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Contested Identities: Exploring the Cultural, Historical and Political Complexities of the "Three Chinas"

Li, Joe; Jennings, Ros

Authors

Ros Jennings



Abstract

When facing the political, historical and cultural complexities of Mainland China, Hong Kong and Taiwan, problematic issues arise in relation to understanding the sorts of national/cultural identities that might be projected by them. With regard to these three Chinese language cinemas, a traditional national cinema approach focussing predominantly upon nation-state as a source of meaning would provide only a limited understanding of the meanings generated. This article, however, draws on what Benedict Anderson (1991) put forward as the theory of ‘Imagined Communities’ which assumes a large body of people regard themselves as members of a ‘nation’ (and here we interpret this term broadly and beyond understandings of geographical borders and political systems) through a variety of historical legacies, cultural memories and acts of consumption. In this article we hold the assumption that there is a shared cultural meaning (namely ‘Chineseness’) that extends across the three Chinese language cinemas and consider cultural affinity as greater than national and political boundaries.

Journal Article Type Article
Publication Date 2016-01
Deposit Date Mar 9, 2022
Journal IAFOR Journal of Asian Studies
Publisher IAFOR
Peer Reviewed Peer Reviewed
Volume 2
Issue 1
Pages 25-40
Series ISSN 2187-6037
DOI https://doi.org/10.22492/ijas.2.1.02
Keywords National cinema, Three Chinas, Chineseness, cultural affinity
Public URL http://researchrepository.napier.ac.uk/Output/2852492
Publisher URL https://iafor.org/journal/iafor-journal-of-asian-studies/volume-2-issue-1/article-2/