Dr Andrew Frayn
| Post Nominals | FHEA |
|---|---|
| Biography | I joined Edinburgh Napier as Lecturer in Twentieth-Century Literature and Culture in August 2015. I was Programme Leader for BA(Hons) English from 2017-22. My primary research interests are in the early twentieth century, particularly literature about the First World War. I have two main current projects. The first develops my longstanding interest in early-twentieth century literature about the First World War. I plan to develop the research showcased in an article on ‘The War Books Boom in Britain, 1928–30’ (First World War Studies, 2022) into a monograph which ranges through the 1500-book database which the initial research produced. The research has been funded by ENU and the Carnegie Trust for the Universities of Scotland. This builds on earlier major work. My monograph Writing Disenchantment: British First World War Prose, 1914-30 (Manchester University Press, 2014) argues that disenchantment was not only a post facto response to the war, and conceives it more widely as a condition of modernity. I have written a number of chapters and articles on related authors including Richard Aldington, Ford Madox Ford, and C. E. Montague. I edited special issues of Modernist Cultures on ‘Modernism and the First World War’ (12.1, 2017), the Journal of War and Culture Studies (11.3, 2018), and a Print+ cluster on commemoration for Modernism/modernity (7.2, 2022). The second is on rural modernity and rural modernism; I am more generally interested in the spaces and places of literature. A 2023 article, theoretical but focusing on the Cumbrian poet Norman Nicholson, defines ‘rural modernism’, and a 2024 article thinks about Nicholson and the rural in wartime. My long-term plan is for this to become a monograph. The other main strand of my work is in modernist textual editing. I edited H.G. Wells’s The War of the Worlds and The War in the Air (Wordsworth, 2017). I have been invited to edit volumes in the Complete Works editions of Ford Madox Ford, Wyndham Lewis, and May Sinclair. Beyond these, I am interested in ideas about lateness, both in the sense of late modernism, and also Theodor W. Adorno’s concept of ‘late style’. I am working on a survey article, and a piece examining David Bowie’s late style. Separately, an edited collection, Beyond Modernism: noncanonicity and early-twentieth-century British literature, is contracted to Bloomsbury Press for submission in July 2025. I am Associate Editor of the journal First World War Studies; I am a Fellow of the International Society for First World War Studies, and sit on its grants committee. I previously served on the executive steering committee for the British Association for Modernist Studies (2018-23; Chair 2022), and was Secretary to the Ford Madox Ford Society (2011-19). |
| Research Interests | First World War Studies Wartime Modernist Studies Late Style Literary Cartographies Popular Modernisms Rural modernity |
| Teaching and Learning | My teaching is primarily in twentieth-century studies. I teach a specialist module on The First World War in Culture, 1914 to the present, which follows on from a survey module on The World at War: Writing and Watching Global Conflict, examining war literature around the world from the nineteenth to the twenty-first centuries. My other specialist module is Modernisms in the Magazines and at the Margins. In this module, we look at modernist magazines in the first half to establish the intellectual, artistic, social and political cross-currents of modernisms in the early twentieth century, before testing those definitions in the second half by examining marginal and non-canonical works. I also teach the survey module Modern Drama, and contribute to the first-year module Critical Contexts: Introduction to Literary Criticism and Cultural Theory. I have extensive experience teaching nineteenth-century literature and literary theory, and often contribute to related modules. |
| PhD Supervision Availability | Yes |
| PhD Topics | First World War Studies Modernist Studies 'Late Style' Literary Cartographies Popular Modernisms ' |