Sex Sounds: On Aural Explicitness in Call Me by Your Name
(2024)
Book Chapter
Artt, S. (in press). Sex Sounds: On Aural Explicitness in Call Me by Your Name. In E. Lamberti, & M. Williams (Eds.), Call Me By Your Name: Perspectives on the Film. Bristol: Intellect
All Outputs (10)
Why we do not adapt Jean Rhys (2020)
Book Chapter
Artt, S. (2020). Why we do not adapt Jean Rhys. In M. Stewart, & R. Munro (Eds.), Intercultural Screen Adaptation: British and Global Case Studies. Edinburgh University PressAbstract not available.
'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. (2018)
Book Chapter
Artt, S. (2018). 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close. In M. Pietrzak-Franger, N. Pleßke, & E. Voigts (Eds.), Transforming Cities (91-106). Universitätsverlag WinterThe figure of the prostitute has long been associated with the city and although prostitution may take place anywhere, the connection between female prostitution and the city remains prevalent across literature, film, television and fine art. The pro... Read More about 'Femme Publique':The brothel sex worker as anti-Flaneuse in the television series Maison Close..
The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street (2017)
Book Chapter
Artt, S. (2017). The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street. In B. Poore (Ed.), Neo-Victorian Villains: adaptations and transformations in popular culture. Leiden; Boston;: Brill Academic PublishersThis chapter examines the trajectory of Rose, the recurring victim-heroine of Ripper Street and the villains that define her. Ripper Street appears initially as an example of 'watching for defilement' but gradually reveals its willingness to offer up... Read More about The Postfeminist Tart: Neo-Victorian Villainy and Sex Work in Ripper Street.
Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. (2014)
Book Chapter
Artt, S. (2014). Vienna to Beijing: Xu Jinglei's Letter From An Unknown Woman and the Symbolic Simulation of Europe. In M. Stewart (Ed.), Melodrama in Contemporary Film and Television (July 2014) (171-186). PalgraveNo abstract available.
The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. (2013)
Book Chapter
Artt, S., & Wasson, S. (2013). The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body. In S. George, & B. Hughes (Eds.), Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the
Review of 'The Many Lovers of Miss Jane Austen': (2013)
Book Chapter
Artt, S., Longden, K., McCabe, J., Formica, S., Tucker, P., & Wyver, J. (2013). Review of 'The Many Lovers of Miss Jane Austen':. In L. Raw, & R. G. Dryden (Eds.), Global Jane Austen; Pleasure, Passion, and Possessiveness in the Jane Austen CommunityPalgr
Ambulant Fetish: the exotic woman in "Black Venus" and "Master". (2012)
Book Chapter
Artt, S. (2012). Ambulant Fetish: the exotic woman in "Black Venus" and "Master". In S. Andermahr, & L. Phillips (Eds.), Angela Carter: New Critical Readings (176-186). Continuum
Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. (2012)
Book Chapter
Artt, S. (2012). Les liaisons dangeureuses a l'anglais: examining traces of 'European-ness' in Valmont, Dangerous Liaisons and Cruel Intentions. In L. Raw (Ed.), Translation, Adaptation and Transformation (162-170). Continuum
Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical (2008)
Book Chapter
Artt, S. (2008). Reflections on the Self-Reflexive Musical: The Rocky Horror Picture Show and the Classic Hollywood Musical. In J. Weinstock (Ed.), Reading Rocky Horror: The Rocky Horror Picture Show and Popular Culture. Palgrave MacmillanNo abstract available.