All Outputs (8)

A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication (2018)
Journal Article
Vettese, S., Allan, D., & Thompson, P. (2018). A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication. Design and Technology Education: An International Journal, 23(3), 10-25

In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ environments, enabled by online communities of ‘citizen practitioners' and maker... Read More about A study of childrens' relationship with making and use of CAD in collaborative, physical and digital environments : implications for learning and open access fabrication.

A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication (2017)
Conference Proceeding
Vettese, S., Thompson, P., & Allan, D. (2017). A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication. In Cumulus Hong Kong 2016, Cumulus Working Papers, Open Design for E-very-thing (23-30)

In this paper, the researchers will investigate different ways in which school age, 'generation net' children learn, through non-linear, mediated, collaborative ‘making’ environments, enabled by online communities of ‘citizen practitioners' and maker... Read More about A study of the multi generational relationship with making through mediated designing in collaborative, digital environments: implications for learning and open access fabrication.

An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. (2017)
Thesis
Thompson, P. An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation. (Thesis). Robert Gordon University. Retrieved from http://researchrepository.napier.ac.uk/Output/683309

This research was initiated by questions raised from the researcher’s professional activities in fine art printmaking and examines, through contextualised artistic practice and critical enquiry, redefinitions in the physical and temporal parameters o... Read More about An examination of the physical and temporal parameters of post-physical printmaking practice: exploring new modes of collaboration, distribution and consumption resulting from digital processes and networked participation..

Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space (2014)
Conference Proceeding
Thompson, P., & Pengelly, J. (2014). Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space. In A. Watson, E. Shemilt, & P. Liam Harrison (Eds.), Impact 8: Borders & Crossings: the artist as explorer (1-13)

This paper presents findings from practice-based research, which examines notions of post-physical printmaking space through the digital medium of Augmented Reality. Founded on questions raised through professional activities in fine art printmaking... Read More about Walking in the Garden of Forking Paths – examining notions of 'post-­physical' printmaking in digital space.

Social Networking and Affinity Spaces – The Virtual Atelier (2012)
Conference Proceeding
Pengelly, J., & Thompson, P. (2012). Social Networking and Affinity Spaces – The Virtual Atelier. In ATINER's Conference Paper Series ART2012-0076 (ART2012-0076)

This paper examines the impact digital culture, Web 2.0 and Online Networking, an area we might collectively define as e-culture, is having on the practice, modes of collaboration, distribution and consumption within contemporary printmaking. The aut... Read More about Social Networking and Affinity Spaces – The Virtual Atelier.

The Digital Matrix and the Paperless Print (2011)
Conference Proceeding
Thompson, P. (2011). The Digital Matrix and the Paperless Print. In S. Hoskins (Ed.), IMPACT 6: multi-disciplinary printmaking conference proceedings (44)

This paper examines, from the perspective of a critically engaged practioner within the context of contemporary fine art printmaking practice, the concept of a " digital matrix " and the consequent " paperless print ". It identifies that " digital pr... Read More about The Digital Matrix and the Paperless Print.

Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking (2011)
Digital Artefact
Thompson, P. (2011). Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking. [Digital Portfolio]

The ‘Born Digital – New Materialities’ print portfolio is the result of a digitally mediated open call “exchange” survey, examining the notion of “printmaking 2.0”. It is part of research examining the physical and temporal parameters of post-physica... Read More about Born digital-new materialities: a survey mini-print exchange of contemporary digitally mediated printmaking.

The Personalised Surface, New Approaches to Digital Printmaking (2009)
Conference Proceeding
Thompson, P. (2009). The Personalised Surface, New Approaches to Digital Printmaking. In The Personalised Surface: New Approaches to Digital Printmaking

My work is formed through practice-based research and is placed within the context of the transferred image. I have developed my digital practice from traditional methods of painting, printmaking and the multiple, through contextual study and action... Read More about The Personalised Surface, New Approaches to Digital Printmaking.