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From Singapore with Nature (2018)
Book Chapter
Supartono, A. (2018). From Singapore with Nature

In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was sealed.  Highly influenced by then the admirable Adam Smith and David Ricardo... Read More about From Singapore with Nature.

From Singapore with Nature. (2018)
Exhibition / Performance
Supartono, A., Renhui, R. Z., Ang, S. N., Marvin, T., & Woong, S. T. From Singapore with Nature. Exhibited at Thessalonika, Greece. 28 September 2018 - 27 January 2019. (Unpublished)

In this year’s Thessaloniki PhotoBiennale 2018, the central exhibition entitled “Capitalist Realism“, which is structured in two large sections, at the Thessaloniki Museum of Photography and the Contemporary Art Center of Thessaloniki, is curated by... Read More about From Singapore with Nature..

One and Three Discs (after Kosuth) (2018)
Presentation / Conference
Holmes, P. (2018, September). One and Three Discs (after Kosuth). Presented at Creative Legacies: Collaborative Practices for Digital Cultural Heritage

It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs (1965) challenged its viewer to locate the “real” by choosing between an object & its visual or textual representations (Juzefovic, 2013). Replacing Kosuth’s chair with a... Read More about One and Three Discs (after Kosuth).

‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror (2018)
Journal Article
Artt, S. (2018). ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror. Science Fiction Film and Television, 11(2), 257-275. https://doi.org/10.3828/sfftv.2018.18

This article traces some of the legacies of the Frankenstein narrative as it appears in the television series Penny Dreadful and Black Mirror. Both series deploy Frankenstein themes to explore the relationship between gender and technology. Drawing o... Read More about ‘An otherness that cannot be sublimated’: Shades of Frankenstein in Penny Dreadful and Black Mirror.

Tarkovsky: Cinema of Dreams (2018)
Digital Artefact
Milne, L., & Martin, S. (2018). Tarkovsky: Cinema of Dreams. [Website]

Lanterna Magicka comprises film makers Louise Milne and Sean Martin. Currently in production, their film Tarkovsky: Cinema of Dreams, is a critical account of the great director's relationship with dreams and the subconscious, seeing his films as a c... Read More about Tarkovsky: Cinema of Dreams.

Eidolon (2018)
Digital Artefact
Milne, L. (2018). Eidolon. [Film]

10 mins, experimental Super 8 film Eidolon: dream image, apparition, phantom, ghost. Three dreams in three voices navigate a garden of forking paths. With texts from Horace, Freud's Wolf Man and an anonymous late 20C dreamer, a film in Super8 and... Read More about Eidolon.