The transmutation of the ‘Old’ with the ‘New’ in the Modernist vision of Edgard Varèse

Davismoon, Stephen

Abstract

In this paper, certain aspects of Varèse's life and work are discussed that have at times, I feel, been overemphasised, distorted, or even omitted, in order to lend greater weight to the depiction of him as a non-European (non-'Old World', non-traditional) and fully American (fully 'New World' radical Modernist, experimentalist) composer. The following article attempts to demonstrate how the past can be felt to resonate in concert with the present and/or future throughout Varèse's oeuvre. Part 1 deals with certain biographical matters, and part 2 focuses more directly on aspects of his works. The following should not be read as an attempt in any way to deny the importance of the USA nor the 'Modern' in Varèse's work, but more to demonstrate that he was an artist at the crossroads of many things old and new and at a time when the world was changing rapidly. This dialectic of the 'Old' (even ancient) and the 'New' can be felt to operate in all of Varèse's works, and to be mindful of this, does I feel bring a vitally different perspective to the place, currency and legitimacy of his art.

Citation

Davismoon, S. (2004). The transmutation of the ‘Old’ with the ‘New’ in the Modernist vision of Edgard Varèse. Contemporary Music Review, 23(1), (45-58). doi:10.1080/0749446042000204527. ISSN 0749-4467

• Journal Article Type: Article
• Publication Date: 2004-03
• Deposit Date: Jan 25, 2008
• Print ISSN: 0749-4467
• Electronic ISSN: 1477-2256
• Publisher: Routledge
• Peer Reviewed: Peer Reviewed
• Volume: 23
• Issue: 1
• Pages: 45-58
• DOI: https://doi.org/10.1080/0749446042000204527
• Keywords: Edgard Varese; Composer; Composition; Influences; Old World; New World; Travel
• Public URL: http://researchrepository.napier.ac.uk/id/eprint/2336
• Publisher URL: http://dx.doi.org/10.1080/0749446042000204527