Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage.
(2010)
Book Chapter
Harkins, P. (2010). Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In A. Danielsen (Ed.), Musical Rhythm in the Age of Digital Reproduction (177-194). Ashgate Publishing
Dr Paul Harkins' Outputs (4)
The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups (2010)
Presentation / Conference Contribution
Harkins, P., & Brøvig-Hanssen, R. (2010, December). The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups. Paper presented at Art of Record Production (ARP)No abstract available.
Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation (2010)
Journal Article
Harkins, P. (2010). Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3enBrian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use of the digital sampler as one of the studio tools that forms part of this cr... Read More about Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation.
Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation (2010)
Presentation / Conference Contribution
Harkins, P. (2010, June). Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation. Paper presented at ANR Research WorkshopNo abstract available.