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LGBT+ mainstreaming on strictly come dancing: Queering the norms of ballroom dancing

Wong, Yen Nee

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Abstract

This paper proposes that LGBT+ mainstreaming on reality television programme Strictly Come Dancing creates space for audience demand for radical, authentic representations of same-sex desire and intimacy, both of which challenges normative representations of ballroom dancing. Integrating concepts of normativity and authenticity explored in existing scholarship, I argue against the encountering through a defensive stance, of reality TV’s normalization of queer narratives to promote authentic, inclusive representation. Focusing on dance-themed British reality TV programme for family entertainment, I draw on a queer reading of 285 newspaper articles on Strictly Come Dancing’s same-sex dance partnerships and 35 interviews with LGBT+ equality dancers in the United Kingdom, to conclude that active engagement with mechanisms of normalization can open up spaces for a reclamation of queer representation in its authenticity. The article makes a contribution to media and cultural studies and queer television scholarship through a troubling of anti-normativity, proposing a working with normativity to achieve queer inclusivity.

Citation

Wong, Y. N. (2024). LGBT+ mainstreaming on strictly come dancing: Queering the norms of ballroom dancing. Media, Culture and Society, 46(4), 816-833. https://doi.org/10.1177/01634437231219141

Journal Article Type Article
Acceptance Date Nov 1, 2023
Online Publication Date Dec 24, 2023
Publication Date 2024
Deposit Date Dec 30, 2023
Publicly Available Date Jan 4, 2024
Print ISSN 0163-4437
Electronic ISSN 1460-3675
Publisher SAGE Publications
Peer Reviewed Peer Reviewed
Volume 46
Issue 4
Pages 816-833
DOI https://doi.org/10.1177/01634437231219141
Keywords anti-normativity, authenticity, ballroom dance, LGBT+, reality TV, same-sex strictly come dancing, sexuality, queer intimacy, equality dancing
Public URL http://researchrepository.napier.ac.uk/Output/3440330

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