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Dr Alexander Supartono's Recognition (50)

The banner has been raised: The fabric of Taring Padi’s art as political tools, University of Cambridge, UK
2025

Recognition Type Invited Speaker
Description This lecture will examine how the material characteristics of fabric influence Taring Padi’s artistic practice in utilizing art as a political tool. Founded in Yogyakarta, Indonesia, in 1998, the Taring Padi collective of art workers dedicates its efforts to resisting racism, fascism, militarism, environmental injustice, and the impacts of neoliberal economic policies on peasants, workers, Indigenous communities, and other marginalized and minority groups. With reference to the collective’s participation in Documenta 15 in Kassel, Germany, during the summer of 2022 and the following controversy, I will explore Taring Padi’s use of fabric in the form of large-scale banners. While their paper-based works facilitate mass production for propaganda purposes, I will argue the fabric-based works achieve their propaganda purposes though physical size. I will highlight the necessity of large-scale works within the historical specificity of their creation, alongside the collective’s direct political actions. At the same time, the size of the fabric pieces allows members to work collaboratively over long and intensive periods, setting aside individual artistic preferences to develop a distinctive shared pictorial language, iconography, and compositional approach.
Research Areas Art and design
Research Themes Culture and Communities
Research Centres/Groups Centre for Arts, Media and Culture
Org Units School of Arts and Creative Industries
URL https://www.crassh.cam.ac.uk/events/45555/

Native Vision, Photography in Southeast Asia, National Gallery Singapore
2022

Recognition Type Invited Speaker
Description An examination of art historian and archaeologist G.P. Rouffaer’s (1860–1928) review of Kassian Cephas’ (1845–1912) and Isidore van Kinsbergen’s (1821–1905) Javanese antiquity photographs, one of the earliest attempts to locate the photography of archaeological sites within an art historical frame of reference.

Kinsbergen’s photographs exemplify the tension between archaeological documents and theatrical effects, whereas Cephas’ photographs demonstrate a social documentary impetus and mark how the camera changed hands, from the foreigner to the local. Their process of adopting and adapting the veracity of the camera to project their sense, vision and imagination on local artistic tradition within the context of the colonial archaeological project, Supartono argues, might constitute idiomatic 19th-century photographic modernism in Java and the region.
Research Areas Art and design
Research Themes Culture and Communities
Research Centres/Groups Centre for Arts, Media and Culture
Org Units School of Arts and Creative Industries
URL https://www.youtube.com/watch?v=cVQ1FPDIPT0

Taring Padi: 'Moslimfundamentalisted zien ons als bedreiging omdat we punk zijn', NRC, the Netherlands
2023

Recognition Type Media Activity
Description Interview with a major Dutch media NRC on Taring Padi's exhibition "Tanah Merdeka" (Liberated Land) at Framer Framed, Amsterdam, the Netherlands, 28 June 2023.
Research Areas Art and design
Research Themes Culture and Communities
Research Centres/Groups Centre for Arts, Media and Culture
Org Units School of Arts and Creative Industries
URL https://www.nrc.nl/nieuws/2023/06/28/kunstcollectief-taring-padi-over-de-lessen-van-documenta-we-kunnen-elkaar-meer-helpen-in-de-strijd-voor-solidariteit-a4168448

Scottish Overseas Research Student Awards Scheme
2010 - 2013

Description Scottish Overseas Research Student Awards Scheme (SORSAS) for Doctorate Degree Education, School of Art History, University of St. Andrews, Scotland, UK (August 2010-September 2013)
Research Areas Art and design
Research Themes AI and Technologies
Research Centres/Groups Art and Design Research Centre

Scholar Advisory Group of PHAROS project, USA
2019 - 2021

Recognition Type Advisory panels and expert committees or witness
Description PHAROS is a consortium of 14 European and North American art historical photo archives whose objective is to create a consolidated digital platform for their collections. My role as a Southeast Asian specialist is to define geographical and image content categories for “non-western” entities and formulate questions relating to diversity, equity, access and inclusion that will inform the design of the platform.
Research Areas Art and design
Research Themes Culture and Communities
Research Centres/Groups Centre for Arts, Media and Culture
Org Units School of Arts and Creative Industries
URL https://pharosartresearch.org/news/pharos-receives-andrew-w-mellon-foundation-grant

Ground-Breaking Subject Matter Accolade for Dissertations in the Humanities, International Convention of Asia Scholars
2017 - 2017

Recognition Type Fellowships and Awards
Description "Alexander Supartono, whose Re-Imag(In)Ing History: Photography and the Sugar Industry in Colonial Java analyses how photographic practices informed the ways that the colony was imagined while problematising the ideological premises of ‘colonial’ photography." (International Convention of Asia Scholars/ICAS Book Prize 2017)
Research Areas Art and design
Research Themes AI and Technologies
Research Centres/Groups Art and Design Research Centre
Org Units School of Arts and Creative Industries
URL https://icas.asia/en/accolades-dissertations-humanities

Educate, Agitate, Organise! Taring Padi and Art as Political Tools, University of the Philippines Diliman, Manila, the Philippines
2024

Recognition Type Invited Speaker
Description Founded in Yogyakarta, Indonesia in 1998, Taring Padi collective dedicate their works to fight against racism, militarism, environmental injustice and the impacts of neo-liberal economic policies for peasants, workers, indigenous communities and other marginalised and minority groups. The collective’s connective principle evolved on the interface of ideology and friendship and in parallel with utilising art and activism as a political tool. The collective presentation in the Dokumenta 15 in 2022 encapsulated those principles and took the distinguish art event as a platform to campaign for solidarity among struggles in Global South. The display and the dismantlement of People’s Justice (2002) banner in Kassel, Germany during the art event, in retrospect of the controversy, underlined the direct links between artistic forms, ideologies, classes and historical processes in Taring Padi’s practices. The lecture will describe the formulation of pictorial commonplace, iconography and compositional mode of the works and argue its necessity against the historical specific of Taring Padi’s direct political actions.
Research Areas Art and design
Research Themes Culture and Communities
Research Centres/Groups Centre for Arts, Media and Culture
Org Units School of Arts and Creative Industries