One, Two, Three, Many: Dream-Culture, Charms and Nightmares (2019)
Book Chapter
Milne, L. S. (2019). One, Two, Three, Many: Dream-Culture, Charms and Nightmares. In E. Pocs, J. Kapaló, L. S. Milne, & C. Somerville (Eds.), Charms and Charming: Studies on Magic in Everyday Life (129-167). Ljubljana: Scientific Research Centre of the Slovenian Academy of Sciences and Arts

Researchers may focus on charms as evidence about belief-systems in particular regions, periods or demographics; for insights into wider theoretical issues in the anthropology of religion, magic and ritual; or for their intrinsic qualities as poetic... Read More about One, Two, Three, Many: Dream-Culture, Charms and Nightmares.

Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes (2019)
Book Chapter
Moschovi, A., & Supartono, A. (2019). Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes. In H. Lewi, W. Smith, S. Cooke, & D. vom Lehn (Eds.), The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites (227-240). London: Routledge

The chapter explores how creative repurposing of networked photographs and online interactivity may open new channels and networks for the critical re-evaluation of mainstream culture and subcultures, identity politics, history and power structures.... Read More about Cultural antinomies, creative complicities: Agan Harahap's digital hoaxes.

From Singapore with Nature (2018)
Book Chapter
Supartono, A. (2018). From Singapore with Nature

In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was sealed.  Highly influenced by then the admirable Adam Smith and David Ricardo... Read More about From Singapore with Nature.

Re-examining the aims and context of Raffles' photographic practice (2017)
Book Chapter
(2017). Re-examining the aims and context of Raffles' photographic practice. In Franki Raffles: Observing Women at Work (15-23)

No abstract available.

Assam The Language of Tea: A familial re-purposing (2017)
Book Chapter
Cavers, C. (2017). Assam The Language of Tea: A familial re-purposing. In IX Chobi Mela 2017

Assam, the Language of Tea: A Familial Repurposing, by Colin Cavers, is a postcolonial investigation of his colonial past by revisiting his portrait of tea pluckers project in the context of family history. In doing so, Cavers examines the synergies,... Read More about Assam The Language of Tea: A familial re-purposing.

Heroes, Monsters and Horned Men: On the Syntax and Evolution of Mythological Image-Constellations (2017)
Book Chapter
Milne, L. S. (2017). Heroes, Monsters and Horned Men: On the Syntax and Evolution of Mythological Image-Constellations. In M. Lisiecki, L. Milne, & N. Yanchevskaja (Eds.), Power and Speech: Mythology of the Social and the Sacred (117-162). Toru?, Poland: Pracownia Wydawnicza Eikon

No abstract available.

You Play Your Part – Older Women on Screen and in Production (2015)
Book Chapter
Macleod, K. (2015). You Play Your Part – Older Women on Screen and in Production. In H. Savigny, E. Thorsen, D. Jackson, & J. Alexander (Eds.), Media, Margins And Popular Culture (28-40). London: Palgrave Macmillan. https://doi.org/10.1057/9781137512819_3

This chapter draws on the author’s practice-led research in community-based media to explore how participatory production techniques and strategies create opportunities to increase older women’s visibility on screen and in production. Through examini... Read More about You Play Your Part – Older Women on Screen and in Production.

The Artist in Conversation with Rory Maclean. (2015)
Book Chapter
Holmes, P. (2015). The Artist in Conversation with Rory Maclean. In P. Holmes (Ed.), Outside the Box. Edinburgh, Scotland: Mutus Liber

Peripheral visions? Alternative film in a stateless nation. (2015)
Book Chapter
MacPherson, R. (2015). Peripheral visions? Alternative film in a stateless nation. In C. Atton (Ed.), The Routledge Companion to Alternative and Community Media (268-277). Routledge

Scotland is a small, stateless nation whose mainstream media and national cinema have generally been positioned by media scholars as constituting an alternative to the UK’s metropolitan mainstream. Consequently the specificity of alternative practic... Read More about Peripheral visions? Alternative film in a stateless nation..

Radical and Engaged Cinema in Scotland. (2014)
Book Chapter
MacPherson, R. (2014). Radical and Engaged Cinema in Scotland. In Directory of World Cinema Scotland. Intellect

A short history of radical and engaged films and filmmakers in Scotland from 1917 to the present.

After Image: Is there such a thing as Southeast Asian photography (2014)
Book Chapter
Supartono, A. (2014). After Image: Is there such a thing as Southeast Asian photography. In Afterimage: Contemporary Photography in Southeast Asia, (14-19)

No abstract available.

Colonial Machine: the Image of the Industry (2014)
Book Chapter
Supartono, A. (2014). Colonial Machine: the Image of the Industry. In G. Newton (Ed.), Garden of the East: Photography in Indonesia 1860s-1940s (56-59). National Gallery of Australia

No abstract available.

Other Pictures: Vernacular (Hi)stories from the Photo Albums of Dutch Industrialists in Colonial Java (2013)
Book Chapter
Supartono, A. (2013). Other Pictures: Vernacular (Hi)stories from the Photo Albums of Dutch Industrialists in Colonial Java. In The Sweet and Sour Story of Sugar, (i-xii)

Other pictures: vernacular (Hi)stories from the photo albums of Dutch industrialists in Colonial Java.

Scottish cinema – myth and reality from Hollywood to Holyrood. (2012)
Book Chapter
MacPherson, R. (2012). Scottish cinema – myth and reality from Hollywood to Holyrood. In E. Bell, & N. Mitchell (Eds.), Directory of World Cinema: Britain. Intellect ltd

Introductory essay on Scottish Cinema for Scotland section of Directory of World Cinema: Britain

Photography as a contemporary art medium. (2007)
Book Chapter
Naruyste, A. (2007). Photography as a contemporary art medium. In M. Vytautas (Ed.), Acta Academiae Artium Vilnensis: Mediju studijos: filosofija, komunikacija, menas/Media Studies: Philosophy, Communication, Art, 149-173. Vilniaus dailes akademijos leidykla

History read backward: memory, migration and the archive. (2007)
Book Chapter
McGrath, R. (2007). History read backward: memory, migration and the archive. In A. Grossman, & A. O'Brien (Eds.), Projecting Migration: Transcultural Documentary Practice (36-52). Wallflower Press

Drawing on recent cross-cultural debates in theories and practices of media representation and difference in the fields of cultural studies and visual anthropology, this work aims to think through, and alongside, images of migrancy. A section of the... Read More about History read backward: memory, migration and the archive..

Moving pictures: gender and the visualisation of life. (2006)
Book Chapter
McGrath, R. (2006). Moving pictures: gender and the visualisation of life. In A. Patrizio, & D. Kemp (Eds.), Anatomy Acts: How we Come to Know Ourselves (63-77). Birlinn Press

On the Side of the Angels (2004)
Book Chapter
Milne, L. S. (2004). On the Side of the Angels. In J. Lingwood (Ed.), Susan Hiller: Recall - Selected Works, 1969-2004 (141-147). Gateshead: Baltic & Porto: Museu de Arte ... & Basel: Kunsthalle

Contribution to the catalogue of an exhibition of art by Susan Hiller, held at the Baltic, Gateshead, May 1 - July 18, 2004, Museu de Arte Contemporânea de Serralves, Porto, October 15, 2004 - January 9, 2005 and Kunsthalle Basel, January 30 - March... Read More about On the Side of the Angels.

Re-reading Edward Weston. (2003)
Book Chapter
McGrath, R. (2003). Re-reading Edward Weston. In L. Wells (Ed.), The Photography Reader (327-337). Routledge