Outputs (15)

Development of a 3D audio panning and realtime visualisation toolset using emerging technologies (2010)
Thesis
Ferguson, P. Development of a 3D audio panning and realtime visualisation toolset using emerging technologies. (Thesis). Edinburgh Napier University. http://researchrepository.napier.ac.uk/id/eprint/6698

This thesis documents a body of research that links the field of electro-acoustic diffusion and spatialisation with practice in the music and film post-production industries. Three research questions are posed:
"How can the physical user-interfaces... Read More about Development of a 3D audio panning and realtime visualisation toolset using emerging technologies.

Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. (2010)
Book Chapter
Harkins, P. (2010). Microsampling: from Akufen's microhouse to Todd Edwards and the sound of UK Garage. In A. Danielsen (Ed.), Musical Rhythm in the Age of Digital Reproduction (177-194). Ashgate Publishing

The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups (2010)
Presentation / Conference Contribution
Harkins, P., & Brøvig-Hanssen, R. (2010, December). The Strange Delights of ‘The Whipped Cream Mixes’: The Aesthetics, Humour and Tradition of Mash-ups. Paper presented at Art of Record Production (ARP)

No abstract available.

Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation (2010)
Journal Article
Harkins, P. (2010). Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation. Journal of the International Association for the Study of Popular Music, 1(1), 1-19. https://doi.org/10.5429/2079-3871%282010%29v1i2.3en

Brian Eno describes the recording studio as a compositional tool that has enabled composers to enjoy a more direct relationship with sound. This article will explore the use of the digital sampler as one of the studio tools that forms part of this cr... Read More about Appropriation, Additive Approaches and Accidents: The Sampler as Compositional Tool and Recording Dislocation.

Deacon (World Premier) (2010)
Exhibition / Performance
Moir, Z. Deacon (World Premier). Performed at Scottish Storytelling Centre, Edinburgh, UK. 19 September 2010

(The premier performance of an original 'musical' commissioned by MED-EL UK for the rehabilitation of Cochlear Implant Users)

Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough. (2010)
Book Chapter
Fitch, L., & Hails, J. (2010). Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough. In M. Paddison, & D. DELIÈGE (Eds.), Contemporary Music: Critical and Theoretical Perspectives (319-330). Ashgate Publishing

Composing Music For Cochlear Implant Users: Evaluations (2010)
Presentation / Conference Contribution
Moir, Z., Osborne, N., & Overy, K. (2010, July). Composing Music For Cochlear Implant Users: Evaluations. Paper presented at 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies, Stockholm, Sweden

No abstract available.

Cochlear Implants and Music Listening Experiences (2010)
Presentation / Conference Contribution
Moir, Z., & Overy, K. (2010, June). Cochlear Implants and Music Listening Experiences. Paper presented at 11th International Conference on Cochlear Implants and Other Implantable Auditory Technologies, Stockholm, Sweden

No abstract available.

Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation (2010)
Presentation / Conference Contribution
Harkins, P. (2010, June). Appropriation, Additive & Accident: A Case Study of Digital Sampling and Recording Dislocation. Paper presented at ANR Research Workshop

No abstract available.

The Musical Experiences of Cochlear Implant Users (2010)
Presentation / Conference Contribution
Moir, Z. (2010, May). The Musical Experiences of Cochlear Implant Users. Presented at NHS Hearing Professionals Conference, University College London, UK

No abstract available.

Composing Music for Adult Cochlear Implant Users: Objectives, Approaches, and Outcomes (2010)
Presentation / Conference Contribution
Moir, Z. (2010, May). Composing Music for Adult Cochlear Implant Users: Objectives, Approaches, and Outcomes. Presented at NHS Hearing Professionals Conference, University College London, London

No abstract available.

Enjoying Music with a CI: Evaluation and Experience of Implant Mediated Music Perception (2010)
Presentation / Conference Contribution
Moir, Z. (2010, March). Enjoying Music with a CI: Evaluation and Experience of Implant Mediated Music Perception. Presented at Invited Workshop, University of Cambridge, UK

Practical workshop for Cochlear Implant users and NHS Audiology Professionals.

Listening to Music: Cochlear Implant Users and Musical Experience (2010)
Presentation / Conference Contribution
Moir, Z. (2010, March). Listening to Music: Cochlear Implant Users and Musical Experience. Presented at Deaf Connections, Glasgow

No abstract available.

Miniatures for Horn Trio. (2010)
Other
Burton, K. (2010). Miniatures for Horn Trio. [PDF score]. Plymouth, UK

This three movement work was first performed by members of the Research Ensemble at the Peninsula Arts Contemporary Music Festival, 26 February 2010.

Material from the first movement reappears in the second and third in various guises. The second... Read More about Miniatures for Horn Trio..

Improvising and Dance: Improvising for/with Movement (Practical Workshop) (2010)
Presentation / Conference Contribution
Moir, Z. (2010, February). Improvising and Dance: Improvising for/with Movement (Practical Workshop). Presented at Invited Practical Workshop, University of Edinburgh, UK

Invited practical workshop.