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Real-time long-distance music collaboration using the Internet (2016)
Book Chapter
Ferguson, P. (2016). Real-time long-distance music collaboration using the Internet. In R. Hepworth-Sawyer, J. Hodgson, J. L. Paterson, & R. Toulson (Eds.), Innovation in Music II (174-178). Future Technology Press

The recent but rapid adoption of networked audio systems such as RedNet within the commercial and education domains is, as yet, limited to Local Area Networks (LANs) or Campus Area Networks (CANs). However, the increased connection bandwidth offered... Read More about Real-time long-distance music collaboration using the Internet.

Jamming in the 3rd Room. (2016)
Presentation / Conference
Moir, Z., Ferguson, P., & Smith, G. D. (2016, December). Jamming in the 3rd Room. Paper presented at Art of Record Production, Aalborg, Denmark

No abstract available.

Real Sounds, Real Instruments: Discourses of Fidelity and Authenticity in the Design and Use of Digital Sampling Technologies (2016)
Presentation / Conference
Harkins, P. (2016, December). Real Sounds, Real Instruments: Discourses of Fidelity and Authenticity in the Design and Use of Digital Sampling Technologies. Paper presented at Art of Record Production (ARP) conference, University of Aalborg

This paper explores how an ideology of realism was central to the designers of early digital synthesizer/sampling technologies and how discourses of authenticity remain important to the contemporary users of digital technologies in the production of... Read More about Real Sounds, Real Instruments: Discourses of Fidelity and Authenticity in the Design and Use of Digital Sampling Technologies.

Sandy Brechin & Friends - Barnstorf, Germany (2016)
Exhibition / Performance
Currie, J., & Brechin, S. Sandy Brechin & Friends - Barnstorf, Germany. Performed at Bahnhofshalle, Barnstorf, Germany. 19 November 2016 - 19 November 2016. (Unpublished)

Am Samstagabend verwandelten sich der Kiosk von Stefan Vormschlag, Barnstorf, und die Bahnhofshalle und Ballroom. Die Züge hielten gefühlte Sekunden länger am Bahnsteig, damit die Reisenden den Anblick der etwa 150 Gäste beim Konzert von „Sandy Brech... Read More about Sandy Brechin & Friends - Barnstorf, Germany.

Beyond Borealism: New Perspectives on the North (2016)
Book Chapter
Medboe, H. (2016). Beyond Borealism: New Perspectives on the North. In Beyond Borealism: New Perspectives on the North (149-166). Norvik Press

Since the 1970s, jazz from Scandinavia has represented a distinct reimagining of the erstwhile American music form with the term “Nordic tone” being liberally applied in the marketing and critical discussion of jazz from the region. While undoubtedly... Read More about Beyond Borealism: New Perspectives on the North.

The Edinburgh Festival FRINGE - Sandy Brechin Band (2016)
Exhibition / Performance
Currie, J., Brechin, S., Mill, A., Oke, W., Anderson, R., & Brady, P. The Edinburgh Festival FRINGE - Sandy Brechin Band. Performed at Acoustic Music Centre@St Brides. 23 August 2016 - 23 August 2016. (Unpublished)

Wild man of the accordion and frontman of Burach and the Sensational Jimi Shandrix Experience, Sandy Brechin plays fast and funky favourites from his albums, Out of his Box and Out of his Tree, along with some fantastic new material. Accompanied by W... Read More about The Edinburgh Festival FRINGE - Sandy Brechin Band.

The complete organ sonatas of August Ritter. (2016)
Digital Artefact
Harris, M. (2016). The complete organ sonatas of August Ritter. [Audio CD]

CD recording - Priory CD PRCD1162 - of the complete organ sonatas of August Gottfried Ritter (1811-1885) recorded on the Ladegast organ of the Kirche Altleisnig, Polditz, Germany

Nine for ones in nine: a schizophrenic cyborg love story. (2016)
Presentation / Conference
Hails, J. (2016, April). Nine for ones in nine: a schizophrenic cyborg love story. Paper presented at Edinburgh Napier Staff Conference

By appropriating the images of the schizophrenic and the cyborg from Deleuze and Guattari, and from Donna Haraway respectively, this paper seeks to discuss the relationship between human and computer, composer and performer in a way that undermines a... Read More about Nine for ones in nine: a schizophrenic cyborg love story..

for one (2016)
Other
Hails, J. (2016). for one. [Musical score]. Print manuscript in the possession of the composer

Musical work (duration 19') for oneunspecified melodic sustaining instrument. Work employs specific tuning related to just intervals.