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One and Three Discs (after Kosuth) (2018)
Presentation / Conference
Holmes, P. (2018, September). One and Three Discs (after Kosuth). Presented at Creative Legacies: Collaborative Practices for Digital Cultural Heritage

It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs (1965) challenged its viewer to locate the “real” by choosing between an object & its visual or textual representations (Juzefovic, 2013). Replacing Kosuth’s chair with a... Read More about One and Three Discs (after Kosuth).

Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia (2016)
Presentation / Conference
Moschovi, A., & Supartono, A. (2016, September). Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia. Paper presented at Association of Southeast Asian Studies UK (ASEASUK) Conference 2016

This paper seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of the findings of an international, multid... Read More about Contesting colonial (hi)stories: (Post)colonial imaginings of South East Asia.

Blipfoto: a new return to the beginning of photography. (2015)
Presentation / Conference
Forrest, E., & Hall, H. (2015, June). Blipfoto: a new return to the beginning of photography. Paper presented at International Visual Sociology Association Annual Conference 2015

‘What we call the beginning is often the end. And to make an end, is to make a beginning . The end is where we start from” TS Eliot, Little Gidding If, on TS Eliot’s suggestion in Little Gidding, you come any way into photography, it seems inevitable... Read More about Blipfoto: a new return to the beginning of photography..

Is There Such A Thing as Southeast Asian Photography? (2015)
Presentation / Conference
Supartono, A. (2015, April). Is There Such A Thing as Southeast Asian Photography?. Paper presented at Making Southeast Asian Cultures: From Region to World, UC Berkeley, CA, USA

The photography scene in Southeast Asia has developed regionally since the early days of the camera. The flourishing commercial photographic studios in the region (thanks to the success of colonial enterprises that provided sufficient clientele) witn... Read More about Is There Such A Thing as Southeast Asian Photography?.

Between exhibition and contemplation: exposing everyday entanglements within two online photography sites. (2014)
Presentation / Conference
Forrest, E., & Hall, H. (2014, March). Between exhibition and contemplation: exposing everyday entanglements within two online photography sites. Paper presented at Helsinki Photomedia 2014

Why do we still have a powerful compulsion to show our pictures to each another? Ever since visiting guests popped their Cartes-de-Visites in the Victorian parlour tray, there has always been a need to share our own photographs with others. Whether d... Read More about Between exhibition and contemplation: exposing everyday entanglements within two online photography sites..

“A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship. (2011)
Presentation / Conference
Sellors, C. P. (2011, June). “A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship

I examine the underlying, and somewhat incompatible principles of hermeneutic, legal (UK), and empirical definitions of authorship. In this analysis I consider how the distinction between film as business and film as artistic expression, a distinctio... Read More about “A Business Pure and Simple:” Film, Copyright, and Problems for Defining Authorship..

Drawing a Clear Line between Fact and Fiction in the Animated Documentary. (2011)
Presentation / Conference
Sellors, C. P. (2011, June). Drawing a Clear Line between Fact and Fiction in the Animated Documentary. Paper presented at Animated Realities Conference, Edinburgh College of Art, Edinburgh, Scotland

The assertion that certain means of cinematic representation in documentary filmmaking, such as animation, blurs boundaries between fact and fiction rests on misconceptions about the terms ‘fact’ and ‘fiction’ and the relationship between reality and... Read More about Drawing a Clear Line between Fact and Fiction in the Animated Documentary..