Music and Place: How Site-Specific Compositions can Complement the Architects' Vision

Burton, Katrina

Abstract

Schafer (2011) said, ‘Without sound space feels lifeless.’ While some site-specific compositions seek to explore the acoustical properties of a building, with music that best exemplifies the resonance of the space, others are borne out of a desire to complement the architect’s aesthetic and enhance the visitor experience. This presentation considers the latter approach, exploring my work written for and performed in Mies van der Rohe’s Carr Chapel (1952). A commission for the 2015 Open House Chicago festival, the solo cello work (approximately 7 minutes in duration) was presented at regular intervals over a three hour period as visitors explored the space. Each performance was preceded by a brief informal talk, in which I introduced the compositional ideas, providing a way in for the largely non-musical audience. Composed for Mies’ only ecclesiatical building, nicknamed the “God Box”, I will also reflect on the ethics of writing contemporary music for a sacred space.
It is well documented that Mies sought the finest materials for his buildings; a visit to one of his structures demands time and space in order to appreciate the intrinsic beauty found within these materials. Drawing parallels with this, and embodying Mies‘ ‘less is more’ aesthetic, through an exploration of textures on the cello the listener is invited to focus on the beauty inherent in simplistic and raw musical ideas, thereby challenging perceptions on beauty in art.
I will discuss how the music heightened the visitors’ response to the space and will demonstrate that such Open House initiatives not only facilitate opportunities for music to reach a wider audience, including those that may not actively seek out performances of classical music, but that they also facilitate opportunities for audiences not knowledgeable about architecture. The presentation will include footage filmed on the day of the Open House event.

Citation

Burton, K. (2018, April). Music and Place: How Site-Specific Compositions can Complement the Architects' Vision. Presented at AMPS Moving Images - Static Spaces: Architectures, Art, Media, Film, Digital Art and Design, Istanbul, Turkey

• Presentation Conference Type: Presentation / Talk
• Conference Name: AMPS Moving Images - Static Spaces: Architectures, Art, Media, Film, Digital Art and Design
• Start Date: Apr 12, 2018
• End Date: Apr 13, 2018
• Deposit Date: Jul 4, 2021
• Keywords: music, architeture, site-specific
• Public URL: http://researchrepository.napier.ac.uk/Output/2784701
• Publisher URL: https://architecturemps.com/istanbul/
• Related Public URLs: https://www.treeburton.com/films
• Additional Information: The conference presentation was pre-recorded and screened live at the conference. It can be found on my website, here https://www.treeburton.com/films (Music and Place talk, at bottom of page)