal of D. H. Lawrence Studies, 4(3), 193-197
The theatre of D.H. Lawrence: dramatic modernist and theatrical innovator (2016)
Journal Article
Frayn, A. (2017). The theatre of D.H. Lawrence: dramatic modernist and theatrical innovator. Studies in Theatre and Performance, 37(3), 366-367. https://doi.org/10.1080/14682761.2016.1225429
'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime (2022)
Presentation / Conference Contribution
Frayn, A. (2022, October). 'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime. Paper presented at Gardens in the Gorse: Rural Britain’s Modernist Cultures (Northern Modernism Seminar), NewcastleThe author Norman Nicholson is an exemplary writer of rural modernity, acutely conscious of the need for remote areas to remain ‘living and organic communit[ies]’ (Greater Lakeland) because of his proximity, in his lifetime home of Millom, in the ind... Read More about 'On the perimeter and fringe of war': Norman Nicholson, rural modernity and wartime.
War, Empire and Class in D.H. Lawrence's Lady Chatterley's Lover (2021)
Presentation / Conference Contribution
Frayn, A. (2021, December). War, Empire and Class in D.H. Lawrence's Lady Chatterley's Lover. Presented at Seminar, University of Gent (online)Lecture and seminar at Ghent University (online).
Rethinking First World War literature: The War Books Boom, 1928-30 (2021)
Presentation / Conference Contribution
Frayn, A. (2021, November). Rethinking First World War literature: The War Books Boom, 1928-30. Presented at Northumbria University Institute of Humanities Seminar Series, Northumbria UniversityResearch talk (50 min) at Northumbria University Institute of Humanities Seminar Series (online).
Edgelands without a centre: Norman Nicholson and post-industry (2018)
Presentation / Conference Contribution
Frayn, A. (2018, November). Edgelands without a centre: Norman Nicholson and post-industry. Presented at English research seminar, University of EdinburghA poet whose first editor at Faber & Faber was T.S. Eliot, Norman Nicholson (1914-87) lived his whole life in Millom, an ironworks town in the south-west of Cumbria, away from but within sight of the major fells of the Lake District. Nicholson’s fam... Read More about Edgelands without a centre: Norman Nicholson and post-industry.
"It was in that way that we used to talk, in July, 1914, of Armageddon”: War, Simultaneity and Rupture in Ford Madox Ford's Parade's End (2017)
Presentation / Conference Contribution
Frayn, A. (2017, March). "It was in that way that we used to talk, in July, 1914, of Armageddon”: War, Simultaneity and Rupture in Ford Madox Ford's Parade's End. Paper presented at Scottish Network of Modernist Studies workshop, University of Edinburgh
Enchantments and Attachments: Surviving and Coping in the First World War (2016)
Digital Artefact
Frayn, A. (2016). Enchantments and Attachments: Surviving and Coping in the First World War. [Podcast]A talk to the department of English at University College Dublin, in the Wartime Attachments series, organised by Dr Barry Shiels. The series was funded by the Irish Research Council. D. H. Lawrence described his poetry collection 'Bay', publishe... Read More about Enchantments and Attachments: Surviving and Coping in the First World War.
Cartographies of the Great War: Mapping Post-War Fiction (2014)
Presentation / Conference Contribution
Frayn, A. (2014, July). Cartographies of the Great War: Mapping Post-War Fiction. Paper presented at Alternate Spaces of the Great War, Plymouth UniversityInvited talk to the AHRC-funded network Alternate Spaces of the Great War. This paper engages with the spaces of the Great War, particularly the Western Front, as spaces of modernity. The starting point is a quotation from Richard Aldington’s Dea... Read More about Cartographies of the Great War: Mapping Post-War Fiction.
“Literary forms do become exhausted, clapped out, as well”: Late Modernism and Late Style (2011)
Presentation / Conference Contribution
Frayn, A. (2011, May). “Literary forms do become exhausted, clapped out, as well”: Late Modernism and Late Style. Presented at Lateness and the Modern, University of Manchester