Outputs (15)

Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. (2014)
Presentation / Conference Contribution
Hails, J. (2014, October). Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. Presented at Music and shared imaginaries: nationalisms, communities, and choral singing, Aveiro, Portugal

In June 2014, a disparate group of trained and untrained performers gathered together at the Chisenhale Dance Space to perform items from the Scratch Orchestra’s 1969 Nature Study Notes. The performance was not a nostalgic recreation of past practice... Read More about Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action..

Mesmer EP (2014)
Digital Artefact
Moir, Z. (2014). Mesmer EP. [Audio]

No abstract available.

Following the Instruments, Designers, and Users: A Conceptual Framework for the Study of Digital Sampling Technologies (2014)
Presentation / Conference Contribution
Harkins, P. (2014, December). Following the Instruments, Designers, and Users: A Conceptual Framework for the Study of Digital Sampling Technologies. Paper presented at Art of Record Production (ARP) conference

No abstract available.

Making Connections. (2014)
Other
Burton, K. (2014). Making Connections. [PDF Score]. Edinburgh, Scotland

The piece is written for an ensemble of alto/bass flute, alto saxophone, viola, vibraphone/bongos and piano.

Written as part of a telematic research project connecting musicians and dancers in remote sites, the work involved a collaboration with m... Read More about Making Connections..

The Sounds of Everyday Life (and Death): Digital Sampling, House Musique Concrete, and Field Recordings (2014)
Presentation / Conference Contribution
Harkins, P. (2014, September). The Sounds of Everyday Life (and Death): Digital Sampling, House Musique Concrete, and Field Recordings. Paper presented at IASPM UK and Ireland Conference

No abstract available.

An Ecology of Music Making: Participation, Pressures, and Progressions (2014)
Presentation / Conference Contribution
Moir, Z. (2014, September). An Ecology of Music Making: Participation, Pressures, and Progressions. Presented at Creativities, Musicalities, and Entrepreneurships, Institute for Contemporary Music Performance, London, UK

No abstract available.

Why Benjamin Britten’s War Requiem still resounds today (2014)
Newspaper / Magazine
Ashton, N. (2014). Why Benjamin Britten’s War Requiem still resounds today

'Just Like Clarence' or 'Just Like Jimi': Issues surrounding creativity, originality, and pedagogy in pop and rock improvisation (2014)
Presentation / Conference Contribution
Moir, Z. (2014, April). 'Just Like Clarence' or 'Just Like Jimi': Issues surrounding creativity, originality, and pedagogy in pop and rock improvisation. Paper presented at Improvisation: Educational Perspectives, Edinburgh, UK

No abstract available.

Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014 (2014)
Presentation / Conference Contribution
Stillie, B. (2014, April). Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014

This session will demonstrate how to work with video files in Logic X and address the requirements of N5 Music Technology. We will explore editing tools, track functionality and workflows to enhance learner projects. We will also offer insight into r... Read More about Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014.

Replies to the Critics: The Grounded Theories of Simon Frith (2014)
Presentation / Conference Contribution
Harkins, P. (2014, April). Replies to the Critics: The Grounded Theories of Simon Frith. Paper presented at Studying Music: An International Conference in Honour of Simon Frith

No abstract available.

The Hold (2014)
Other
Dempster, K. (2014). The Hold. [Musical Score]. Edinburgh, UK

The Hold – a site-specific, promenade performance, staged at the National Museum of Scotland, Chambers Street, Edinburgh, the result of a collaboration between Lung Ha’s Theatre Company and National Museums Scotland. The play is by Anglo-Canadian wri... Read More about The Hold.

Popular Music Pedagogy: Assessment, Evaluation, and Context (2014)
Presentation / Conference Contribution
Moir, Z., & McLaughlin, S. (2014, March). Popular Music Pedagogy: Assessment, Evaluation, and Context. Paper presented at International Festival for Artistic Innovation, Leeds College of Music, UK

No abstract available.

from Webern to dance to Burton. (2014)
Other
Burton, K. (2014). from Webern to dance to Burton. [PDF score]. Dublin, Ireland

Commissioned by the Concorde Ensemble. Paul Roe gave the premiere performance at the RHA Gallery, Dublin, 23rd February 2014.

The piece is informed by the choreography of Jiri Kylian, in particular two three minute sections of his work No More Pl... Read More about from Webern to dance to Burton..

Communicative Improvisation: A practical Workshop (2014)
Presentation / Conference Contribution
Moir, Z. (2014, February). Communicative Improvisation: A practical Workshop. Presented at Invited practical workshop, University ofEdinburgh, UK

No abstract available.

Improving Access to Musical Activity for Young People (2014)
Presentation / Conference Contribution
Moir, Z. (2014, January). Improving Access to Musical Activity for Young People. Presented at Invited Guest Lecture, Institute for Music in Human and Social Development, University of Edinburgh,

No abstract available.