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Outputs (204)

Madlener House. (2015)
Other
Burton, K. (2015). Madlener House. [PDF Score]. Chicago, USA

A work for violin and cello commissioned by Access Contemporary Music and the Chicago Architecture Foundation. The work explores the relationship between music and architecture, specifically that of Madlener House, Chicago, home to the Graham Foundat... Read More about Madlener House..

for Mies (2015)
Other
Burton, K. (2015). for Mies. [PDF score]. Chicago, USA

A work for solo cello commissioned by Access Contemporary Music and the Chicago Architecture Foundation. The composition explores the relationship between music and the architecture of German modernist, Mies van der Rohe.

The premiere performance... Read More about for Mies.

Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming (2015)
Presentation / Conference Contribution
Ferguson, P. (2015, September). Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming. Presented at 26th UK AES Conference on Audio Education 2015 Glasgow, UK

This presentation and demonstration was given at the 26th UK AES Conference on Audio Education 2015 in Glasgow, UK.
The session introduces version 1.4 of the LOLA low-latency audio-visual streaming system and examines a real-time engineering case s... Read More about Real-time teaching of musicianship and audio engineering using LOLA – ‘LOw LAtency audio/ video streaming.

Reframing popular music composition as performance-centred practice (2015)
Journal Article
Moir, Z., & Medbøe, H. (2015). Reframing popular music composition as performance-centred practice. Journal of Music, Technology and Education, 8(2), 147-161. https://doi.org/10.1386/jmte.8.2.147_1

This article reports on a qualitative study of four undergraduate students specializing in popular music composition, and examines links and overlaps between three related areas: participants’ interpretations and definitions of the term ‘composition’... Read More about Reframing popular music composition as performance-centred practice.

The Art of the Loop: JJ Jeczalik and the Fairlight CMI Series II/III (2015)
Presentation / Conference Contribution
Harkins, P. (2015, June). The Art of the Loop: JJ Jeczalik and the Fairlight CMI Series II/III. Paper presented at Over and Over: Exploring Repetition in Popular Music

The socio-musical practice of sampling is closely associated with the quotation of sound recordings, the technological processes of looping, and an aesthetic based on appropriation and repetition, primarily within the genres of hip-hop and Electronic... Read More about The Art of the Loop: JJ Jeczalik and the Fairlight CMI Series II/III.

eMusic Open Call Deliverable OCI-DS3.2 Final Report. (2015)
Report
Ubik, S., Allochio, C., Ferguson, P., Smith, E., & Urban, O. (2015). eMusic Open Call Deliverable OCI-DS3.2 Final Report

The main objective of the eMusic project was to evaluate use of the Géant Bandwidth on Demand (BoD) service to support remote education and collaboration in music (eLearning) and remote access to cultural performances (eCulture). The project consorti... Read More about eMusic Open Call Deliverable OCI-DS3.2 Final Report..

Improvisation: Practical approaches for composers. (2015)
Presentation / Conference Contribution
Moir, Z. (2015, February). Improvisation: Practical approaches for composers. Presented at Invited Guest Workshop, University of Edinburgh, UK

1 day workshop.

Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. (2014)
Presentation / Conference Contribution
Hails, J. (2014, October). Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action. Presented at Music and shared imaginaries: nationalisms, communities, and choral singing, Aveiro, Portugal

In June 2014, a disparate group of trained and untrained performers gathered together at the Chisenhale Dance Space to perform items from the Scratch Orchestra’s 1969 Nature Study Notes. The performance was not a nostalgic recreation of past practice... Read More about Performing the Scratch Orchestra's Nature Study Notes: creating and exploring a third sphere through improvised communal action..

Mesmer EP (2014)
Digital Artefact
Moir, Z. (2014). Mesmer EP. [Audio]

No abstract available.

Making Connections. (2014)
Other
Burton, K. (2014). Making Connections. [PDF Score]. Edinburgh, Scotland

The piece is written for an ensemble of alto/bass flute, alto saxophone, viola, vibraphone/bongos and piano.

Written as part of a telematic research project connecting musicians and dancers in remote sites, the work involved a collaboration with m... Read More about Making Connections..

An Ecology of Music Making: Participation, Pressures, and Progressions (2014)
Presentation / Conference Contribution
Moir, Z. (2014, September). An Ecology of Music Making: Participation, Pressures, and Progressions. Presented at Creativities, Musicalities, and Entrepreneurships, Institute for Contemporary Music Performance, London, UK

No abstract available.

Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014 (2014)
Presentation / Conference Contribution
Stillie, B. (2014, April). Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014

This session will demonstrate how to work with video files in Logic X and address the requirements of N5 Music Technology. We will explore editing tools, track functionality and workflows to enhance learner projects. We will also offer insight into r... Read More about Stillie, B. & Russell, G. (2014) Using Logic Pro X to meet SQA N5 Music Technology qualification requirements. Presented to the Scottish Association of Music Educators Technology Conference. 11th January 2014.

Replies to the Critics: The Grounded Theories of Simon Frith (2014)
Presentation / Conference Contribution
Harkins, P. (2014, April). Replies to the Critics: The Grounded Theories of Simon Frith. Paper presented at Studying Music: An International Conference in Honour of Simon Frith

No abstract available.

The Hold (2014)
Other
Dempster, K. (2014). The Hold. [Musical Score]. Edinburgh, UK

The Hold – a site-specific, promenade performance, staged at the National Museum of Scotland, Chambers Street, Edinburgh, the result of a collaboration between Lung Ha’s Theatre Company and National Museums Scotland. The play is by Anglo-Canadian wri... Read More about The Hold.

Popular Music Pedagogy: Assessment, Evaluation, and Context (2014)
Presentation / Conference Contribution
Moir, Z., & McLaughlin, S. (2014, March). Popular Music Pedagogy: Assessment, Evaluation, and Context. Paper presented at International Festival for Artistic Innovation, Leeds College of Music, UK

No abstract available.