All Outputs (5)

Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models (2018)
Journal Article
Selfridge, R., Moffat, D., Avital, E., & Reiss, J. (2018). Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models. Journal of the Audio Engineering Society, 66(7/8), 594-607. https://doi.org/10.17743/jaes.2018.0033

Aeroacoustics is a branch of engineering within fluid dynamics. It encompasses sounds generated by disturbances in air either by an airflow being disturbed by an object or an object moving through air. A number of fundamental sound sources exist depe... Read More about Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models.

Space, place, sound, and memory: immersive experiences of the past (2018)
Presentation / Conference Contribution
Selfridge, R., Cook, J., McAlpine, K., & Whittaker, A. (2018, July). Space, place, sound, and memory: immersive experiences of the past. Presented at Medieval and Renaissance Music Conference, Maynooth

Conference session exploring the role of acoustics and space in historic music performance, and live demonstration of emerging technologies that allow for their recreation in virtual space.

Hearing Historic Scotland (2018)
Exhibition / Performance
Selfridge, R., Cook, J., McAlpine, K., & Consort, B. Hearing Historic Scotland. [Concert]. 14 June 2018. (Unpublished)

A virtual reconstruction of the Music of King James IV’s Chapel Royal as heard at Linlithgow Palace, featuring the Binchois Consort. Live concert showcasing early music performance in virtual reality.

The Binchois Consort: Hearing Historic Scotland (2018)
Exhibition / Performance
Selfridge, R., McAlpine, K., & Cook, J. The Binchois Consort: Hearing Historic Scotland. [Concert and talk]. 14 June 2018. (Unpublished)

A virtual reconstruction of the Music of King James IV’s Chapel Royal as heard at Linlithgow Palace, featuring the Binchois Consort

Physically Derived Synthesis Model of an Edge Tone (2018)
Presentation / Conference Contribution
Selfridge, R., Reiss, J. D., & Avital, E. J. (2018, May). Physically Derived Synthesis Model of an Edge Tone. Presented at 144th Audio Engineering Society Convention, Milan, Italy

The edge tone is the sound generated when a planar jet of air from a nozzle comes into contact with a wedge and a number of physical conditions are met. Fluid dynamics equations were used to synthesize authentic edge tones without the need for comple... Read More about Physically Derived Synthesis Model of an Edge Tone.