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Improvisation in the digital age: New narratives in jazz promotion and dissemination.

Medb�e, Haftor; Dias, Jose

Authors

Jose Dias



Abstract

Those that create, promote and disseminate jazz are experiencing a period of radical change. The dwindling interest from the major labels in releasing jazz has led to a mushrooming of both traditionally imagined and virtual independent jazz labels, often musician-led by individuals or collectives. Despite the ‘democratised’ potentials of digital dissemination made possible through third party vendors and streaming services such as iTunes and Spotify, modest or non-existent advertising budgets and lack of coherent marketing strategies often result in independent releases being drowned in the noise of an overcrowded marketplace. Financial returns from limited sales are also modest. The commercial underpinning that in previous times afforded the jazz musician both potential apprenticeship and métier has become fractured through increasing scarcity of record company and private/public funding. Against this black backdrop, musicians have engaged in new ways of disseminating their work. DIY strategies, such as free download netlabels or interactive app-albums, have become increasingly commonplace. Fresh approaches — the need for which are highlighted in this article with reference to the European jazz scene — indicate how musicians are networking informally, often with little or no institutional support. This paper highlights to what extent market realignments have prompted individual and collective creative responses to current difficulties associated with the promotion of jazz music.

Citation

Medbøe, H., & Dias, J. (2014). Improvisation in the digital age: New narratives in jazz promotion and dissemination. First Monday, 19, 1-26. https://doi.org/10.5210/fm.v19i10.5553

Journal Article Type Article
Publication Date Oct 6, 2014
Deposit Date Oct 15, 2014
Publicly Available Date Oct 15, 2014
Publisher University of Illinois at Chicago Library
Peer Reviewed Peer Reviewed
Volume 19
Pages 1-26
DOI https://doi.org/10.5210/fm.v19i10.5553
Keywords Jazz; commercial music publishing; music promotion; independent labels; digital music streaming;
Public URL http://researchrepository.napier.ac.uk/id/eprint/7244
Publisher URL http://firstmonday.org/ojs/index.php/fm/article/view/5553/4132

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Publisher Licence URL
http://creativecommons.org/licenses/by-nc/4.0/

Copyright Statement
“Improvisation in the digital age: New narratives in jazz promotion and dissemination” by Haftor Medbøe & José Dias is licensed under a Creative Commons Attribution–NonCommercial 4.0 International License.






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