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Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism

Lyall, Scott

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Abstract

Germany has been epitomised in the twentieth century as Britain’s main rival and adversary. Yet Scottish modernists were influenced by Germany and German-language modernism to think more internationally about their nation and work, a cultural encounter that took place largely in and through translation. Willa and Edwin Muir, who in the early 1920s stayed at educational modernist A. S. Neill’s experimental school in Germany, translated German language modernists such as Kafka and Broch. Hugh MacDiarmid utilised translations of Nietzsche to inform his call for a renascent Scotland. Lewis Grassic Gibbon would write Sunset Song after reading Gustav Frenssen’s regional novel Jörn Uhl. Behind this lies the contention that the breakup of world empires, such as the British and Austro-Hungarian, occasioned minor modernisms (to adapt Deleuze and Guattari) such as that in Scotland, and that translation was central to the emergence, impact, and transnationality of the Scottish renaissance movement.

Citation

Lyall, S. (2019). Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism. Modernist Cultures, 14(2), 213-235. https://doi.org/10.3366/mod.2019.0251

Journal Article Type Article
Acceptance Date Jul 6, 2018
Online Publication Date May 16, 2019
Publication Date May 16, 2019
Deposit Date May 23, 2019
Publicly Available Date Mar 29, 2024
Journal Modernist Cultures
Print ISSN 2041-1022
Publisher Edinburgh University Press
Peer Reviewed Peer Reviewed
Volume 14
Issue 2
Pages 213-235
DOI https://doi.org/10.3366/mod.2019.0251
Keywords Scottish modernism; ‘minor’ literature; translation; Germany; Edwin Muir; Willa Muir; Hugh MacDiarmid; Lewis Grassic Gibbon; Nietzsche; Franz Kafka; Hermann Broch
Public URL http://researchrepository.napier.ac.uk/Output/1822677

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