La Transmission Perdue et Retrouvee : Le Sampler Comme Outil de Composition et de Decontextualisation de L’Enrigistrement (2012)
Journal Article
Harkins, P. (2012). La Transmission Perdue et Retrouvee : Le Sampler Comme Outil de Composition et de Decontextualisation de L’Enrigistrement. Réseaux, 172, 92. https://doi.org/10.3917/res.172.0092

According to Brian Eno, the recording studio is a composition tool that enables musicians to enjoy a more direct relationship with sound. This article examines the role of the sampler as a technology that is tightly interlinked with the creative proc... Read More about La Transmission Perdue et Retrouvee : Le Sampler Comme Outil de Composition et de Decontextualisation de L’Enrigistrement.

Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings (2012)
Journal Article
Harkins, P. (2012). Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings. Popular Music and Society, 35, 629-649. https://doi.org/10.1080/03007766.2012.709664

After the UK government commissioned a review of intellectual property in 2005, a campaign to “Extend the Term” of copyright in sound recordings was orchestrated by trade magazine Music Week on behalf of the recording industry and performing artists.... Read More about Extending the Term: The Gowers Review and the Campaign to Increase the Length of Copyright in Sound Recordings.

Listening to 'difficult albums': specialist music fans and the popular avant-garde (2012)
Journal Article
Atton, C. (2012). Listening to 'difficult albums': specialist music fans and the popular avant-garde. Popular Music, 31, 347-361. https://doi.org/10.1017/S0261143012000281

Difficulty is most often associated, not with popular music, but with the avant-garde. How do popular music listeners listen to albums that present compositional, performance or conceptual elements from the avant-garde? This paper explores where di... Read More about Listening to 'difficult albums': specialist music fans and the popular avant-garde.

King Creosote’s Foot Pedal: The Fence Collective and the New Folk Sound of Fife (2012)
Presentation / Conference
Harkins, P. (2012, September). King Creosote’s Foot Pedal: The Fence Collective and the New Folk Sound of Fife. Paper presented at (IASPM) UK and Ireland conference, University of Salford, Manchester

No abstract available.

Haftor Medbøe & Anneke Kampman - Places and Spaces (2012)
Other
Medbøe, H. (2012). Haftor Medbøe & Anneke Kampman - Places and Spaces. Edinburgh, UK

An album of nine compositions featuring Anneke Kampman (vocals), Andy Jeffcoat (synth), Richard Kass (percussion). Engineered by Michal Jankowski Produced by Graham Coe Released in September 2009

BBC Radio Scotland - The Golf Show - Theme Tune (2012)
Digital Artefact
(2012). BBC Radio Scotland - The Golf Show - Theme Tune. [Radio]

EMG (2012)
Other
Hails, J. (2012). EMG. [Musical score]. Edinburgh, Scotland

Work for solo piano requested and first performed by Nicholas Ashton. This work samples vertical chord structures from an earlier piece for piano (EVEN MORE GEESE), which itself was derived from an ensemble piece (More Geese). These samples are pre... Read More about EMG.

The Impact of Health on Musical Experience in Post-War Britain: Cochlear Implant USers (2012)
Presentation / Conference
Moir, Z. (2012, May). The Impact of Health on Musical Experience in Post-War Britain: Cochlear Implant USers. Presented at Invited Guest Lecture (Keynote)

No abstract available.