Stickers - Portfolio Artefact (2019)
Physical Artefact
MacLeod, M., & Macdonald, I. Stickers - Portfolio Artefact. [Stickers - Print]

Designing for social good framed within an ethical practice has a long tradition informed by the democratic philosophy of John Dewey, but more recently it has been acknowledged that co-design can embody cultural respect and empathy through an express... Read More about Stickers - Portfolio Artefact.

AHRC Design Research for Change Showcase (2018)
Exhibition / Performance
Vettese, S., Anastasiadou, C., Calder, L., Vones, K., Burton, K., & Allan, D. AHRC Design Research for Change Showcase. 20 September 2018 - 23 September 2018

No abstract available.

In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture (2018)
Journal Article
Vettese, S., & Anastasiadou, C. (2018). In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture. The Journal of Peer Production, 12, 27-39

This paper outlines an Arts and Humanities Research Council (AHRC) funded Design Innovation Development Award project titled ' Enhancing the Authenticity and Sustainability of the Visitor Heritage Experience through 3D Printing Technology', undertake... Read More about In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture.

Examining the Professional Codes of Design Organisations (2018)
Conference Proceeding
Buwert, P. (2018). Examining the Professional Codes of Design Organisations. In C. Storni, K. Leahy, M. McMahon, P. Lloyd, & E. Bohemia (Eds.), Proceedings of the Design Research Society 2018: Catalyst. , (172-186). https://doi.org/10.21606/dma.2018.493

Many of the professional organisations within the various fields of design activity publish professional codes of ethics in one form or another. This paper opens up a discussion of the role which professional codes might play in relation to the ethic... Read More about Examining the Professional Codes of Design Organisations.

The Acquisition of Design Skills: A Hybrid Practice in the Digital Age (2017)
Conference Proceeding
Allan, D. (2017). The Acquisition of Design Skills: A Hybrid Practice in the Digital Age. In G. Pritchard, & N. Lambert (Eds.), Learn X Design London 2017 : the allure of the digital and beyond. , (60-66)

This paper will briefly discuss the debate between technological determinism and cultural materialism by reviewing relevant literature. Auto-ethnography will be used to explore the experience of the author as a digital native and her experience with... Read More about The Acquisition of Design Skills: A Hybrid Practice in the Digital Age.

Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting (2017)
Conference Proceeding
Innes, M., & Winton, E. (2017). Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting. In PLDC 6th Global Lighting Design Conference

Electric street lighting has developed wholly in the age of the motor car. Therefore, normal models of urban lighting are based firmly on designing for vehicle traffic. Standards documents and good practice guidance typically focus on lighting vehicl... Read More about Lighting for Cities Inhabited by People, Not Cars: Community Co-Design and Creative Lighting.

True Colours: explorations in art, design and research (2017)
Conference Proceeding
Innes, M. (2017). True Colours: explorations in art, design and research. In Color and Imaging Conference (309-312)

Do you see colour the same way that I see colour? As my initial training was as an artist, it is possible that I look at colour very differently from someone with a scientific background. But do all artists or all scientists see the same, how do spe... Read More about True Colours: explorations in art, design and research.

The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic (2017)
Presentation / Conference
Lambert, I. (2017, September). The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic. Paper presented at Making Futures 2017: Crafting a sustainable Modernity - towards a maker aesthetics of production and consumption

This paper appraises the adaptation of injection moulding, a process quintessentially associated with mass production, as a craft process, with ocean plastic as the raw material. This process arose following a visit to the small island of Scarp, just... Read More about The Isle of Harris Fish Slice: Industrial Crafting with Ocean Plastic.

Potentiality: the ethical foundation of design (2017)
Journal Article
Buwert, P. (2017). Potentiality: the ethical foundation of design. Design Journal, 20(sup1), S4459-S4467. https://doi.org/10.1080/14606925.2017.1352942

This paper presents the argument that design is by nature an activity which extends and transforms potentiality and that therefore, because of this, it is always an ethical activity. This foundational ethicality does not guarantee that design will al... Read More about Potentiality: the ethical foundation of design.

Aesthetic Justice. Design for a blind-spot culture (2017)
Journal Article
Buwert, P. (2017). Aesthetic Justice. Design for a blind-spot culture. Design Journal, 20(sup1), S38-S48. https://doi.org/10.1080/14606925.2017.1353017

This paper presents a conception of aesthetic justice which builds on thoughts of Theodor Adorno and Wolfgang Welsch and attempts to reconcile design’s relationships with both aesthetics and ethics. Where legal justice operates on a principle of hom... Read More about Aesthetic Justice. Design for a blind-spot culture.

Lighting and Museum Exhibits (2017)
Book Chapter
Innes, M. (2017). Lighting and Museum Exhibits. In C. Papadopoulos, & H. Moyes (Eds.), The Oxford Handbook of Light in Archaeology. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780198788218.013.31

Museums exist to display and preserve valuable artefacts. Display lighting helps fulfil one of the main tenets of a museum, but excessive light causes irreparable damage to sensitive exhibits. Getting the balance between good display lighting and goo... Read More about Lighting and Museum Exhibits.

The edges of lighting design: Research and practice on the fringes (2017)
Conference Proceeding
Innes, M. (2017). The edges of lighting design: Research and practice on the fringes. In New Perspectives on the Future of Healthy Light and Lighting in Daily Life. , (16-21)

If architectural lighting design is contained within a defined circle, then the edges are, at the very least, quite blurred. All kinds of other lighting practice has straddled the boundaries: theatre, live event, film, light art... All these areas ha... Read More about The edges of lighting design: Research and practice on the fringes.

Make What You Desire: An Interactive Blending of the Digital and the Analogue (2017)
Conference Proceeding
Allan, D. (2017). Make What You Desire: An Interactive Blending of the Digital and the Analogue. In Proceedings of the 31st International BCS Human Computer Interaction Conference (HCI 2017) (HCI)https://doi.org/10.14236/ewic/HCI2017.72

3D printing technology has the potential to democratize the manufacturing process. 3D printers have become more affordable so almost anyone can access them either at home, work or a local Fablab. Now that this access is becoming more widespread, it i... Read More about Make What You Desire: An Interactive Blending of the Digital and the Analogue.

SKiN: Designing pseudo-physiology into personal technology devices to create enhanced interactions through visceral signifiers and behaviours (2017)
Conference Proceeding
O 'Dowd, A. (2017). SKiN: Designing pseudo-physiology into personal technology devices to create enhanced interactions through visceral signifiers and behaviours

The majority of technology is now personal. Humans, in turn, are expected to and have personal relationships with their devices. The issue is that humans are biological beings and relate to the world as animals, in a biological way. In contrast, pers... Read More about SKiN: Designing pseudo-physiology into personal technology devices to create enhanced interactions through visceral signifiers and behaviours.

Efficient or Effective (2017)
Journal Article
Innes, M. (2017). Efficient or Effective. Lighting Magazine, 49(2), 100-107

Efficient or Effective: The contrast between these twin aspects of lighting cuts to the core of what it means to be a lighting designer. It poses the thorny question: what is lighting for?

Unconventional Lighting (2016)
Presentation / Conference
Innes, M. (2016, November). Unconventional Lighting

No abstract available.

Research on the Chemical and Colour Changes of Historically Important Light-Sensitive Dyestuffs during Accelerated Light Ageing with Filtered Visible Light (2016)
Working Paper
Quye, A., Han, J., & Innes, M. Research on the Chemical and Colour Changes of Historically Important Light-Sensitive Dyestuffs during Accelerated Light Ageing with Filtered Visible Light

Lighting is a key factor for the display and preservation of cultural heritage materials. This research pioneers the chemical investigation of colourants aged by visible light of different wavelengths. Silk samples dyed by historically important colo... Read More about Research on the Chemical and Colour Changes of Historically Important Light-Sensitive Dyestuffs during Accelerated Light Ageing with Filtered Visible Light.

The chemical effect of filtered visible light on light-sensitive dyes (2016)
Presentation / Conference
Quye, A., Han, J., & Innes, M. (2016, October). The chemical effect of filtered visible light on light-sensitive dyes. Poster presented at Dyes in History and Archaeology 35 (DHA35)

Despite best efforts to remove damaging UV and short wavelength light from museum displays, dyes on historical textiles can still fade or change colour if visible light causes chromophoric compounds to form or degrade. For known light-sensitive dyes,... Read More about The chemical effect of filtered visible light on light-sensitive dyes.

Fashion & Style Gallery, National Museum of Scotland (2016)
Exhibition / Performance
Taylor, S., & Robertson, S. Fashion & Style Gallery, National Museum of Scotland. Exhibited at Fashion & Style Gallery, National Museum of Scotland. 6 July 2016 - 31 January 2150. (Unpublished)

A 3m high static image of award winning Digital Lace design work features as a permanent exhibit in one of the ten major new galleries opened in July 2016 as part of the Museum's £14.1million redevelopment. Footage of the work also features in on... Read More about Fashion & Style Gallery, National Museum of Scotland.

Light-emitting Lace: a textile and lighting modular system (2016)
Physical Artefact
Taylor, S., Robertson, S., & Innes, M. (2018). Light-emitting Lace: a textile and lighting modular system. [Film, Adio]

Light-emitting Lace is a textile lighting proof of concept modular system comprising woven optical fibre and textile illuminator and the result of two, Textile Future Forum (TFF) Challenge Fund Awards to accelerate Scottish industry-led step change a... Read More about Light-emitting Lace: a textile and lighting modular system.