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All Outputs (2100)

The Scottish Revival Network
Presentation / Conference Contribution
Lyall, S. (2021, March). The Scottish Revival Network. Paper presented at The Future of Scottish Cosmopolitanism at the Fin de Siècle, University of Glasgow [Online]

Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm
Presentation / Conference Contribution
Artt, S. (2022, June). Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm. Paper presented at Association of Adaptation Studies annual conference, University of Lisbon, Portugal

In Dune (Denis Villeneuve, 2021), the much-anticipated adaptation of the Frank Herbert series, Charlotte Rampling briefly appears as Mother Helen Mohiam, high priestess of the Bene Gesserit. Veiled in an elaborate costume, it is Rampling’s voice that... Read More about Step on Me Charlotte Rampling or on Arrakis No One Can Hear You Orgasm.

Designing Unesco Culture: Internationalism and the Global Imagination
Presentation / Conference Contribution
Jamieson, K. (2010, June). Designing Unesco Culture: Internationalism and the Global Imagination. Paper presented at 8th Crossroads in Cultural Studies Conference (Association of Cultural Studies), Hong Kong

Amidst the rise of sensory rather than creative discourses that seek to categorise and re-evaluate cultural encounters with and within the city, it is timely to explore how frameworks produce ideals of authenticity, and how these ideals are bound up... Read More about Designing Unesco Culture: Internationalism and the Global Imagination.

Internationalist Urban Imaginaries and ‘Creative’ Global Geographies
Presentation / Conference Contribution
Jamieson, K. (2011, June). Internationalist Urban Imaginaries and ‘Creative’ Global Geographies. Paper presented at EURA 2011 Conference: Cities without Limits, Copenhagen

Predicated on the spatial dialectic of the universal and the local, the internationalist paradigm of the twentieth century implicated designers in communicating the materiality of national culture as a symbol of industrial power through the euro-atla... Read More about Internationalist Urban Imaginaries and ‘Creative’ Global Geographies.

Mobile Techno-cosmopolitanism: Between Cultural and Administrative Imaginaries
Presentation / Conference Contribution
Jamieson, K. (2011, June). Mobile Techno-cosmopolitanism: Between Cultural and Administrative Imaginaries. Paper presented at EURA 2011 Conference: Cities without Limits, Copenhagen

Despite the economic downturn, the highly mobile pseudo-policy first produced by Comedia, the European City of Culture and The Creative City paradigm continues to recast the city as a destination of cultural capital. From Glasgow to Istanbul urban s... Read More about Mobile Techno-cosmopolitanism: Between Cultural and Administrative Imaginaries.

Revelling in Policy: viral Urban Utopias
Presentation / Conference Contribution
Jamieson, K. (2011, November). Revelling in Policy: viral Urban Utopias. Paper presented at Spaces and Flows: An International Conference on Urban and ExtraUrban Studies, Monash University, Prato

This paper aims to map the prevailing virality of the Creative City paradigm. In so doing, it identifies a highly mobile normative mode of cultural reflexivity within a global matrix of urban cultural administration. The paper argues that this mode... Read More about Revelling in Policy: viral Urban Utopias.

Playfully Public: Edinburgh Botanical Gardens as Utopian Spectacle and Neoliberal Project
Presentation / Conference Contribution
Jamieson, K. (2015, June). Playfully Public: Edinburgh Botanical Gardens as Utopian Spectacle and Neoliberal Project. Paper presented at Conference of European Association of Social Anthropologists, University of Zagreb, Croatia

Edinburgh exists as the pre-eminent city of ambient festival space boasting as it does a calendar of conspicuous cosmopolitan public life that announces the arrival of a self-consciously international urban mood. The city's longstanding 'reflexive ac... Read More about Playfully Public: Edinburgh Botanical Gardens as Utopian Spectacle and Neoliberal Project.

Composing Festival Timescapes
Presentation / Conference Contribution
Jamieson, K. (2016, April). Composing Festival Timescapes. Paper presented at Association of American Geographers Annual Meeting, Boston

Composing Festival Timescapes is as the title suggests, a way of approaching the city as a space of composition. The paper develops the subject of urban atmosphere and affective urban planning through an analysis of two discourses that mine the tempo... Read More about Composing Festival Timescapes.

Feeling Brexit: Digital Empathy and Imagined Communities
Presentation / Conference Contribution
Jamieson, K., & Grandison, T. (2017, June). Feeling Brexit: Digital Empathy and Imagined Communities. Paper presented at Empathies: 11th Conference of the European Society for Literature, Science and the Arts, Basel

In the transition towards triggering Article 50, the UK descended into a turmoil of bitter political division. In the fall-out of the referendum that took place on 23 June 2016 the experience of feeling Brexit took place across social media where co... Read More about Feeling Brexit: Digital Empathy and Imagined Communities.

Public Art: Spaces as Sites of living together: Edinburgh’s Botanic Lights
Presentation / Conference Contribution
Jamieson, K. (2017, April). Public Art: Spaces as Sites of living together: Edinburgh’s Botanic Lights. Paper presented at Association of American Geographers Annual Meeting, Boston

Edinburgh boasts an identity reliant upon the curation of ambient festival space and cosmopolitan public life that announces the arrival of a self-consciously international urban mood. The city’s longstanding ‘reflexive accumulation’ (Lash and Urry... Read More about Public Art: Spaces as Sites of living together: Edinburgh’s Botanic Lights.

Theorizing the Affective Registers of Intangible Cultural Heritage in Scotland
Presentation / Conference Contribution
Jamieson, K., & McCleery, A. (2017, April). Theorizing the Affective Registers of Intangible Cultural Heritage in Scotland. Paper presented at Association of American Geographers Annual Meeting, Boston

In history, the desire for form is expressed in formulation (White 1980) where re-makings of the past reveal both the politics of production and the shifting technologies of narrating. In an effort to understand this process of formulation we theori... Read More about Theorizing the Affective Registers of Intangible Cultural Heritage in Scotland.

The Deaf Heritage Collective: Collaboration and Critical Intent
Presentation / Conference Contribution
Jamieson, K. (2019, April). The Deaf Heritage Collective: Collaboration and Critical Intent. Paper presented at ICOM: Museums as Agents of Change Conference, Tallinn

Deaf people refer to themselves as both a minority and an ethnicity (Lane 2011; Ladd 2003), a cultural designation underwritten by the BSL (Scotland) Act 2015, which formally recognises the linguistic and cultural lives of Scotland’s Deaf communities... Read More about The Deaf Heritage Collective: Collaboration and Critical Intent.

Collaborative Disruption: Antagonistic Play within The Deaf Heritage Collective
Presentation / Conference Contribution
Jamieson, K., & Discepoli, M. (2019, November). Collaborative Disruption: Antagonistic Play within The Deaf Heritage Collective. Paper presented at INDialogue 4th Symposium, Nottingham

The arts are becoming increasingly integrated into applied linguistics research as scholarly attention turns towards multimodality, superdiversity (Adami 2017; Blackledge and Creese 2017) and co-production (McKay and Bradley 2016). Adding to this gro... Read More about Collaborative Disruption: Antagonistic Play within The Deaf Heritage Collective.

Antagonism as Method: Critical Heritage Meets Critical Design
Presentation / Conference Contribution
Jamieson, K., & Discepoli, M. (2020, August). Antagonism as Method: Critical Heritage Meets Critical Design. Paper presented at Association of Critical Heritage Studies 2020, Online

This paper reflects upon the critical intent of an inter-lingual and inter-modal heritage research project that brought together Scotland’s heritage professionals and Deaf activists. We describe how the collaborative methods of critical design facili... Read More about Antagonism as Method: Critical Heritage Meets Critical Design.

Invoking Deaf Heritage: A case for the future-making capacity of critical design
Presentation / Conference Contribution
Jamieson, K., & Discepoli, M. (2020, August). Invoking Deaf Heritage: A case for the future-making capacity of critical design. Paper presented at Association of Critical Heritage Studies 2020, Online

Design is inseparable from heritage in its capacity to invoke the material presence of the past, but as this pa- per argues, it is critical design’s future-making capacity that offers critical heritage a much-needed speculative representational frame... Read More about Invoking Deaf Heritage: A case for the future-making capacity of critical design.

'Kids rock Akademiks but they're not academic': hip-hop, academia and the liminal spaces between
Presentation / Conference Contribution
Hook, D. (2022, January). 'Kids rock Akademiks but they're not academic': hip-hop, academia and the liminal spaces between. Paper presented at PANTHEON: Hip-Hop’s Global Pathways to Cultural “Legitimacy” (European Hip-Hop Studies Network Meeting), Paris, France

Presenting a ra/p/aper, demonstrating and arguing that hip-hop practice is hip-hop studies. Building on AD Carson’s artist-research in the form of mixtap/e/ssays (Carson, 2020), the work asserts that rap is research, art is scholarship, rather than r... Read More about 'Kids rock Akademiks but they're not academic': hip-hop, academia and the liminal spaces between.

The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic
Presentation / Conference Contribution
MacLeod, K. (2021, March). The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic. Paper presented at MPE/MeCCSA Practice Network Symposium 2021, Bournemouth University

The presentation will discuss initial reflections on a UKRI funded impact and engagement project in the Pacific, aimed at addressing community based and participatory media production as a development methodology to tackle gender inequality and speci... Read More about The Pacific Community Filmmaking Consortium – Doing Impact and Engagement during a global pandemic.