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Outputs (26)

“From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs (2018)
Journal Article
Anastasiadou, C., & Vettese, S. (2019). “From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs. Tourism Management, 71, 428-442. https://doi.org/10.1016/j.tourman.2018.10.032

Souvenirs, whether mass-produced commodities made elsewhere or local artisanal handicrafts, are static objects that lack the capacity to mediate or generate the co-creative, active or immersive experiences that tourists desire. The expansion of addit... Read More about “From souvenirs to 3D printed souvenirs”. Exploring the capabilities of additive manufacturing technologies in (re)-framing tourist souvenirs.

A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication (2018)
Journal Article
Vettese, S., Allan, D., & Thompson, P. (2018). A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication. Design and Technology Education: An International Journal, 23(3), 10-25

In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ environments, enabled by online communities of ‘citizen practitioners' and maker... Read More about A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication.

From Singapore with Nature (2018)
Book Chapter
Supartono, A. (2018). From Singapore with Nature. In Capitalist Realism: Future Perfect, Past Continuous (200-211)

In 1819, when Stamford Raffles decided to turn the small fishing island at the Malacca strait into a trading port of British East India company, the future of Singapore was sealed.  Highly influenced by then the admirable Adam Smith and David Ricardo... Read More about From Singapore with Nature.

AHRC Design Research for Change Showcase (2018)
Exhibition / Performance
Vettese, S., Anastasiadou, C., Calder, L., Vones, K., Burton, K., & Allan, D. AHRC Design Research for Change Showcase. 20 September 2018 - 23 September 2018

No abstract available.

Design Research For Change (2018)
Book
Vettese, S. (2018). Design Research For Change. Lancaster University

No abstract available.

One and Three Discs (after Kosuth) (2018)
Physical Artefact
Holmes, P. One and Three Discs (after Kosuth). [Gallery exhibition]. Valletta, Malta

Super 8 film, DVD, audio recording, screen, speaker

It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs challenged its viewer to locate the “real” by choosing between an object & its visual or textual representations. Re... Read More about One and Three Discs (after Kosuth).

One and Three Discs (after Kosuth) (2018)
Presentation / Conference Contribution
Holmes, P. (2018, September). One and Three Discs (after Kosuth). Presented at Creative Legacies: Collaborative Practices for Digital Cultural Heritage

It is over 50 years since Joseph Kosuth’s conceptual work One and Three Chairs (1965) challenged its viewer to locate the “real” by choosing between an object & its visual or textual representations (Juzefovic, 2013). Replacing Kosuth’s chair with a... Read More about One and Three Discs (after Kosuth).

Digital Revolution or Plastic Gimmick? Authenticity in 3D Souvenirs (2018)
Book Chapter
Anastasiadou, C., & Vettese, S. (2018). Digital Revolution or Plastic Gimmick? Authenticity in 3D Souvenirs. In J. M. Rickly, & E. S. Vidon (Eds.), Authenticity & Tourism Materialities, Perceptions, Experiences (165-179). Emerald

Mass-market production of souvenirs, their disposability and their mixed up, interpretive styling may detach the tourist from
the actual experience. Conversely, it is the personal relationship that
is formed between the tourist and the souvenir tha... Read More about Digital Revolution or Plastic Gimmick? Authenticity in 3D Souvenirs.

Feedback Stamp (2018)
Physical Artefact
Cochrane, R., & Firth, R. Feedback Stamp. [Wooden Stamp]

Simple feedback stamp to provide incremental feedback on work-in-progress in the art design context.

Lit Lace for Performance (2018)
Physical Artefact
Taylor, S. Lit Lace for Performance. [Lace]

With Robertson, I initiated, developed and led, Lit Lace for Performance, a culmination of cross-disciplinary collaborative work which explored the development of responsive smart textile backdrops for new display, projection and visual effects for t... Read More about Lit Lace for Performance.

Customisable 3D printed model of Robin Hood Gardens (2018)
Physical Artefact
Vettese, S., & Vones, K. Customisable 3D printed model of Robin Hood Gardens. [Physical Artefact]. Edinburgh Napier University

This research proposed to utilise the processes and experiences of designing and making 3D printed 'souvenirs of place', with regards to Modern 'overlooked' heritage. The public were asked to interact with 3D modelling technology, to personalise a pr... Read More about Customisable 3D printed model of Robin Hood Gardens.

3D printed St Gabriel’s Chapel musical souvenir with interchangeable components (2018)
Physical Artefact
Vettese, S., Vones, K., Allan, D., & Burton, K. 3D printed St Gabriel’s Chapel musical souvenir with interchangeable components. [Physical Artefact]. Edinburgh Napier University

The research group have created a musical, 3D printed souvenir with interchangeable components so that the owner can create their own, personalised version of the musical experience after they have visited the church and experienced the musical perfo... Read More about 3D printed St Gabriel’s Chapel musical souvenir with interchangeable components.

3D Printed souvenir of Craigsbank Church (2018)
Physical Artefact
Vettese, S., & Vones, K. 3D Printed souvenir of Craigsbank Church. [Physical Artefact]. Edinburgh Napier University

The aim of this project is to evaluate how in-situ and interactive musical compositions and digital craft may mediate the understanding, appreciation and value attached to, as yet, unloved, Modern architectural heritage.

Contemporary musical comp... Read More about 3D Printed souvenir of Craigsbank Church.

3D printed building sections and joining pieces, inspired by the architecture of Basil Spence (2018)
Physical Artefact
Vettese, S., & Vones, K. 3D printed building sections and joining pieces, inspired by the architecture of Basil Spence. [Physical Artefact]. Edinburgh Napier University

A series of one-day workshop events were staged to engage the public with the architecture of Basil Spence, firstly at Edinburgh Napier University’s Maker Space and then within Edinburgh University’s Library, designed by Basil Spence. Participants we... Read More about 3D printed building sections and joining pieces, inspired by the architecture of Basil Spence.

1.5cm Unicorn Souvenirs (2018)
Physical Artefact
Vettese, S., & Anastasiadou, C. 1.5cm Unicorn Souvenirs. [Physical artefact]. Edinburgh Napier University

This study explored the possibilities and challenges that 3D printing could generate in the production and consumption of tourist souvenirs. The team undertook a study in collaboration with Historic Environment Scotland (previously Historic Scotland)... Read More about 1.5cm Unicorn Souvenirs.

In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture (2018)
Journal Article
Vettese, S., & Anastasiadou, C. (2018). In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture. The Journal of Peer Production, 12, 27-39

This paper outlines an Arts and Humanities Research Council (AHRC) funded Design Innovation Development Award project titled ' Enhancing the Authenticity and Sustainability of the Visitor Heritage Experience through 3D Printing Technology', undertake... Read More about In Situ, 3D Printed Heritage Souvenirs: Challenging Conventional Spaces and Culture.

Creation of Id (2018)
Exhibition / Performance
O'Dowd, A. Creation of Id. [Mixed Media]. Exhibited at Casa da Prelada, Porto, Portugal. 28 June 2018 - 20 July 2018

The built environment in which we live has been designed in an attempt to make it intuitive, efficient, and purposeful. The potential of designed objects are activated upon activation. In order to facilitate this moment of interaction designers apply... Read More about Creation of Id.

Examining the Professional Codes of Design Organisations (2018)
Presentation / Conference Contribution
Buwert, P. (2018, June). Examining the Professional Codes of Design Organisations. Presented at Design Research Society 2018: Catalyst, Limerick

Many of the professional organisations within the various fields of design activity publish professional codes of ethics in one form or another. This paper opens up a discussion of the role which professional codes might play in relation to the ethic... Read More about Examining the Professional Codes of Design Organisations.

Time Machine. In Simply Beaming (2018)
Exhibition / Performance
Holmes, P. Time Machine. In Simply Beaming. Exhibited at HOPE, Engaru, Hokkaido, Japan. 14 June 2018 - 15 June 2018

This group exhibition of moving image works from members of the artist-run Edinburgh gallery, Embassy, toured venues across Japan and included video work "Time Machine".

Curated by Ed Compson and Oisín Gallagher.