Lee Cheng
Teaching Live Coding of Electronic Dance Music: A Case Study
Cheng, Lee
Authors
Abstract
Live coding is a relatively new performance practice that emphasizes the expressive possibilities afforded by computer programming. Live coding has often been associated with contemporary musical styles such as electronic dance music (EDM), which favors the design of rhythms through algorithms and does not require extensive musicianship training. While literature has addressed both live coding and EDM pedagogy, research that fuses the two remains sparse. This paper presents a case study on teaching undergraduate students the live coding of EDM with Sonic Pi in an elective course. It aims to examine the pedagogical implications of using live coding to teach EDM in a classroom environment. A mixed method approach was adopted to examine participants’ (N = 39) perceptions of the difficulties, learning processes, and teaching methods involved in creating EDM through live coding. The findings of this case study indicated that technical programming skills presented beginner students with the most difficulty, whereas learning EDM via live coding was found to be motivating and effective.
Citation
Cheng, L. (2018). Teaching Live Coding of Electronic Dance Music: A Case Study. Dancecult: Journal of Electronic Dance Music Culture, 10(1), https://doi.org/10.12801/1947-5403.2018.10.01.10
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 1, 2018 |
Online Publication Date | Nov 22, 2018 |
Publication Date | Nov 23, 2018 |
Deposit Date | Aug 10, 2021 |
Peer Reviewed | Peer Reviewed |
Volume | 10 |
Issue | 1 |
Series ISSN | 1947-5403 |
DOI | https://doi.org/10.12801/1947-5403.2018.10.01.10 |
Keywords | EDM, live coding, pedagogy, music education, performance technology |
Public URL | http://researchrepository.napier.ac.uk/Output/2792807 |
You might also like
The worst is yet to come: the psychological impact of COVID-19 on Hong Kong music teachers
(2021)
Journal Article
Shanshui
(2020)
Other
Music classroom as the shifting ground for patriotism: National Anthem Law in Hong Kong
(2020)
Conference Proceeding
Learner autonomy in music performance practices
(2020)
Journal Article
Downloadable Citations
About Edinburgh Napier Research Repository
Administrator e-mail: repository@napier.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2024
Advanced Search