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Introduction: ‘Tenshillingland’: Community and Commerce, Myth and Madness in the Modern Scottish Novel (2016)
Book Chapter
Lyall, S. (2016). Introduction: ‘Tenshillingland’: Community and Commerce, Myth and Madness in the Modern Scottish Novel. In S. Lyall (Ed.), Community in Modern Scottish Literature (1-24). Leiden: Brill Academic Publishers. https://doi.org/10.1163/9789004317451_002

While ‘community’ as a concept has come under increasing attack in a neoliberal era, it has remained in Scotland a mythic, though not unexamined, signifier of resistance to perceived threats to national identity. Community, central to the Scottish no... Read More about Introduction: ‘Tenshillingland’: Community and Commerce, Myth and Madness in the Modern Scottish Novel.

Between the Cracks: Theme, Screenwriting and Visual Structure (2016)
Thesis
Crawford, D. N. (2016). Between the Cracks: Theme, Screenwriting and Visual Structure. (Thesis). Edinburgh Napier University. Retrieved from http://researchrepository.napier.ac.uk/Output/453033

This research explores the manual approach to screenwriting and finds that the element of theme is not examined with the same analytical focus as other primary elements, plot, character and story. Its properties remain mysterious and discussion of it... Read More about Between the Cracks: Theme, Screenwriting and Visual Structure.

In search of community (2016)
Book Chapter
Lyall, S. (2016). In search of community. In S. Lyall (Ed.), Community in Modern Scottish Literature (vii-xiii). Leiden: Brill Academic Publishers

Community derives from the Latin root word communis (common), which itself breaks down into two possible derivations [...]. The first, com plus munis (what is indebted, bound, or obligated together), is thought to be more philologically accurate, whi... Read More about In search of community.

Hugh MacDiarmid’s Impossible Community (2016)
Book Chapter
Lyall, S. (2016). Hugh MacDiarmid’s Impossible Community. In S. Lyall (Ed.), Community in Modern Scottish Literature (82-102). Leiden: Brill Academic Publishers

This chapter suggests two main related points. The overarching contention is that Hugh MacDiarmid was a poetic, political, polemical, and metaphysical impossibilist (rather than merely the extremist of caricature). More particularly, in an attempt to... Read More about Hugh MacDiarmid’s Impossible Community.