Cultural intermediaries in the contemporary British music press.
(2017)
Thesis
Langlands, L. C. Cultural intermediaries in the contemporary British music press. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/1034846
Forde (2001) argues that the “polyglottic identity” and “discursive autonomy” of the music press in the 1970s was replaced in the 1990s by a “monoglottic branded identity, direction and aesthetic” across the majority of music journalism titles. This... Read More about Cultural intermediaries in the contemporary British music press..